The Design Files Daily

Melbourne

‘Foldout’ by Esther Stewart

The North Melbourne studio of artist Esther Stewart. Photo – Lucy Feagins.

The North Melbourne studio of artist Esther Stewart – featuring scale model of ‘Foldout’ installation for QV!   Photo – Lucy Feagins.

Details from Esther’s studio. Photo – Lucy Feagins.

Previous work by Esther Stewart from the ‘Portable Compactable’ series

Esther Stewart in her North Melbourne studio. Photo – Lucy Feagins.

I have an inkling that Melbourne based artist Esther Stewart is going to be big. You heard it here first, people. She is only young but she has such an intense seriousness and drive about her – within an instant of meeting her it’s clear this lass is going places.  She’s super smart and very hardworking and just kind of basically no-nonsense.

Esther completed a Bachelor of Fine Arts at VCA in 2010, majoring in Sculpture and Spatial Practice.  That same year she was included in Fresh 2010 at Craft Victoria – an award exhibition that explored the best in new contemporary craft and design.  She’s now making art full time and exhibiting in various group shows at artist run venues, all whilst completing her Master of Arts and Cultural Management at The University of Melbourne.

Esther is also part of new art collective  GroupWork which recently had an amazing show at Mr Kitly!   It was quite rad – some pics here.

Esther’s latest project is a site specific large-scale installation at QV in the CBD – just completed yesterday!  Entitled ‘Foldout‘, the piece consists of a large scale geometric wall mural painted directly onto concrete walls within the QV complex, and custom painted foldout seats, bolted directly into the walls… so you can sit in the artwork. Brilliant!

We asked Esther a couple of questions about this latest project -

As part of Next Wave 2012 you are installing an interactive mural in QV called Foldout. How did the concept behindFoldout transpire and what exactly will it involve?

Foldout stemmed from a previous body of work termed Portable Compactable where I explored the space between the functional and the aesthetic. My concept with this new work was to activate an unused space in the QV building. The challenge has been to transform, on a limited budget, an aesthetically hostile area into an visually exciting and hopefully engaging space.

Creating even the smallest work of art takes time and patience. Is it safe to say you need both of these things times infinity when producing large scale art in the public domain? What kind of processes and challenges have you faced with the QV installation?

It has been an incredibly extensive process. I have been working on Foldout for well over a year now. This project is part of a larger public group exhibition called New Babylon for Next Wave 2012, where the group’s curators Jess O’Brien and Pip Wallis invited six artists to complete a major work in Melbourne’s CBD.

Fortunately being part of New Babylon has meant that I have had the unwavering support of group curators Jess  and Pip, who originally approached me with the idea of making a public work. In the interim we have discovered, albeit at times a little painfully, exactly what this process entails.

We have spent hours and hours writing and rewriting applications and submissions, looking over safety plans, and liaising with the site spokesperson and engineers. Aspects such as engaging contractors, adhering to the safety requisites in the making of and installation of public works, and the challenges of large scale painting techniques have been just a few of the issues that have required managing. Then of course I have learned a lot more than I ever wanted to know about the structural integrity of unused concrete walls and the cavities behind them! In hindsight I would undertake this project very differently, but that in itself has ultimately made it so worthwhile.

Looks amazing – pics below!

The piece is sponsored by Haymes, who generously supplied paints and other materials to Esther’s specifications.

Foldoutsite specific installation by Esther Stewart
QV Building
Corner of Swanston Street and Londsdale Street
Officially opening this Friday May 19th.

Foldout is part of New Babylon for Next Wave 2012.

Foldout - site specific installation by Esther Stewart. Photo – Sean Fennessy

Foldout - site specific installation by Esther Stewart. Photo - Sean Fennessy

Nook Vintage Warehouse

Nook Vintage NEW warehouse in North Fitzroy!  Photos – Lucy Feagins

Nook Vintage Warehouse in North Fitzroy.  Photos – Lucy Feagins

Nook Vintage Warehouse details.  Photos – Lucy Feagins

OK so Melbourne clearly has no shortage of options if you’re in the market for vintage / industrial furniture and homewares, there is just SO much goodness on offer if you know where to look!  But I must say this recent find, opened just last month, is a bit of a hidden gem – well worth a visit before the masses catch on!

