The Design Files Daily

Sydney

Miranda Skoczek – Unicorns & Alchemy

Works on paper from Miranda Skoczek’s current exhibition, Unicorns & Alchemy at Iain Dawson Gallery, Sydney

Melbourne artist Miranda Skoczek has an exhibition at Iain Dawson Gallery in Sydney which opened just last week.  The show, entitled ‘Unicorns & Alchemy‘, is inspired by children’s fantasies, and combines Miranda’s signature intense colour palette with both real and imagined creatures, alongside sharp geometric forms.

I’m sorry to say with Easter inbetween I’m a bit late off the mark, and a good number of these works have already sold!  Great news for Miranda, not so great for collectors!  Still it is such a beautiful collection of work I thought it was well worth a mention – I especially LOVE the mixed media works on paper (above), perfectly mounted in those fabulous neon acrylic frames.

If you’re in Sydney the official opening is tonight from 6.00pm!

Unicorns & Alchemy – new works by Miranda Skoczek
Exhibition runs until April 23rd, official opening Thursday April 12th 6.00pm (tonight)

Iain Dawson Gallery
443 Oxford Street
Paddington
NSW 2021

Ph. (02) 9358 4337

Gallery Hours – Tuesday to Saturday 10.00am – 6.00pm

The Purple Nest, 2012 by Miranda Skoczek - Oil and Acrylic on Canvas, 152.5 x 137cm

Wolf Dreams and the Spirit World, 2012 by Miranda Skoczek - enamel on canvas, 152.5 x 137cm

Interview – Jenny Lacey of LMNOP (+ subscription giveaway!)

Sydney based LMNOP Magazine, edited by Jenny Lacey

‘Spring Princess’ – LMNOP Magazine

‘Brother Love’ – LMNOP Magazine issue 14

BYO Entertainment - LMNOP Magazine issue 21

Potato Print feature! – LMNOP Magazine issue 17

Potato Print feature! – LMNOP Magazine issue 17

We’re very excited to be closing KIDS WEEK with a super inspiring kid-centric interviewee – meet Sydneysider Jenny Lacey, editor-in-chief of cult online kids magazine – LMNOP!

Jenny is an expert on all things fabulous for kids, and has been flying the flag for online independent publishing since launching her beautiful publication in 2007. With a background in graphic design and advertising (and air hostessing!!?), it’s no surprise Jenny does such a stellar job of curating this very special magazine. LMNOP is an inspirational reference point for so many independent publishers – it is such a truly impressive professionally produced online publication, with spreads that are always so polished and consistently on trend content.  Since its launch LMNOP has become a worldwide authority on design for kids, and a go-to reference for modern parents in Australia and beyond. It now has a loyal subscriber base in over 182 countries.

LMNOP are currently in their 5th year of operation, and next month will see the release of their 17th issue!   They release 4 issues a year, and inbetween issues you can keep up to date on the LMNOP website and blog.

Jenny has kindly offered an annual LMNOP subscription to one lucky reader – leave a comment here before 10.00pm today (Good Friday!) to be in the running to win 4 x seasonal issues of LMNOP!

Massive thanks to Jenny for her time with this interview… read on for an insight into producing one of Australia’s cutest and most popular indie kids publications!

Jenny Lacey – editor-in-chief of LMNOP Magazine

Tell us a little about your background – What did you originally study, what industries have you previously worked in and what path led you to your current role as editor of LMNOP (Laugh Make Nurture Organise Play)?

I studied graphic design after I graduated from high school, but didn’t really know what area of the industry I wanted to work in. Like a lot of girls my age at the time, I did at one stage fantasise about working as an Art Director for Dolly magazine!

I fell into the advertising industry after doing work experience at an ad agency in the final year of my diploma course. I joined the agency the week after I graduated, and began my 18-year-long career as an Art Director, working on some of the biggest brands in the business.

In my twenties, I did a short stint as a long haul Qantas flight attendant to satisfy another childhood curiosity. I travelled the world and visited some great places, but again it wasn’t long before I returned advertising.

