Inside A Playfully Renovated 1904 Worker's Cottage
Architecture

Inside A Playfully Renovated 1904 Worker's Cottage

Beyond its beautiful facade, this 1904 worker’s cottage in Lilyfield was a dark labyrinth.

For homeowners Dean and Fran, the challenge was to open up the home without losing the original details that tell its story.

Working within strict heritage constraints, architects Adam Higginbotham and Michiru Cohen of Michiru Higginbotham created a light-filled extension at the rear, tucked discreetly out of sight. Inside, they took a much bolder approach, bringing colour, light and personality into every corner.

The result is a home that feels both distinctly contemporary and deeply connected to its past.

Written
by
Christina Savopoulos
|
Photography
by
|
Styling
by
The rear extension is an open plan living, kitchen and dining space.

The rear extension is an open plan living, kitchen and dining space.

Vintage Anfibio Sofa from Galerie Terminus . D42 Chair from Mama Casa. Coffee table from Orient House . Eden Rug in Verona from Armadillo. Travertine Bowl by Henry Wilson. Ceramics from The Dea Store .

Vintage Anfibio Sofa from Galerie Terminus. D42 Chair from Mama Casa. Coffee table from Orient House. Eden Rug in Verona from Armadillo. Travertine Bowl by Henry Wilson. Ceramics from The Dea Store.

The extension looks out the garden.

The extension looks out the garden.

Vintage Anfibio Sofa from Galerie Terminus . Astrid Soloman Vase from Craft Victoria . Tre Mezzo Counter Stool from DOMO. Coffee table from Orient House . Eden Rug in Verona from Armadillo. Travertine Bowl by Henry Wilson. ClassiCon Adjustable Table E 1027 from Anibou.

Vintage Anfibio Sofa from Galerie Terminus. Astrid Soloman Vase from Craft Victoria. Tre Mezzo Counter Stool from DOMO. Coffee table from Orient House. Eden Rug in Verona from Armadillo. Travertine Bowl by Henry Wilson. ClassiCon Adjustable Table E 1027 from Anibou.

The kitchen’s feature checkered cork wall was inspired by a Kylie Kwong restaurant the homeowners admire.

The kitchen’s feature checkered cork wall was inspired by a Kylie Kwong restaurant the homeowners admire.

Drop Leaf Dining Table from Cult Design. Thonet Chair from Anibou. Billet Bowl by Henry Wilson. Rina Bernabei Bowl from The Dea Store . Art by Anna Curnuck , from SIBU Gallery. Vintage Anfibio Sofa from Galerie Terminus .

Drop Leaf Dining Table from Cult Design. Thonet Chair from Anibou. Billet Bowl by Henry Wilson. Rina Bernabei Bowl from The Dea Store. Art by Anna Curnuck, from SIBU Gallery. Vintage Anfibio Sofa from Galerie Terminus.

Drop Leaf Dining Table from Cult Design. Thonet Chair from Anibou.

Drop Leaf Dining Table from Cult Design. Thonet Chair from Anibou.

Stairs lead to the second storey of the home’s rear extension.

Stairs lead to the second storey of the home’s rear extension.

Towels from Society Limonta . Florals from Stone Willow Studio .

Towels from Society Limonta. Florals from Stone Willow Studio.

Breadstick Desk by Skpua. Flamingo Chair from Cult Design . Teti Occasional Table from Cult Design. Aspen Rug in Hawthorn by Armadillo. Louvre Table Lamp by Henry Wilson . Astrid Soloman Vessel from Craft Victoria. Art by Anna Curnuck , from SIBU Gallery . Marble sculpture by Briana McKeogh , from Saint Cloche Gallery. Ceramics from The Dea Store .

Breadstick Desk by Skpua. Flamingo Chair from Cult Design. Teti Occasional Table from Cult Design. Aspen Rug in Hawthorn by Armadillo. Louvre Table Lamp by Henry Wilson. Astrid Soloman Vessel from Craft Victoria. Art by Anna Curnuck, from SIBU Gallery. Marble sculpture by Briana McKeogh, from Saint Cloche Gallery. Ceramics from The Dea Store.

Eucalypt green bedroom.

Eucalypt green bedroom.