Rachel and Gary Lewarne, the lovely couple behind Nook Vintage in Fitzroy (I covered their cute little store way back here) have just opened up a brand new and seriously MASSIVE space in North Fitzroy.  270 metres of vintage / industrial goodness.  Awesome!

Nook Vintage Warehouse is hidden down a little laneway just behind Queens Parade (you know in that cute pocket between North Fitzroy and Clifton Hill).   It’s chock to the rafters with amazing finds – rustic vintage benches, tables, lockers, shelving and drawer units, antique flags and pennants, shop fittings and mannequins, trunks and suitcases, masses of industrial pendant lamps (the real vintage ones!) and much more.  The prices are refreshingly reasonable – and local hospitality peeps will be pleased to find lots of pieces (especially vintage chairs) in multiples!

It must be said that another major drawcard for this local business is the fact that Rachel and Gary are just so genuinely friendly and helpful – they go out of their way to assist, and deliver locally at no extra cost.  And really, you’ve got to love a shop owner who puts their mobile number on their website - now that’s customer service!

Stylists will be pleased to learn that most of the Nook Vintage collection is available to hire, as is this amazing industrial space (a local band shot their album cover here just last week!)

Nook Vintage Warehouse is open weekends or by appointment (and their Fitzroy store in Johnston is still open 7 days). Pop down and say hello – you won’t be disappointed!

Nook Vintage Warehouse
Rear 304 – 308 Queens Parade
North Fitzroy

(Enter via laneway near corner of Michael St and Queens Pde)

Open Saturday and Sunday only, 12.00 – 5.00pm or by appointment


Nook Vintage Warehouse in North Fitzroy.  Photos – Lucy Feagins

Nook Vintage Warehouse suitcases and details.  Photos – Lucy Feagins

Nook Vintage proprietors Rachel and Gary – living their passion!

Modern Times Pop-Up # 3

Modern Times Pop Up Shop #3 in Smith st, Fitzroy.  Cushion on couch by Pomegranate Design, rug by Patchy Rugs.  Photos – Lucy Feagins

Favourite finds at Modern Times! Ceramics top left by Ingrid Tufts, timber serving platters and accessories by Treehorn Design, retro-style ceramics (bottom right) by local ceramicist Adriana Christenson.

Amy and Joel Malin, the team behind Modern Times

They’re Baaaack!  Amy and Joel Malin, the industrious husband-and-wife team behind Modern Times are back with their third pop-up shop in Melbourne!  This time they’ve found a superb new location at 311 Smith st Fitzroy – for those in the know, it’s the old ‘Lure’ hairdressing salon (you know with the pink interior and undulating 3-level floor!?).  This quirky retro-inspired space lends itself so perfectly to Modern Times’ fantastic range of mid-century furniture, art and design – it really does feel a little like stepping into a Shag illustration!

As with previous pop-ups, alongside mid-century pieces imported direct from Denmark, Amy and Joel have filled their store with an eclectic collection of artwork, soft furnishings and accessories by an incredible line-up of local designers and artists.  Stand outs include artwork by Ellie Malin and Julie Paterson of Cloth, timber serving platters and accessories by Treehorn Design and ceramics by Ingrid Tufts, to name just a few!

Modern Times Pop Up #3 opened last Friday and will be trading for just six weeks – well worth a visit, get in quick!

Modern Times Pop-Up Shop #3
311 Smith St
Fitzroy, 3065

Opening Hours

Tuesday – Friday 10.00am – 6.00pm
Saturday 10.00am – 5.00pm
Sunday 11.00am – 5.00pm
(Closed Mondays)

Modern Times Pop Up Shop #3 in Smith st, Fitzroy.  Rug by Patchy Rugs.