My days in the ad game have definitely contributed to the success of LMNOP. My experience in building brands and nurturing them has allowed me to build my own, while also helping our partners make the most of their own exposure in the mag.

What inspired you to start LMNOP back in 2007? What have been some of the highlights so far?

I’ve always loved reading magazines. So when I became a mum in 2004 I started to seek out parenting titles, but couldn’t find one that appealed to my aesthetic. My husband, Ian MacPherson, is a commercial photographer and together we saw a gap in the market for a contemporary publication geared towards modern parents and their children. Something that was beautifully designed, clever, fun and entertaining that featured unique children’s products from all over the world.

We founded LMNOP in October 2007 and launched our first issue online a couple of months later in December of the same year. Around the release of our third issue, the word about LMNOP had started to spread over the internet and our subscription base was growing at 10 times the rate with each publication. That was a pretty exciting time. The magazine has since taken on a life of its own and we now have subscribers from over 182 countries around the world.

Other highlights include: launching big by Fiona Scanlan’s S/S collection in 2010 with a special fashion edition of LMNOP; travelling to international trade shows (of course!); and launching our production company, LMNOP productions.

LMNOP Magazine issue 10 Gift Guide

Can you give us an insight into the workings of LMNOP? How big is your team, how many regular contributors do you have, and what do you consider worthwhile outsourcing?

In the beginning it was just Ian and myself, but doing it alone proved too much. So now we have a small team of very talented people who help us put LMNOP together. Sunitra Martinelli heads up our fashion department, Elizabeth Bentley is our Senior Copy Editor (and my right arm!), and we frequently collaborate with our extended team of photographers, stylists, illustrators and designers in the US and Europe. Photographer Monika Elena is a regular contributor, as well as LA-based Gretchen Easton.

The process works something like this: The team brainstorm story ideas at length, and spend a lot of time sourcing unique products and brands to showcase in each issue. Once we know what’s going to be featured, we work on bringing each story to life. Production commences shortly after, where we source backgrounds and props, scout locations and do the photo shoots. After that, the story is designed and the writers work their magic.

We conceptualise and photograph 90% of the content you see in the magazine and on the website. It’s a lot of work to put together with such a small team. It’s good though, as it forces us to work efficiently and to be resourceful at every stage of the process.

We also invite special guest contributors to do one-off or regular columns, like Joel Henriques of Made by Joel, and Robyn Rosenthal (formerly an art director at Martha Stewart Kids), who we worked with to produce the great ‘Potato Print Monster Tees’ story.

Which Australian designers, artists or creative people are you currently inspired by?

Sydney artist Rachel Castle. I loved her recent collaboration with Lisa Gorman. Very clever! Beci Orpin is always working on something amazing. I’d love to collaborate on a project with her some day.

Can you list for us your current top 5 go-to resources (i.e. specific websites, magazines or books) for creative inspiration?

1. Anthology Magazine & blog

I don’t have a lot of spare time to consume print magazines any more, but when I do get a chance to stop and flick through one, Anthology is by far my favourite read. It’s well designed, has great content, and it’s not too long.

2. Pirouette

Anyone who works in the children’s industry should visit Florence Rolando’s Pirouette blog for inspiration and regular updates on exciting new trends in kids’ fashion, furnishings, home decor and design.

3. Svpply
My go-to resource for seeing what people are into right now.

4. Rockstar Diaries

I recently discovered this blog via Apartment Therapy. The authors, Naomi and Josh, do a fabulous job of making ‘family life’ look picture perfect. They do a regular post titled ‘Life lately, according to my iPhone pictures’, which is always fun to look at.

5. Backyard Bill

Bill captures creative types living and working in Brooklyn, NY. Here you’ll find lots of great photos and interesting interviews.

LMNOP Magazine page spread

What does a typical day at work involve for you?

