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The Garden Of A Lifetime

Gardens

Leona Romaniuk has lived on the same property in Brisbane’s Chapel Hill for most of her childhood and adult life.

Recently, she enlisted landscape architect Sidonie Carpenter to help her edit the stunning greenspaces, incorporating a Japanese rock garden originally commissioned by her Ikebana-master mother, and a palm-flanked rainforest walk created by her late husband. And if that wasn’t enough, this exceptional garden surrounds an incredible modernist house by Vitaly Gzell!

 

4th February, 2019

Loose, colourful planting balances the clean lines of the modernist home. Photo – Daniel Shipp.

The void of a large rectangular lawn balances the mass of lush, sub-tropical planting in Leona Romaniuk’s Chapel Hill garden. Photo – Daniel Shipp.

‘In music it’s not just the note that’s played that’s important, it’s the space between the notes. Working with the architects and landscape architects has made me appreciate more and more the space between things’, says Leona. Photo – Daniel Shipp.

Much of the existing structure of the garden remains, however, Leona and landscape architect Sidonie Carpenter have augmented/edited the planting. Photo – Daniel Shipp.

Leona Romaniuk’s home was designed by architect Vitaly Gzell in the early 1960s. Photo – Daniel Shipp.

Layered planting flanks the driveway. Many of the larger plants have been in the garden since the 1960s. Photo – Daniel Shipp.

‘I remember when dad bought the umbrella tree (large multi-stemmed tree in the background) home as a seedling in a tin’, says Leona. Photo – Daniel Shipp.

Leona’s garden is very much about the balance between expansive and intimate spaces. Photo – Daniel Shipp.

Georgina Reid
Monday 4th February 2019

‘We didn’t have a plan, and I didn’t want one. I wanted it to develop organically because a garden just does.’ – Leona Romaniuk.

It’s rare these days to live in the same place all your life. See the world, fly the coop, change, move, grow, we’re told. And so we do. Yet, there’s great nourishment on offer when we choose to stay. When we choose to make a life in relation to a place, rather than living a placeless life. Visiting Leona Romaniuk’s home and garden in the Brisbane suburb of Chapel Hill reminds me of this. She’s lived in the same house for most of her years – as a young child, a mother with five children and now as a grandmother. Observing her face as she shows me around her garden illustrates clearly the joy she finds growing from this place.

Leona’s parents bought the property in the early 1960s, and commissioned architect Vitaly Gzell to design the incredible modernist house (which has recently undergone renovations designed by James Russell Architect). In the 1970s, after Leona’s father died, her mother subdivided the property, and the garden shrunk from three acres to one. At that time, the garden became an important place for both Leona and her mother, who was an Ikebana master and grew many plants for her arrangements in the space. ‘I started to appreciate the garden more in the 1970s. The sheer beauty of the garden drew me in’ Leona says.

When Leona and her late husband Kon moved back to the property in the early 1980s, they inherited her parents garden. Big old strelitzias, cordylines, crepe myrtles and umbrella trees planted by her father sat alongside a Japanese rock garden commissioned by her mother. There’s a weightiness to inheriting a garden like this, and Leona and Kon lived with the garden as it was for a number of years.

Soon, though, they began making changes. The pair instigated a palm-flanked rainforest walk weaving through a shady lower area of the garden. ‘Kon was the main driver behind the rainforest. He was a real worker’, Leona says. But, ‘we’d see a plant and we’d plant it. We didn’t really consider things.’

After most of a lifetime spent in this garden, for the last five years, Leona has been looking and editing. ‘I’ve had 60 years to contemplate what to do!’ she says. ‘This is the first time I’ve tried to look at the whole thing and pull it together.’

She engaged landscape architect Sidonie Carpenter to help guide her through the process. The initial structure of the garden didn’t need much tweaking, but the planting was in need of attention. ‘Sidonie and I have worked together for the last five years. She would say ‘let’s do this or that’ and we did it. We didn’t have a plan, and I didn’t want one. I wanted it to develop organically, because a garden just does. It’s been a really lovely process.’

With Sidonie’s help, the garden has been given space to breathe and a new lease on life. Leona is uncompromising in her vision. ‘I want to create a beautiful garden because it gives me such joy. If a plant doesn’t work, it doesn’t work. We get rid of it. Life is short. Barry, my gardener, says to me “Oh for goodness sake, Leona, you’re like a Bondi tram”.

Leona loves this garden, this home, this place. And now, after a lifetime, she’s truly made it her own. ‘I love this place so much. I feel like it’s very much my home now. In terms of feel, and spirit.’

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The Design Files acknowledge the Traditional Custodians of the lands on which we work, the Wurundjeri people of the Kulin Nation. We pay our respects to Elders past and present.

First Nations artists, designers, makers, and creative business owners are encouraged to submit their projects for coverage on The Design Files. Please email bea@thedesignfiles.net