Artwork by Ellie Malin at Modern Times

Modern Times Pop Up Shop #3

Schoolhouse Studios

A peek inside Schoolhouse Studios in Abbotsford – the very photogenic workspace of set dresser / jewellery designer Marni Kornhauser (my dear pal!). These kids were pretty chuffed to rip the carpet up and discover that herringbone parquetry, let me tell you!

Sweet details in Marni Kornhauser‘s studio

Necklaces by Marni Kornhauser

OK dudes I am just warning you this is one seriously photo heavy post. A photo essay, even. But I was SO inspired by my visit to Schoolhouse Studios in Abbotsford recently I went a little crazy with the camera. It was like some kind of creative UTOPIAN PARADISE. I am not joking.

I say Utopian, because there is something kind of weirdly post-apocalyptic about Schoolhouse Studios. I know that seems a tad dramatic but it really did make me feel like I had stepped into a movie about life after capitalism. Let me explain…

Schoolhouse Studios is an incredible collaborative studio space which occupies the old Sophia Mundi Steiner School and Monastery in Abbotsford. The old classrooms (blackboards intact), locker rooms, offices and assembly halls have been transformed into amazing generous studio spaces, with soaring ceilings and windows, inhabited by over 75 Melbourne artists, designers, architects and film makers. The grounds have been converted into a productive vegie garden (with chickens!), and perfect meeting spot for the creatives who work here to share a Friday night drink. The communal kitchen gives everyone somewhere to cook and share a meal. The gallery space downstairs showcases the work of various emerging artists. The studios play host to an endless calendar of events, exhibitions, workshops – and yoga classes! On the day I visited, someone was shooting a music video in the garden, and a band was setting up for a gig in the assembly hall that evening.

It’s this inspiring injection of immense new creative energy, in a space originally designed for a completely different purpose, that really makes you feel like you’ve crossed over into some kind of idealist alternate reality :) There is something truly magical about this space.

Of course it takes incredible drive, passion and serious organisation skills to pull something like this together, and that’s where Elizabeth Barnett and Alice Glenn come in. These two young local creatives joined forces whilst on the hunt for studio space early last year… and the rest is history! After some negotiation (and clean-up and carpet removal!), Alice and Elizabeth founded the Schoolhouse Studios in March last year. They started with 16 tenants and now have a community of over 75 creative people working here (FYI there is no vacancy at present I’m afraid!).

Seriously. How awesome.

I asked Elizabeth a few questions about this amazing creative community -

How did the Schoolhouse Studios come about? What were your goals with the project and how on earth did you make it happen!?

Alice and I were looking for studios separately and discovered that we were both obsessively scouring realcommercial.com and the streets of the inner north. We joined forces and after many a property inspection we were sitting at Three Bags Full (tearing our hair out) and Alice remembered that the Steiner school had vacated the property opposite the cafe on Nicholson street. She immediately called the school and we lined up a viewing.

We put in a proposal and a few weeks later we walked into our new studios at the former monastery at 97 Nicholson street. It was magical! It was completely empty and smelt funny. We pulled up a lot of carpet and painted over the Steiner pastel sponged walls. Within 24 hours we filled the 16 studios with talented artists and creatives. Slowly since March 2011 we have taken over more and more former classrooms and offices. We now house 75 creatives.

What are your own creative backgrounds and what lead you to joining forces on this project?

I trained as a printmaker at VCA and RMIT. I went on to study illustration in London in 2008. I have continued my practice making prints, illustrations and textile works. (website here).

Alice’s training was dance, and then Media Arts at Deakin and RMIT. She runs No Lights No Lycra with Heidi Barrett and continues to make awesome music video clips for some pretty great bands (including Otouto, Hello Satellites, Oliver Mann).

I think we have a really great way of working together. I approach things like a printmaker, very process based, lots of attention to detail and Alice’s approach is more like a filmmaker staging a set. She is across all the big stuff and is a great connector of people and ideas.

What do you think is most special about Schoolhouse Studios?

Schoolhouse is such a warm and supportive community. Everyone’s practice is so diverse and unique. I love working alongside so many talented people. The setting at Nicholson street is dreamy. We inhabit a former monastery and school (down the road from the Convent). My studio is on the first floor with city and treetop views. It feels like being in the country in the middle of the city. The chooks and roosters crowing in the Steiner Prep’s garden below probably adds to the atmosphere!

