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A Not So Suburban House In Sydney

Architecture

Some design briefs come with dream locations, huge budgets and sprawling sites. Others are more modest in their offering and intent. In these smaller-scale occasions, it is the role of the architect to transform the ‘unremarkable’ into ‘remarkable’ – and this incredible skill is on full display in today’s House Frances.

We chat with Simon Addinall of Those Architects about creating this ‘not so suburban’ home in Freshwater, NSW.

29th October, 2018

House Frances by Those Architects in Freshwater. Photo – Luc Rédmond.

Landscape architecture by Terry Boyle. Photo – Luc Rédmond.

Photo – Luc Rédmond.

Robust materials were selected to ensure a low maintenance home. Photo – Luc Rédmond.

The contemporary living space. Photo – Luc Rédmond.

The kitchen. Photo – Luc Rédmond.

Photo – Luc Rédmond.

Gorgeous pieces in the living area! Photo – Luc Rédmond.

All spaces have both visual and physical connections to the courtyard and gardens. Photo – Luc Rédmond.

A combination of practical low-maintenance materials, and considered aesthetic design bring this project to life. Photo – Luc Rédmond.

Seamless connections between inside and out. Photo – Luc Rédmond.

Close connection to the outdoors is maintained. Photo – Luc Rédmond.

Not a bad view to wake up to! Photo – Luc Rédmond.

Lucy Feagins
Monday 29th October 2018

House Frances by Those Architects in Freshwater New South Wales is a remarkable suburban home in what architect Simon Addinall describes as an ‘unremarkable location.’ The site is long and rectangular, and the architects responded to the elongated space by avoiding a ‘typical suburban’ design, instead approaching the house as a ‘series of locations’ rather than a series of rooms – in effect, a collection of indoor and outdoor spaces across the 600sqm plan.

This assemblage approach is achieved through a triptych design – a house made up of three distinct parts. Simon explains the property constitutes ‘a central living and dining space bookended by private quarters, one end of residents, the other for guests.’ Importantly all spaces have both visual and physical connections to the courtyard and gardens, which he enthuses ‘creates borderless relationships and strong linkages between inside and out.’

The client requested exteriors that would not require on-going maintenance and upkeep, so robust bricks, concrete, terracotta cladding and limestone paving were selected. A key part of the brief, too, was to create a home that would capture the sun and sea breeze. Simon describes how the combination of a north-facing courtyard and deep concrete shelf allow flooding daylight into the home, while also sheltering from more severe weather.

Making maximum use of a modest suburban site, this house is small in size but big in impact. Simon highlights, ‘we think this project demonstrates you can live well irrespective of the size of the house.’ House Frances demonstrates that luxury lies not in lavish proportions, but in the quality of the design, and the relationships between spaces, from inside to out.

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First Nations artists, designers, makers, and creative business owners are encouraged to submit their projects for coverage on The Design Files. Please email bea@thedesignfiles.net