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A Bold, Playful New Addition For An Edwardian Home

Architecture

Ruckers Hills House by Studio Bright is a renovated period home, unlike any other! Designed for a family of five, the Northcote project consists of a restored Edwardian home, and an innovative new extension.

The completed house is the perfect blend of playful and practical, with versatile interior spaces, a greater connection to the garden – and a swimming pool inspired by Roman baths!

8th June, 2020

A bridge-like link joins old and new in Ruckers Hill House by Studio Bright. Photo – Rory Gardiner. Styling – Jess Kneebone

Timber brings added warmth into the new interiors. Photo – Rory Gardiner. Styling – Jess Kneebone

The extension’s lower floor contains a living space and kitchen, while the upper-storey houses rooms including a library, lounge, guest room and study. Photo – Rory Gardiner. Styling – Jess Kneebone

‘We have never really liked large expansive living spaces, preferring smaller spaces that provide a sense of comfort and home,’  says architect Mel Bright.  Photo – Rory Gardiner. Styling – Jess Kneebone

The living room is also a music space, with a heavy curtain ready to be drawn across for impromptu theatre shows by the client’s children! Photo – Rory Gardiner. Styling – Jess Kneebone

Living spaces in the new addition look out to the pool courtyard. Photo – Rory Gardiner. Styling – Jess Kneebone

The pool is sequestered in a room-like space akin to a Roman bath, thereby eliminating the usual pool fence requirements! Photo – Rory Gardiner. Styling – Jess Kneebone

In something of an Edwardian quirk, strongly contrasting room colour palettes are used to differentiate rooms and create a sense of personal belonging. Photo – Rory Gardiner. Styling – Jess Kneebone

Another vibrant bathroom! Photo – Rory Gardiner. Styling – Jess Kneebone

The new addition has been pushed to the back of the site and western boundary, creating a second street-facing facade. Photo – Rory Gardiner. Styling – Jess Kneebone

Mel Bright describes new addition as ‘akin to a discrete garden pavilion: contemporary and street-tough, but a little bit Edwardian in spirit.’ Photo – Rory Gardiner. Styling – Jess Kneebone

The off-form concrete wall on the pavilion exterior is inspired by the many backyard sheds along the street and surrounding area. Photo – Rory Gardiner. Styling – Jess Kneebone

Amelia Barnes
Monday 8th June 2020

‘It’s wonderful to see that a space can be not only beautiful and still, but also totally animated and lots of fun.’ – Mel Bright

There’s no shortage of renovated and extended period homes in Melbourne, but none of them are quite like Ruckers Hill House by Studio Bright.

When the practice was first engaged on this project, they were faced with a declining Edwardian house, with a previously added lean-to containing no natural light or relationship to the garden. Even the original part of the house featured poorly executed ‘improvements’ at every turn, calling for significant restoration.

Studio Bright set out to complete an exhaustive restoration of the original home located on a prominent corner site, and add a two-storey contemporary rear pavilion. 

Aluminium window frames were removed, window frame proportions corrected, doors and architraves replaced, and fireplaces reinstated. The original section of the property is now predominately made up of bedrooms, where distinct colour palettes (‘Richmond Tigers yellow’ among them) create a heightened sense of personal belonging. 

Linking the old house to the new addition is a bridge-like element, with a pool and garden on either side. Marking this connection point between old and new is a stained glass window designed by artist Nadine Keegan. This window was commissioned by the client to inscribe the histories of the site, and recognise the Traditional Owners of the land, depicting yam daisies once grown in the area by the Wurundjeri people.  

It has become a signature of architect Mel Bright’s work to feature a reimagined take on the typical backyard pool, reconfigured for tight urban spaces. In this case, the pool has been sequestered in a room-like space akin to a Roman bath, thereby eliminating the usual pool fence requirements. The pool also activates the upturned arches on the house’s linkway, creating a space for children to sit and play. ‘It’s wonderful to see that a space can be not only beautiful and still, but also totally animated and lots of fun,’ Mel says.

The new part of the house has been pushed to the back of the site and western boundary, creating a second street-facing facade for the corner block. Mel describes this expression as ‘akin to a discrete garden pavilion: contemporary and street-tough, but a little bit Edwardian in spirit.’ The lower floor contains a living space and kitchen, while the upper-storey houses rooms including a library, lounge, guest room and study. ‘The spaces are small but connected. We have never really liked large expansive living spaces, preferring smaller spaces that provide a sense of comfort and home,’ Mel says. 

The rhythm and texture of the exterior of this home pick up on the surrounding buildings, featuring patterns and details drawn from adjacent fences and homes, and even neighbouring backyard sheds!

See more Studio Bright projects here.

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The Design Files acknowledge the traditional custodians of the lands on which we work, the Wurundjeri people of the Kulin Nation. We pay our respects to Elders past and present.

First Nations artists, designers, makers and creative business owners are encouraged to submit their projects for coverage on The Design Files – we would love to hear from you.

Please email us here.