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Wendy Whiteley's Secret Garden

Gardens

Today Georgina Reid of The Planthunter introduces an iconic Sydney garden which should need no introduction.  This incredible space is the creation of Wendy Whiteley, artist and wife to the late Brett Whiteley.

Once a disused railway dump out the front of her Lavender Bay home, this plot of land, owned by the NSW State Government, has been transformed by Wendy and her two gardeners over the past 20+ years.

Up until recently, the garden’s long term future was uncertain, but just this month, the NSW State Government granted the North Sydney Council a 30 year lease for the garden (with an option of a second 30-year period).  A huge win for Sydney residents, visitors and garden lovers alike!

26th October, 2015

Vista
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View of Sydney Harbour Bridge from the garden – whoa! Photo – Daniel Shipp for The Design Files

Garden detail. Photo – Daniel Shipp for The Design Files

Fig Tree
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The iconic tree, which features in many of Brett Whiteley’s Lavender Bay paintings. Photo – Daniel Shipp for The Design Files

Wendy Whiteley
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Pictured in her garden at Lavender Bay. Photo – Daniel Shipp for The Design Files

Brazilian Walking Iris
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Neomarica spp. flower. Photo – Daniel Shipp for The Design Files

'Head'
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Sculpture by the late Joel Elenberg, a friend of Brett and Wendy Whiteley. Photo – Daniel Shipp for The Design Files

Coral Trees
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A series of three trees look spectacular, flowering on bare branches. Photo – Daniel Shipp for The Design Files

Oasis
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The garden is a hidden oasis flanked by high-rise office blocks. Photo – Daniel Shipp for The Design Files

Sculpture
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By artist Ian Marr, featuring lyrics from the song ‘Sweet Thing’ by Van Morrison. Photo – Daniel Shipp for The Design Files

Altar
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A small altar nestled amongst clivias (Clivia miniata), with a striking clump of Gymea lilies (Doryanthes excelsa) in the background. Photo – Daniel Shipp for The Design Files

Staircases
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A series of timber framed staircases and mulched pathways wind through the garden. Photo – Daniel Shipp for The Design Files

Georgina Reid
Monday 26th October 2015

‘None of us know a single Latin name. I forget what plants are called half the time, I just know whether they look good or not, and whether they’re happy.’ – Wendy Whiteley

Wendy Whiteley, as well as being an artist, ‘goddess muse’, and wife to the late Brett Whiteley, is the ultimate guerilla gardener. Long before the term entered Australian vernacular, Wendy was throwing all her energy into transforming a disused railway dump out the front of her Lavender Bay home into an incredibly beautiful public garden.

The land, owned by the NSW State Government, was ‘a green, amorphic lump’ when she first started clearing it, shortly after Brett’s death in 1992. While it was always her vision to create a garden, she had little idea of what lay ahead. ‘We just started from one end and worked day by day until we got to the other end. I had no idea what was underneath it all,’ she says.

As the land was was cleared, and tonnes of invasive weeds and rubbish were removed, Wendy and her two gardeners Corrado and Ruben began landscaping the space.  Wendy says there were no grand plans, the garden just evolved in response to the site. It’s a steep, south facing block, bordered on the southern end by a railway line and iconic harbour views beyond, and on the other by a small park. It’s a tucked away and hidden space, hence it’s unofficial name: ‘Wendy’s Secret Garden’.

A network of pathways wind through the steep site to a clearing at the bottom of the space, with a central clump of Bangalow palms. These were given to Wendy by her late daughter Arkie a few years before her death of adrenal cancer in 2001. The pathways are framed by beautiful timber bush rail balustrades, and are supported by a huge number of rock and timber retaining walls, which were all built by hand by Wendy and her gardeners. Most landscapers would have bought in machines and concrete and all that big heavy stuff, but not Wendy Whiteley, she just did it herself.

‘The only way you could have built this space is exactly the way I’ve done it. We built it bit-by-bit without big machinery,’ she says. ‘We built the terraces with begged, borrowed and bought stuff.’

Wendy has invested a huge amount of time, energy and money into this garden. ‘I had to sell one of Brett’s paintings to fund the garden,’ she says. She employs two full-time gardeners, and has bought all the materials and plants for the garden herself.

I asked Wendy what Brett would have thought of the garden. ‘He would have loved it,’ she says. ‘But he certainly wouldn’t have done any work!’ Wendy says Brett would have preferred to make an artwork, sell it, and use the funds to pay for someone else to do gardening.

Wendy is an intuitive gardener who is driven by aesthetics and beauty, rather than any kind of horticultural expertise. ‘I didn’t know anything about horticulture when I started the garden. I just knew what I liked,’ she admits. ‘I’ve since learnt what likes being here. It’s a symbiotic relationship between the plants, myself and my gardeners,’ she says.

Wendy’s garden has certainly bought happiness to many people. It’s been the scene of hundreds of weddings and important life events, and is dearly loved by all who know it. It is one of the most beautiful public gardens in Australia, however up until a few weeks ago it’s future was uncertain.

In a huge win for Sydney residents and visitors, on 9th October 2015, the NSW State Government granted the North Sydney Council a 30-year lease for the garden (with an option of a second 30-year period). A result that I am sure would make Wendy happy. ‘Its not my garden, it belongs to everyone,’ she says, when we spoke about the garden’s future, weeks before the announcement. ‘I just want it to remain for everyone else to enjoy, because that’s what it’s about.’

What a gift. What a woman.

Wendy Whiteley and the Secret Garden, written by Janet Hawley and published by Penguin is available now for $79.99 here.

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The Design Files acknowledge the Traditional Custodians of the lands on which we work, the Wurundjeri people of the Kulin Nation. We pay our respects to Elders past and present.

First Nations artists, designers, makers, and creative business owners are encouraged to submit their projects for coverage on The Design Files. Please email bea@thedesignfiles.net