It’s not very glamorous I’m afraid! Some mornings I’m sitting at my computer by 4am. At 6am I meet my neighbour for a run. Then it’s the usual rush to get the family out the door that comes next. I take my son to school, pick up a coffee and continue my working day. Every day is different. Sometimes I have appointments with clients, other days I’m at a photo shoot or researching new products for upcoming issues of the magazine. These days keeping across all of our social media platforms takes up quite a bit of my time. Sometimes I even experience ‘Facebook Fatigue’! The best days are usually when I’m doing something creative: conceptualising stories for the magazine; styling a shoot; or helping an LMNOP business partner launch a new product.

What’s the best thing about your job?

I get to collaborate with incredibly talented and creative people from all over the world, and be the master of my own ship.

Jenny behind the scenes!

What would be your dream creative project?

I’m pretty much already doing my dream project!

What are you looking forward to?

Releasing our first iPad app. We also have a Best of LMNOP book in the pipeline, and we’re looking at potentially expanding the LMNOP brand to include an online store with our own branded products, as well as a headquarters in the US, where we have a strong presence.

LMNOP issue 11

Sydney Questions

Your favourite Sydney neighbourhood and why?

Surry Hills. The area has such a happening vibe. Crown Street is lined with some of the best restaurants and stores in Sydney, and it’s home to my favourite bakery and coffee pitstop, Bourke Street Bakery.

What/where was the last great meal you ate in Sydney?

Café Sopra in Danks Street, Waterloo.

Where do you shop in Sydney for fabulous kids stuff?

Kido, My Messy Room and Monkey Puzzle have the best selection of toys in Sydney. For fab one-off vintage items for kids, I can’t live without Justine Joffe’s store in Cammeray, Retrospections. She has impeccable taste in vintage wares. You can find all sorts of things from vintage children’s books to exquisite crockery pieces. A few of the treasures I’ve uncovered include an antique horse rocker, a classic gumball machine, and a musical bell toy from Japan. I also regularly source props from here. And last but not least, Manon et Gwenaelle in Darlinghurst is my go-to place for beautiful kidswear and exquisite accessories, such as delicate French bracelets and feather headbands by Japanese design team Atsuyo et Akiko. I always end up finding something for myself too when I shop there.

Retrospections

Kido

Manon et Gwenaelle

Where would we find you on a typical Saturday morning?

Running the Clovelly to Bondi coastal track with my friend DK, followed by a quick breakfast at Three Blue Ducks in Bronte.

Sydney’s best kept secret?

The Bondi to Tamarama coastal walk – shh!

Clovelly to Bondi!

Interview – Lara Merrett

Sucker - Lara Merrett, 2010, synthetic polymer paint, ink & vinyl on linen, 240 cm x 183 cm

Every part of me’s floatingLara Merrett, 2010, synthetic polymer paint & ink on linen, 240 cm x 183 cm

My wayward by Lara Merrett for her current show, Invaders, at Block Projects, 2012, synthetic polymer paint &ink on linen, 186 cm x 170 cm

Make my day - Lara Merrett, 2009, synthetic polymer paint & ink on linen, 183 x 167.5 cm

Oh my.  I have fallen head over heels in LOVE with these vast, vivid canvases by  Sydney-based artist Lara Merrett.  Isn’t her work just incredible!?

Lara was born in Melbourne but grew up in Sydney.  As she explains below, a trip to New York at the tender age of 16 ignited in Lara a passion for fine art, where time spent ogling the incredible artwork on display at MOMA, The Guggenheim the Whitney and The Met conveyed to her the immense ‘power of paint’. Later, tertiary study trips to both Spain and New York cemented this passion.

Lara studied painting at Sydney’s prestigious College of Fine Art – where she received a Bachelor and Masters of Fine Art in 1997.  After completing her studies she won a scholarship to undertake a residency in India in 2001 – where four months of exposure to vibrant colour in everyday life left a lasting imprint on Lara’s own art practice.  More than 10 years on, you can still see this influence in her works, which are created intuitively in inks, acrylics, vinyl and metallics, using intense layers of colour.

