OK, I understand
I had the great pleasure of meeting OSLO DAVIS yesterday, when he hand delivered a few sweet framed drawings to TDF Open House! Whilst we did interview Oslo last year, I haven't met him in person before, and I must say I was a little starstruck - after all Mr Davis is a bit of an enigma! It was quite odd to finally put a face to the name we all know so well.
Oslo Davis is a familiar name in Melbourne. He's one of Melbourne's busiest and best known cartoonists and illustrators. As many of you know, Oslo's 'Overheard' cartoons grace the pages of The Age each week, and his familiar sketchy characters are can often be spotted on a Readings shopping bag.
This week, though, is a particularly big week for Oslo. He has spent the best part of this year writing and directing his first animated short film, based on his own drawings, with the assistance of a grant from the City of Melbourne. The film, entitled Melbhattan, launches this Saturday at Rooftop Cinema, and will screen before every Rooftop Cinema screening through December! Oslo is pretty chuffed that his film will be seen by so many movie-goers at Melbourne's iconic outdoor cinema - 'It was such a coup to get this venue' he says, 'I can't think of a more perfect venue to view an animation of Melbourne'.
We asked Oslo a few questions about this epic project! -
Melbhattan is a short film that mimics the opening sequence of images at the start of Woody Allen's 1979 film Manhattan. I have drawn and animated 61 images of Melbourne that copy the scenes in Allen's film. For example, in Allen's film there is an image of a guy looking into a New York bookshop window – in my version a guy looks into a Readings bookshop window.
I've always been a big fan of Allen's work, especially his very 'New York' early work. The black and white images that open Manhattan are truly spectacular; it is Woody Allen's and cinematographer Gordon Willis' grand love letter to a monumental city.
Many Melbournians see our city as a kind of mini-Manhattan. The architecture on our CBD grid informs this, as does the good natured, cocky attitude that we seem to have in Australia's creative capital. Melbourians 'get' Manhattanites: we relate to (or at least we think we can relate to) the 'anything's possible/forget about it' swagger that New Yorkers have. And where once we went to London, now everyone is drawn to New York.
In the end I hope Melbhattan is viewed as part-homage to, and part-pastiche of, Melbourne.
I applied for funding last year and began in earnest to create the work early in 2012. I made a decision early on that I wasn't going to make Disney-esque animation (mainly because I couldn't!) so I thought of it as drawing Overheard, with moving parts. While I used computer technology to make the work, I've tried to keep it looking like it's been put together by hand. Viewers are forgiving when it comes to animation – they can interpret an animated sequence even if looks scratchy – so I am banking on this forgiveness with Melbhattan.
Melbhattan is something I worked on when in between doing commercial work. It has been my year-long side project. The City of Melbourne supported it with an arts grant last year, and Volley Australia helped finance the original music.
Biddy Connor, a local musician and composer who has worked on a lot of short films, wrote an original score for Melbhattan. It was important for me to get original music for Melbhattan because the George Gershwin's 'Rhapsody in Blue' in Allen's film is an essential component in making that movie iconic. Biddy has created a piece that both references Gershwin's work and has a very Melbourne sound.
If you're in Melbourne, pop along to catch any film at Rooftop Cinema throughout December and you will be treated to a screening of Melbhattan before your movie starts!
Interstaters, don't fret, half way though December, Melbhattan will be viewable online at www.melbhattan.com.
AND for the die-hard Oslo Davis groupies out there, you might like to check out the four framed original drawings we have by Oslo at TDF Open House! Now... all I need is a wall to hang them on.... it's getting pretty chockers in there!