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A Collector's Home

Homes

Brisbane based stylist, photographer and author Kara Rosenlund is a firm favourite around here. We’re always in awe of Kara’s distinctive aesthetic – at heart, she is a collector, and the spaces she decorates and inhabits always have a museum-like quality to them.

Today we visit the beautiful home Kara shares with her husband, Timothy O, in Brisbane’s Nundah.

30th March, 2016

Verandah details
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Collected traditional handicrafts, a woven basket from PNG, a Berber market bag from Marrakesh, and woven hat from Fiji. Photo – Eve Wilson. Production – Lucy Feagins / The Design Files.

Kara Rosenlund
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At home on the front verandah. Photo – Eve Wilson. Production – Lucy Feagins / The Design Files.

Hallway
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View from living room looking down hall towards front door. Photo – Eve Wilson. Production – Lucy Feagins / The Design Files.

Dining Room
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A collection of antique mirrors and an etching by Luke Sciberras. Photo – Eve Wilson. Production – Lucy Feagins / The Design Files.

Outdoor Deck
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The deck is decorated just as though it is an indoor space, including a worker’s bench from Tasmania’s The Drill Hall Emporium. Photo – Eve Wilson. Production – Lucy Feagins / The Design Files.

Kitchen
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Covering every inch of surface, the collection is Kara’s pride and joy. Photo – Eve Wilson. Production – Lucy Feagins / The Design Files.

Kitchen Details
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The shelves piled high with pudding bowls, plates, jugs and traditional utensils. Photo – Eve Wilson. Production – Lucy Feagins / The Design Files.

Kitchen
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The Brisbane home of stylist and photographer Kara Rosenlund an her husband Timothy O.  Above – kitchen. ‘Our kitchen is filled to the brim with old, loved, weathered and worn utensils and crockery,’ explains Kara. Photo – Eve Wilson. Production – Lucy Feagins / The Design Files.

Cutlery Collection
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‘Collection of old silver spoons, knives and part of a growing collection of our friend Bridget Bodenham’s ceramics,’ says Kara. Photo – Eve Wilson. Production – Lucy Feagins / The Design Files.

Bathroom
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‘We love the clawfoot bathtub, which is original and was re-enamelled while we were renovating,’ says Kara. Photo – Eve Wilson. Production – Lucy Feagins / The Design Files.

Bathroom Details
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Old potting bench reused as a bathroom stool. Photo – Eve Wilson. Production – Lucy Feagins / The Design Files.

Living Room
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Shutters found in an old shed, woven light fitting shipped back from London and a handmade cushion by Victoria Alexander. Photo –Eve Wilson. Production – Lucy Feagins / The Design Files.

Coastal Details
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‘A very old collection of antique coral. I inherited a stranger’s collection, which is always revealing to know exactly what they had been attracted to!’ says Kara. Photo – Eve Wilson. Production – Lucy Feagins / The Design Files.

Master Bedroom
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The main bedroom with a pair of found repurposed doorway arches as a bedhead. Photo – Eve Wilson. Production – Lucy Feagins / The Design Files.

Master Bedroom
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View from the bedroom into the hallway. Collected vintage seaside oil paintings and woven traditional baskets and hats on the rack. Photo – Eve Wilson. Production – Lucy Feagins / The Design Files.

This charming little timber cottage in Brisbane’s Nundah has been home to Kara Rosenlund and her husband Timothy O since 2009. ‘It was really important for us to find an original workers cottage in a proper bare bones condition’ she explains. ‘We wanted to find a home which hadn’t been renovated or inflated and made into a huge new home, which happens so often in Brisbane’. When they finally acquired their dream fixer-upper, the capable pair set to work.

‘We did all of the changes and renovations ourselves, with the help of my father’ explains Kara. From sanding the floors, to adding on a small dining room and redoing the bathroom and kitchen, everything here was enthusiastically tackled DIY-style by Kara and Timothy. They were very careful to keep the original proportions of the home, and to retain as many original features as they could.

The home is a simple three bedroom cottage, built around 1900. ‘Workers cottages were designed to be small yet efficient homes, with high ceilings for the hot air and hallways running straight through the house to catch the breezes’ explains Kara. ‘They were a hive of activity in the day, with family members also sleeping on the front verandahs in hotter months. You hear so many stories of people growing up in houses like this in families of 12 or more. Personal space just wasn’t an issue, the home was just a place of shelter.’

With careful respect for the home’s Victorian features, Kara has utilised her signature neutral palette here, layering collected ephemera and rustic details over soft white and grey tones. Collections of vintage breadboards, handcrafted ceramics and aged kitchen utensils are displayed en masse, to great effect. ‘My favourite pieces would probably be the extensive collection of kitchenalia’ says Kara! ‘Having these objects at arms lengths to use daily reminds me of travels around the country, digging around markets, shops and sheds to find these pieces’ she muses.

Despite its picture-perfect interiors, for Kara and Timothy, the most pleasing aspect of living here is the connection to the outdoors. ‘We leave the windows and doors flung wide open to catch the breezes all year round’ says Kara. Towards the rear of the home, the dining room spills out onto an outdoor deck via wide bifold doors. This outdoor entertaining area is richly furnished, as if it were an indoor room, with a large dining table, antique chairs and a kitchen dresser. ‘It’s a primitive thing to want to feel a connection to the outdoors, and the Queensland climate really encourages that’ Kara says.

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The Design Files acknowledge the Traditional Custodians of the lands on which we work, the Wurundjeri people of the Kulin Nation. We pay our respects to Elders past and present.

First Nations artists, designers, makers, and creative business owners are encouraged to submit their projects for coverage on The Design Files. Please email bea@thedesignfiles.net