After some time spent living in Melbourne over the past few years, Lara is now based again in Sydney with her young family, where she works from a studio in Alexandria.

Melbournites will be pleased to know you can catch Lara’s work in person in a solo show entitled Invaders at Blockprojects in Richmond, opening next week! Lara is represented by Karen Woodbury.

Invaders – new paintings by Lara Merrett
4th – 28th April 2012

Blockprojects
79 Stephenson Street
Richmond

Ph. 03 9429 0660

Gallery Hours
Wed – Fri 11.00am – 5.00pm
Sat 11.00 – 4.00 and Sun 12.00 – 4.00

Lara Merrett in her Sydney studio

Tell us a little about your background – What path led you to becoming a fine artist, and to creating the style of work you are currently making?

I spent my early years in Singapore and Malaysia and then we (my family) moved back to Sydney when I was seven. I grew up in Bondi and went to school in Darlinghurst. I used to walk past the National Art School and COFA on my way home and dream about the possibility of one day being able to just paint all day.

When I was 16 I saved up enough money to fly to New York with a girlfriend. I still can’t believe my parents let me go. I visited all the big collections at the MOMA, Whitney, Guggenheim and The Met. Standing in front of the works from Rothko to Riley made me realise the power of paint. I think from that moment I never had any doubts about what I wanted to do. Later travels have also influenced the way I work. After completing a BFA and a MA at COFA I was awarded a scholarship to study in India. Being in India for four months was incredible, especially since I was being exposed to so much colour in everyday life (markets, festivals, clothes and textiles). My work definitely soaked it all up.

How would you describe your work?

Intuitive, large, unlikely and not shy.

What can we expect to see in your new show at Block Projects? What has inspired this body of work?

Invaders is very much a clash of worlds. You can see the geometric breaking up the more fluid passages…this work is so new to me, I almost don’t want to define it yet.

In the vaders by Lara Merrett for her current show Invaders at Block Projects, 2012, synthetic polymer paint &ink on linen, 186 cm x 170 cm

Falling outLara Merrett for her current show Invaders at Block Projects, 2012, synthetic polymer paint &ink on linen, 186 cm x 170 cm

Can you give us a little insight into your process? What materials do you use? Is each work pre-planned or created very intuitively? Do you work on multiple canvases at one time? And how long does each work take to complete?

I only work with water-based materials, which include inks, acrylics, vinyl and metallics. No work is ever pre-planned, however each work does inform the next. They become a family or chapters in an idea.

I mostly start a painting flat on the floor and move around the work pouring lots of colours over the canvas. I always have at least six works in progress, but this eventually narrows down to the work I become most obsessed with. I have to feel a strong pull toward the work or I won’t work on it at all.

It’s like magic when the unexpected starts to happen. I love it… it’s completely intoxicating. From start to completion a work can take anywhere from three days up to six months. Each work has its own personality and therefore takes its own time.

What does a typical day at work involve for you?

If it’s not raining I’ll always cycle to my studio in Alexandria and grab a coffee on the way. I’ll arrive at 9.00ish and start work by 10.00am. I’ll always have the radio on in the morning and then play lots of music later on. Lunch is always shared and made at the studio with artist mates using fresh bread from the two bakeries next door. Some days are later than others, this usually depends on whether I need to do the 3.00pm school pickup!  Before a show I’ll be at the studio every day so I’m walking, talking and dreaming the work (to myself).

Lara Merrett‘s Sydney studio

Can you list for us 5 resources across any media (i.e. 5 specific websites, magazines, books or other media) that you turn to regularly for creative inspiration?

I love a story, and so find inspiration in a good narrative. I am a big fiction reader, but you’ll also find me reading The Monthly and The New Yorker, and listening to Radio National and podcasts.

Which other local artists, designers or creative people are you most inspired by at the moment?

Sydney artist Nell just sent me images of her recent installation at MONA. I love the freedom Nell has in her art making working across different mediums. There is a joy in her work that I find incredibly inspiring.

