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We are always looking to add depth through layers in our work at Studio Pulp.
This layering goes beyond the physical — it’s also about the layers of where an object comes from and the time it belongs to. A vintage piece set against a contemporary finish or architectural detail creates both interest and a sense of relief.
At its heart, it’s about leaning into the process, allowing a little play, and simply enjoying the freedom of letting go.
Layer furniture for a lived-in look
Working with clients is always a collaborative process. Often, they’ll want to hold on to existing pieces, and for us, that’s where the real design conversation begins.
We look at what can become the statement, what needs quietening down, and where balance can be found. Sometimes it’s about letting a single hero piece take centre stage, other times it’s about simplifying so the room can breathe.
Incorporate colour
Some of our favourite colours to work with are warm terracottas, soft blush pinks, a touch of burgundy and even those gentle sky blues.
The idea of committing to a full wall of colour can feel daunting, and that’s completely fine, it’s not for everyone. Where we can, we love to introduce colour through furniture and objects, making it feel a little less intimidating. And for those who love tonal-on-tonal, a subtle block of colour or splash of pattern can be all it takes to bring the space to life.
Take inspiration from your hero pieces
Sometimes the entire material selection can be sparked by a single piece. In our Drummoyne House project, it was a vintage pair of Murano wall lights the client had cherished for years. When it comes to materials, the possibilities are endless.
We often draw from our clients’ personalities and the context of the site to guide where and how each material finds its place. The goal is to look at the finish and think, “that feels so you” a true reflection of the client within the space.
Don’t neglect the soft furnishings
Soft styling can go a long way and for many Australians, it’s the perfect way to add personality without putting a hole in the wall, or the budget. Think rugs (even double-layered), a playful mix of dining chairs, art walls, or if that’s not possible, oversized frames casually stacked on the floor.
In our Bondi Junction Apartment project, the client had the most incredible pieces from The DEA Store. While some of these weren’t the biggest, simply giving them the right space to be showcased was all it took for the home to come alive.
Additional moodboard credits (from left): ‘motion of red earth’ by Ash Holmes from Hake House. ‘Hallucinogen Made In Collaboration With Emmaline Zanelli’ by James Brown from Saint Cloche. ‘Pannelli’ Wall Installation by Venini by Ludovico Diaz de Santillana from Castorina.
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