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There’s a quiet confidence to this country home in Ryanston, a small rural town in Gippsland’s Bass Coast region.
It’s home to an artist and metalworker who bought the 1.6-hectare property in 2020, embarking on a renovation of the original 1880s settler’s cottage.
While initial works repaired the structure — replacing practical elements like the roof, insulation, and cladding — the owners soon engaged architecture studio Sans-Arc to design a creative extension that would properly anchor the home within its pastoral environment.
‘Firstly, they wanted a home to age in, to be connected to the land, be amongst the wild weather of Gippsland, but protected from it,’ Sans-Arc director Matiya Marovich says.
‘They are both makers and needed space for this. The original cottage needed to be connected to the addition, but occupiable by guests or family.’
Located at the end of a long driveway, the existing cottage remained as is, with a linkway marking the transition into the dining room and the rest of the living spaces in the L-shaped new 60-square-metre addition.
Sans-Arc also introduced a second entrance from the side of the property for privacy, finding space for a studio and the main bedroom nestled at either edge of the addition.
Sections of the house are raised slightly on posts to maintain a single-level floor plan, which hovers above the property’s undulating landscape. The low-lying form, flat roofline and wraparound deck provide a contemporary take on the classic country verandah, while also offering protection from the changing winds.
The clients’ brief also asked for something ‘a bit mid-century’ in style, which led to the earthy material palette. A blackened variation of the cottage’s silver-top ash cladding features across the exterior, as simple internal finishes help put the focus on the views.
The kitchen and breakfast bar are oriented to watch the weather over the water, with floor-to-ceiling glazing on either side of the living space framing views toward the Bass Strait: ‘The landscape is ever present,’ Matiya adds.
‘The material strategy was to blur the materials into the landscape, use only natural colours and materials (avoid plasterboard), and create a feeling of continuity between the interior and exterior. This translates as slate tiling that continues to the northern courtyard, black timber columns that silhouette against the adjacent trees.’
Above all, the project is site-specific, overcoming any limitations of the exposed hilltop site to create a home where architecture and nature are in perfect harmony.