I’m also inspired regularly by artist friends (who work at the studio or close by) including Laura Jones, Dan Hollier, Nathan Hawkes, Alan Jones, Guy Maestri and Giles Alexander.

What is your proudest career achievement to date?

The first time I sold a work to someone I didn’t know.

What would be your dream project?

My dream project would be to go bush and paint slow time! The days rush past when you have kids.

What are you looking forward to?

My trip to Hong Kong in June with my family. We’ll be there for my exhibition Be my Inside looking out at Cat St Gallery. I’m always very excited about jumping on a plane and being transported to a very different place.

In the beginning is the end - Lara Merrett, 2009, synthetic polymer paint & ink on linen, 183 x 167.5 cm

Sydney Questions

Your favourite Sydney neighbourhood and why?

I’ve fallen in love with my new home Redfern. I love the bike lanes, neighbours and crazy local park that the kids leave all their toys in to share.

Where do you shop in Sydney for the tools of your trade?

I’m not very loyal to any particular art store and generally will pick up supplies as I need them. I have my frames stretched and made next to my studio and regularly shop at the Bunnings down the road.

Where/what was the last great meal you ate in Sydney?

Yesterday I had lunch at Kitchen by Mike at Koskela. Fantastic fresh food and only a short walk from the studio.

Sydney’s best kept secret?

Kitchen by Mike, but not for long! Another favourite is Strickland House on a sunny Sydney day. Here you can have a picnic, go for a swim and then a snooze in the shade of the garden. I also love the ice-cream boat that comes ashore in the late afternoon.

Don’t look back - Lara Merrett, 2009, synthetic polymer paint & ink on linen, 153 cm x 122 cm.

Interiors Insider

Interiors Insider – a new Australian online resource for home design / renovation

How good is the internet!?  Seriously.  I realise this is kind of ironic but I literally cannot believe the amazing goodness you can find FOR FREE on the internet.  Things that would cost you money to read anywhere else!  There are so many seriously amazing design resources I keep finding…

Here’s another for the bookmarks tab – Interiors Insider!  The pet project of Sydney-based creative project manager Rennae Long.

Rennae has juggled project management roles in interior design and various creative companies over the years – in fact, at present she spends half her working week as General Manager at Megan Morton inc! The other half of Rennae’s working life is spent working with a host of talented creative people planning home, interiors and lifestyle related projects.  Because as everyone knows – behind every great creative is a seriously excellent project manager!

After 15 years on the ‘business side’ of creativity, Rennae has recently launched Interiors Insider – an impressive creative project of her own.

‘When I started working on interiors projects, one of the ways I became more informed was by conducting a Q&A with whichever tradesperson we would inevitably work with on any given project’ explains Rennae.  This meant pinning down people from all creative careers and all walks of life, to learn a little more about their trade.  Cabinet makers, upholsterers, curtain installers and art hangers were all given the third degree by an inquisite Rennae, keen to learn as much as possible about each field. ‘The stories and information I heard was so insightful, I was compelled to write it down and share it’ she says.

‘I think a lot of people find the home improvement/decoration process daunting or just don’t know where or how to start, so I really enjoy taking conceptual/technical information and making it practical and easy to follow’.  How genius.

After all, there’s no end of visual stimulation in our image-hungry, Pinterest-loving culture… but there’s often so little information to tease out the who, where, why, how to (and how much!?) behind so many of the beautiful interiors we stumble across in print and online. Rennae’s goal with Interiors Insider is to create a practical, comprehensive online resource for home building, renovation, design and decorating that addresses the real nitty gritty (not just the eye candy!).

Rennae writes all the stories you see on Interiors Insider, and publishes a new story every week.  At the moment she is halfway through posting an amazing series of stories developed in collaboration with with the ‘generous and lovely’ Baz DuBois from Channel Ten’s The Renovators… and there is much more to come!

Other stories in the works at present is a ‘behind the scenes’ series based on the Interior Design process with super awesome Sydney design duo at Arent & Pyke, as well as a series on commissioning, framing and hanging fine art.  Down the track Rennae has plans to tackle cabinet making, furniture restoration, feng shui and even taxidermy – watch this space! (And bookmark, bookmark, bookmark!).