Presidencial Armchair from Mama Casa. Bedding from Society Limonta . Astrid Salomon Vessel from Craft Victoria . Art by Anna Curnuck , from SIBU Gallery .

Presidencial Armchair from Mama Casa. Bedding from Society Limonta. Astrid Salomon Vessel from Craft Victoria. Art by Anna Curnuck, from SIBU Gallery.

The exposed brick threshold connecting the original front rooms with the new concealed, two-storey contemporary extension.

The exposed brick threshold connecting the original front rooms with the new concealed, two-storey contemporary extension.

Shoreham Sofa from Cosh Living. Shoreham Side Table from Cosh Living.

Shoreham Sofa from Cosh Living. Shoreham Side Table from Cosh Living.

The backyard.

The backyard.

The preserved heritage facade.

The preserved heritage facade.

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Writer
Christina Savopoulos
Photography
Styling
28th of September 2026
Architecture + Interior Design
Location

Lilyfield, NSW/Wangal + Gadigal Country

When Dean and Fran purchased this 1904 worker’s cottage in Lilyfield as a downsizer from their former family home, they wanted it to feel spacious and joyful. While its heritage exterior was inviting, its rear was a ‘rabbit warren of dark rooms’.

Co-directors of architecture studio Michiru Higginbotham, Adam Higginbotham and Michiru Cohen knew exactly how to preserve the home’s heritage street presence while still suiting the homeowners’ contemporary lifestyle.

‘The home needed to feel spacious enough to replace their former family house, while remaining low-maintenance and joyful for life’s next chapter. [They] wanted a home that was supremely comfortable for two whilst not compromising on space,’ Michiru says.

‘Rather than treating downsizing as compromise, we approached the project as an opportunity to rethink what compact living can feel like through volume, light, materiality and flexibility,’ Adam explains.

Adam and Michiru drew on brick and timber weatherboard references to match the neighbouring homes. They imbued the abode with light and character, always prioritising the connection between the kitchen and garden to suit the couple’s love of cooking and Fran’s passion for gardening.

An exposed brick threshold connects the original front rooms with the new concealed, two-storey contemporary rear extension. A modern kitchen, living and dining space lie in this addition with ‘a calm, cathedral-like ceiling in the master retreat above.’

The Marseile-tiled hipped roof was also reformed into a gable, adding to the seamless transition between indoors and outdoors.

‘There’s a beautiful moment where you move through the original hallway and suddenly arrive in this light-filled volume that feels completely unexpected for a workers’ cottage,’ Michiru says.

The abode’s Edwardian facade, raised terrace, iron palisade, original front door and front porch decorative tiles were preserved, while inside the home, timber windows, floor tiles and wall lining were retained and reused.

One of the biggest challenges of the renovation was navigating the local council’s careful oversight of the home’s architecture and exterior colours, ensuring the heritage facade remained sympathetic to the surrounding streetscape.

Inside, though, Michiru and Adam had much more freedom to experiment.

‘The discussion with the client was to have more fun with the interiors where we weren’t scrutinised as closely, hence the whimsical response internally,’ says Michiru.

Colour was always going to play a starring role. Working closely with Fran and Dean, Michiru and Adam introduced a playful palette throughout the home, from the blush-pink tiled bathroom to the eucalypt-green bedroom — a reminder that, as Michiru puts it, “playfulness has no age”.

That sense of fun continues in the kitchen, where a graphic checkerboard wall in cork adds pattern, texture and a touch of whimsy. The idea was inspired by a Kylie Kwong restaurant the homeowners had long admired, and it proved to be more than just a beautiful detail.

‘Cork is good from a sustainability point of view, as well as for acoustics, and it’s low-toxin. It was just this perfect synergy,’ Michiru says.

Sustainability was considered at every turn, too, with the renovation designed to support Fran and Dean well into retirement. The home is now fully electric, with solar integration replacing gas and helping to reduce its ongoing energy use and running costs.

For a downsizer, this home feels anything but diminished.

‘It needed to feel joyful and generous enough that [the homeowners] wouldn’t miss the family home they left behind. The interplay between heritage, sustainability and contemporary living is what makes this project so special,’ says Adam.

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