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The Future Is Now At 18 Innovation Walk

Architecture

Today’s post sits outside the usual TDF brief… but as soon as we saw this building, we knew we HAD to make an exception! The 18 Innovation Walk project has transformed a 1960’s building on the Monash University Clayton Campus through a dramatic re-skinning and golden trumpeting entrance! The building is a triumphant collaboration between Kosloff Architecture, artist Callum Morton and Monash Art Projects (MAP) with landscape design from Rush Wright Associates.

We talk with architect Julian Kosloff about this ambitious project and the power of partnerships in design. Follow the yellow brick road (…well, wall) to the spectacular funnel entry!

12th August, 2018

A re-skinning of the building from Kosloff Architects, Callum Morton and Monash Art Projects. Photo – Derek Swalwell.

A curtain overlay transforms the building. Photo – Derek Swalwell.

The new entrance resembles a lab beaker on its side. Photo – Derek Swalwell.

Follow the yellow brick road. Photo – Derek Swalwell.

Layers of past, present and future. Photo – Derek Swalwell.

An eight-storey facelift. Photo – Derek Swalwell.

The funnel entrance transports occupants to the new gallery space. Photo – Derek Swalwell.

Hours were spent filling and sanding the sculptural entrance to ensure a glassy smooth finish. Photo – Derek Swalwell.

Miriam McGarry
Sunday 12th August 2018

The eye-catching building at 18 Innovation Walk is the result of a multi-layered process of engagement, discussion and collaboration, much like the layers of the edifice itself. The original 8-storey structure was designed by Stephenson and Turner in 1969, and its aesthetics accurately reflected the trends of that period – modernist and utilitarian.

Kosloff Architecture were initially engaged by Monash University to consider a new future for the brown brick structure, based on the firm’s rich experience working in institutional settings. The project scope was to re-skin the existing building, presenting a new face for 18 Innovation Walk, while retaining the internal structure. An eight-storey face lift!

The architects were excited by the site and potential of a collaborative design process with artist Callum Morton, and Julian Kosloff explained, ‘both architect and artist were committed to the idea that the outcome should be neither Morton, MAP or Kosloff Architecture. That a successful outcome would be something unique and equally shared.’

After initially considering a glass overlay or Pompidou style exposed services, the final design applies a generous new facade or ‘curtain’ to the building, while also offering points of reveal. Old bricks peep through, creating a visual connection between past, present, and future. Yellow and orange bricks line the base and illuminate from below.

The arresting funnel entrance can be read as a laboratory beaker on its side, with the liquid spilling out (the building houses the biology faculty), or a transporting tunnel. The entrance connects the past and present, with a hint of falling through Alice in Wonderland’s rabbit hole!

Unbelievably, the construction of the new building overlay was achieved without displacing any of the occupants. Important for a biology building, which is home to a menagerie of animals including zebra fish, axolotl, sharks, and mosquitos. (yes, SHARKS!)

Julian explained the positive reactions at the university, and how the building has ‘generated much conversation. Particularly the entry!’ The success of the building has also been recognised at the Australian Institute of Architect Awards, where the project received a commendation in the Education category. It isn’t difficult to see why!

 

Julian emphasised the role of all the consultants on the project: TSA Project Management, Wood & Greive Engineers, Norman Disney & Young, Arup, Simon Wragg and Associates, PLP Building Surveyors & Consultants, Architecture and Access, Hanson Associates, and Mel Consultants.

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The Design Files acknowledge the Traditional Custodians of the lands on which we work, the Wurundjeri people of the Kulin Nation. We pay our respects to Elders past and present.

First Nations artists, designers, makers, and creative business owners are encouraged to submit their projects for coverage on The Design Files. Please email bea@thedesignfiles.net