Interiors Insider – a new Sydney-based online resource for home design / renovation

Forking in the River of Time – Dane Lovett

Dane Lovett - Calder and Cover, 2012, acrylic on canvas, 214 x 153 cm.

OK so 2 weeks ago I popped over to Kirra Jamison‘s house to return her clothes, after I stole them for our recent ‘My Melbourne Wardrobe‘ series.  As you might recall, Kirra Jamison’s house is also Dane Lovett‘s house, and they each have a studio at home too.

ANYWAY, to cut a long story short, my timing was extremely fortuitous because Dane had JUST FINISHED the most incredible series of new paintings, which were just about to leave to go to Sydney for his brand new show, Forking in the River of Time at Sullivan + Strumpf, opening this week.

I am SO glad I got a sneaky peek at these works before they left Melbourne, because I am telling you people, they are SEVERELY AMAZING.

It is so so sad to squish them to 520 pixels wide here, because in the real world they tower over Dane himself (and he is a tall man) – each canvas is over two metres tall.  Yes indeed.  They are MASSIVE and PASTEL COLOURED and PHOTO REALISTIC and BRILLIANT.

And if there are any left and you have a cool $10k lying around you should totally buy one. For me.

(For the record, there are smaller works there too but typically I have fallen hardest for the biggest and most expensive ones.)

Forking in the River of Time - New paintings by Dane Lovett
Sullivan + Strumpf , March 27th – April 21st 2012
799 Elizabeth st
Zetland
NSW 2017

Ph. (02) 9698 4696

Gallery open Tues-Fri 10.00 – 6.00pm, Sat 10.00 – 5.00pm.

Dane Lovett - Cosmos Vessel II, 2012, acrylic on canvas, 214 x 153 cm.

Dane Lovett - Dead Ghosts Rot LFO Work, 2012, acrylic on canvas, 214 x 153 cm.

Dane Lovett - Cosmos Vessel III, 2012, acrylic on canvas, 214 x 153 cm.

Interview – Russel Koskela

The new Koskela showroom at Rosebery – photographs Anson Smart

The new Koskela showroom at Rosebery – photographs Anson Smart

A few faves from the Koskela range - ‘Bye Bye Birdy’ pendant lights in fab fluoro colours (nope. still not sick of neon…!) and the brand new JAKE chairs! I have MUCH MUCH LOVE for these chairs.  Seriously eyeing them off for my new soon-to-be-completed TDF studio / office!

‘Follow your heart
Trust your Judgement
Do it with joy’

This is the mantra of Sydney based furniture company Koskela, and really – what is not to love about a company with a motto like this?  I love that they’ve emblazoned it across their front counter for all the world to see.  It’s like the retail equivalent of wearing your heart on your sleeve.  So refreshing in such a competitive market, don’t you think?  The thing is, in the case of Russel Koskela and partner Sasha Titchkosky, this philosophy really is at the very heart of their creative practice, and firmly stamped on every project they put their name to.

The concept for Koskela first formed when Sasha and Russel put their heads together whilst on holiday in Europe many moons ago… they had a shared vision for an Australian furniture company that would offer mid-priced locally designed and made furniture and homewares, thereby supporting Australian manufacture and offering customers a quality alternative to mass market furniture and homewares.  In 2000, after much contemplation and planning, they finally took the plunge!

In the past twelve years Koskela have grown to employ 15 staff.  Russel and Sasha still head up all design / product development, and work closely with their network of local manufacturers, with whom they have built close ties.

Over the years Koskela’s success has enabled Russel and Sasha to invest in projects close to their hearts.  One they are particularly passionate about  is the Yuta Badayala project.  After stumbling across the work of weavers from Arnhem Land, Russel and Sasha wondered if these traditional skills could be applied to contemporary design products.  After much research and perseverance, they managed to form a mutually beneficial relationship with Elcho Island Arts, in which local weavers were able to earn an income through the creation of unique woven products, commissioned by Koskela.  The project has been a huge success, and one of the most rewarding aspects of the business for Russel and Sasha.

