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An East Ballarat Home Inspired By Iconic Australian Architecture

Architecture

Building a new home always comes with planning regulations and overlays – but this is the first time we have heard of a koala overlay in the planning code!

This East Ballarat residence by client-and-architect Nathan Porter fully embraces the local bush traditions, and draws on iconic Australian architecture for inspiration. The result is a vernacular timber home that celebrates the lure of the local.

8th February, 2019

The self-designed East Ballarat Home of Nathan Porter of Porter Architects. Photo – Derek Swalwell.

Vertical timber catches the shifting shadows throughout the day. Photo – Derek Swalwell.

Welcome to the East Ballarat Home of Nathan Porter and family. Photo – Derek Swalwell.

The bright and spacious living area, flooded with natural light. Photo – Derek Swalwell.

Recycled Australian timber flooring and locally-sourced timber joinery brings the local bush indoors. Photo – Derek Swalwell.

Living room detail. Photo – Derek Swalwell.

Large windows welcome in dappled light through eucalyptus leaves. Photo – Derek Swalwell.

A cosy living space. Photo – Derek Swalwell.

Doorway detail. Photo – Derek Swalwell.

In warmer months, the outdoor spaces become extra rooms in the house. Photo – Derek Swalwell.

This home is inspired by local vernacular, borrowing ideas from iconic Australian architect Robin Boyd. Photo – Derek Swalwell.

Bedroom detail, bathed in light. Photo – Derek Swalwell.

Shadows give a playful texture in the bathroom. Photo – Derek Swalwell.

Bathroom detail. Photo – Derek Swalwell.

A home designed to protect local koala habitat! Photo – Derek Swalwell.

Miriam McGarry
Friday 8th February 2019

A home designed to protect local koala habitat!

The self-designed home of architect Nathan Porter (of Porter Architects) is located on the fringe of Ballarat, in a tight building envelope backing onto the Woowookarung Regional Park. A planning overlay to protect the local koala residents and native vegetation provided some design limitations, but also helped to inform the overall identity of the building.

The home is divided into four areas, of a central transitional entry zone, public living zone, private sleeping and amenity area, and a large private courtyard. Nathan explains that the house is designed to ‘interact with its environment at different times of the year and different times of the day’. The views out across the regional park provide rolling updates of changing weather patterns, and in summer the raised platform and open areas offer natural ventilation. Nathan highlights ‘at night the bedrooms look out to the city lights’ and in the morning welcome ‘morning light through the eucalyptus trees to greet the day ahead.’

As a client and architect, Nathan used the opportunity to draw upon the work of his favourite Australian architects – including Robin Boyd, Harry Seidler, Sean Godsell and Glenn Murcutt. The influence of these iconic Australian designers is evident in Nathan’s East Ballarat house, which embraces local vernacular and features materials endemic to the local environment. Nathan explains, ‘I really appreciate how Robin Boyd always made a strong effort to engage nature no matter the site constraints of a project, and how he brought local texture into a project’.

Local texture wraps around the exterior of the home in the form of locally sourced, vertically clad native Australian hardwood cladding. The timber echoes the surrounding bush environment and creates a shifting surface of moving shadows through the 3D cladding. This external texture is mirrored inside, where recycled Australian hardwood boards line the floor, set against native hardwood joinery. Nathan highlights ‘travertine stone in the kitchen picks up on the warm tones of the house, adding to the experience of the material’.

While the process of being both architect and client was one of great self-scrutiny (Nathan admits having 21 revisions of his own design before going out to tender), he also enthuses ‘every architect should live in one of their own designs once in their life’. He explains. ‘It’s important to enjoy the project but also reflect on what you can improve on to make you a better architect’.

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The Design Files acknowledge the Traditional Custodians of the lands on which we work, the Wurundjeri people of the Kulin Nation. We pay our respects to Elders past and present.

First Nations artists, designers, makers, and creative business owners are encouraged to submit their projects for coverage on The Design Files. Please email bea@thedesignfiles.net