Koskela spent over 10 years based in an amazing loft space in Surry Hills, but as you know they have recently taken on another massive challenge – moving to their ENORMOUS new space in Rosebery!  This impressive industrial space is home also to Megan Morton‘s photographic studio and The School, and the fabulous Kitchen by Mike restaurant!   Such a brilliant, brave venture – truly awe-inspiring.

As I was penning this article (yesterday!) I sent a quick note to Megan Morton (this week’s AMAZING guest blogger)… who, of course, has spent the best part of the last year working closely with Russel and Sasha during the development of their shared space in Rosebery. I was a little stuck for a new ‘hook’ for today’s post.  I asked MM – ‘everyone knows Koskela, everyone knows are such an inspiring creative team… everyone knows their look, their beautiful products, their amazing new showroom… but what is the real hook, what is it that really makes Koskela special?!’.

Of course, being MM, the response was succinct, but gold.  ’The real story’ she said, ‘is that Russel is totally the real deal. 100% dinky die’.  And that, I guess is the point. Koskela has the kind of inherent integrity that means they don’t have to spout marketing hype or shout their ‘brand strategy’ from the rooftops. With Koskela, what you see is what you get – and that’s pretty special.

Koskela and Kitchen by Mike
85 Dunning Avenue
Rosebery
NSW 2018

Open Monday to Friday 9.30am – 5.00pm, Saturday 9.00am – 4.00pm, Sunday 10.00am – 4.00pm.

Massive thanks to Russel, Sasha and Renee at Koskela for this ace interview and stunning pics at such a busy time… if you haven’t popped in to Rosebery yet – DO YOURSELF A FAVOUR people! :)

Russel and Sasha looking amazingly rosy despite a massive few months! - photograph Anson Smart

Tell us a little about your background – What path originally led you to furniture design and interiors, and to launching Koskela initially?

I studied interior design and did furniture design as one of my core subjects. I have always had a passion for furniture. After some years working on some really interesting commercial office fitouts, I started designing furniture for projects and loved it. Then Sasha and I met at a time when both of us were ready to do something different. It was just a matter of working out what exactly that was.

A long seven-week holiday sowed the seed for doing something ourselves. We can clearly remember sitting in this café in Paris with this funny French bulldog staring up at us thinking, “ We’d really like to create something ourselves but what?”

Sasha had worked with a range of different companies and was keen to create an organisation that embodied more of the values we believed in. She was also shocked at how little furniture was made in Australia, and how there was a lot of competition at the top end of the market and the lower end but a pretty big hole in the middle.

So that’s where Koskela came in. A mid-priced Australian designed furniture and homewares company that proudly supports Australian manufacturers.

The massive and very varied showroom display at Koskela in Rosebery

How has Koskela grown since the early days?

It has changed a lot. In the early days we had no money so we had to upholster everything in cheap white fabric. We have so much more freedom now to invest in designing more complicated products or things like moulds for products.

We are also now able to put money into creating more products and into some great collaborations that we are very passionate about such as Yuta Badayala with the weavers from Elcho Island in Arnhem Land.

More and more Australian furniture brands are moving offshore for their production – why has it been your priority to keep Koskela products made locally, and is it a constant challenge to compete with overseas manufacturing?

Initially it was a struggle! So often I returned home after having taken a design to a number of different manufacturers only to be told I’d never get it made here and I should get it made in China.

We finally found some great people to work with that we have now been working with for over ten years. We are really partners in each others businesses and we really love working with them as they are as passionate about making really great products as we are. Having visited a number of different manufacturers in Europe before we started our business, we know that our techniques and quality is as good as any.

We also really like to know who is making our products and to feel confident that they are properly paid and work in good conditions.

You have had a super busy year preparing your brand new showroom in Rosebery – what have you been up to and what can visitors expect to see at the new space!?

We have had a huge year! It is really exciting to finally see our dream come to reality. Getting the new showroom up and running was a massive task. Now we can’t wait for the gallery space to keep evolving and the workshops we are running in conjunction with that to take off. We are also really keen to get focussed on getting back to developing some great new ideas for furniture and homewares products we’ve had to put on the backburner while we got the space up and running.

Rachel Castle artworks, Greg Hatton stool at Koskela in Rosebery

How is your business structured? How many people do you employ at Koskela and in what roles, and what significant tasks do you outsource ?

We have a pretty flat structure. We have 8 full time staff and 7 part time. Sasha and I do all the product development, 6 people are in sales focussed positions, the rest are production, finance, internet (including moving content, blog and soon to be launched webstore!) and last but by no means least graphic design.

What does a typical day at work involve for you?

A typical day will probably involve some client meetings which I enjoy, as I love working with interior designers to create products that might work for a specific brief.

Then I will often visit one of our manufacturers to discuss a new idea or check pieces that are in production or development. I will also often spend some time at my desk working on drawings for projects.

My key thinking time is usually at night, after our boys are safely tucked up in bed. This is also when I might look at blogs or reply to emails. Often in the morning people will reply to me saying “did you really send that email at 2am?” Every designer will relate to this, you just get mind block then when things, as in ideas come flooding in you have to get it all out and down on paper. Some nights I will wake up at 4am with ideas, then go back to bed an hour later……

Can you list for us 5 resources across any media (ie 5 specific magazine titles, websites, blog or other media), which you visit regularly?

Well aside from The Design Files, I really like…..well I must admit I am not that into all the online things happening around the globe, I just don’t seem to have enough hours in a day.

It’s fine to be inspired by different types of  media but at the end of the day to produce something it’s about making a sample and another and another… too many can get caught up in online dream land.  It’s not until you produce a piece that works and proportionally sits beautifully that counts!! Gee I hope I am making sense here. It’s all about pure passion, the physical object.  Not an image on a screen from the other side of the globe.

Which designers, architects or creative people are you most inspired by at the moment.

At present it’s not about a particular person or product it’s what’s in the detail that counts. Anyone can design standard pieces that’s not hard. The art is in the detailing… or the finer detail. Everyone wants something that’s unique, that challenges your way of thinking.

BOOKS!  No showroom is really complete with a book corner. Genius.

What would be your dream project?

We will be doing a small boutique hotel/accommodation place soon.. I can already see it, we have been designing it for a while now.

What are you looking forward to?

The skate park with my two boys….they….we…. love it…..ha ha!

Kitchen by Mike at Koskela – (no shortage of JAKE chairs)

Sydney Questions –

Your favourite Sydney neighbourhood and why?

I love Bronte where we live for its beach, park and Three Blue Ducks café and Iggys bread. I am also growing very fond of Rosebery where our new showroom is located. I love the big old 1930’s single story houses with their mango, citrus and olive trees. There is such an interesting mix of people living there, many of whom are migrants who I am sure have really interesting stories to tell.

Where do you shop in Sydney for the tools of your trade? Ie anything from hardware to tools to reference books?

I am embarrassed to admit this but I love it when it’s council clean up days. You drive past all this stuff that has been thrown out and that is going straight into landfill. I come up with ideas and designs from old pieces or ones that I think could be saved. Is that weird?

Where / what was the last great meal you ate in Sydney?

I am not being biased here but I love food at Kitchen by Mike. It’s no fuss and the freshest of what’s in season…..friends of ours came for breakfast on the weekend and loved reading the papers and relaxing etc. When they came to leave all the food was being put out for lunch which looked amazing so they decided to stay and have lunch…..that’s pretty cool. Imagine being able to do that.

Sydney’s best kept secret?

Well its actually an hour and 15min from Sydney and it’s called Patonga… when you get there it’s a world away from anywhere. As I grew up in the country I am one of those people who have to get away to clear my mind.

Kitchen by Mike at Koskela – serving breakfast and lunch daily.
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