What is your proudest achievement ?

Probably our proudest achievement is being able to provide 75 creatives with affordable work spaces and being able to connect all these awesome people to one another.

What is your next challenge?

We have to relocate (because the property is in planning to be developed into 80 townhouses) at the end of this year. We are on the hunt for a new space….

And there’s the rub. Nothing this awesome is forever… later this year, after less than two years in operation, Schoolhouse Studios will be on the move. But Alice and Elizabeth are matter-of-fact about it, and not surprisingly, they’ve taken on this new challenge with a sense of optimism. They always knew this space would only ever be temporary, and in a way, perhaps that’s part of what has made this venture all the more special.

Do show your support for this incredible initiative with a visit to the Schoolhouse Studios website, to see what these crazy kids are up to, and learn a little more about the talented creatives who work here. (The Schoolhouse Studios blog is also worth a visit, documenting studio events such as their ‘farewell asbestos’ dinner last year!).

Also, if you know some amazing arts benefactor with a massive vacant warehouse (or school!) somewhere in Melbourne’s inner North, you should totally get in touch!

CLICK HERE for the full studio tour and many more pics!

Interview – Miriam Fanning and Felicity Watts of Mim Design

PLE Residence, Hawthorn – designed by Mim Design, photo – Shannon McGrath

RCG Residence designed by Mim Design, photos – Derek Swalwell

RCG Residence designed by Mim Design, photos - Derek Swalwell

RCG Residence designed by Mim Design, photos - Derek Swalwell

Joy Cupcakes – designed by Mim Design, photo - Shannon McGrath

Joy Cupcakes interior – designed by Mim Design, photo - Shannon McGrath

Last December, amidst the madness of The Design Files Open House, I had the great pleasure of meeting a gaggle of lovely ladies from boutique Melbourne interior design firm Mim Design.  A sweet, super friendly lass named Kimberley was the one who first introduced herself and the team – it was so great to meet a bunch of talented local designers who are loyal readers of TDF, and who had such kind things to say!  I must admit I was a little sleep deprived and delirious at the time, but I vowed to check out their work, and make time to profile Mim on the site.  So… fast forward 4.5 months and finally I’m getting around to it!

As you can see by the impressive variety of work pictured here, whilst they’re boutique in size, and very personal in their approach, Mim Design are one serious interior design firm. Since launching in 2000, Mim has grown to a team of 14 staff, and tackles a vast range of projects from hospitality to retail, residential, events and workspaces.  Each finished project has it’s own individual flourishes, but they all seem to share a sense of quiet elegance, restraint and just a touch of luxe!  Stunning results every time.  Do pop over to the Mim Design website for many more beautiful pics!

Aside from the obvious interior design eye candy(!!), it’s been so inspiring pulling this post together, and learning about a Melbourne creative start-up that has grown and achieved the success of Mim Design.  Definitely something to aspire to.  Also, I really hope TDF has a beautiful office like theirs one day!

Massive thanks to Miriam and Felicity for their generous words and all the stunning pics to accompany this post.  Also big thanks to Kimberley for pulling it all together, and for that first introduction!

Miriam Fanning (left) and Felicity Watts (right) – design directors at Mim Design

Tell us a little about your career background/s What path led you to interior design originally, and eventually launch Mim Design ?

Miriam Fanning (MF): I wasn’t ‘gifted’ at school, but I did love art and drawing throughout my schooling years. Many weekends were spent making a mighty mess at home, while drawing on anything I could get my hands on. Initially after missing out on getting into Graphic Design at uni, I undertook an Interior Design course that turned out to be a blessing in disguise. I loved the whole dimensional form of this discipline.

My first design-based job was at the Buchan Group in Melbourne, where my interests in retail were melded working within such an interesting and diverse practice. Starting as a junior and eventually leaving as an Associate Director, I was inspired by the many facets of design I had experienced while working across varied projects during my time at Buchan Group.

Having a family led me to start Mim Design in 2000. The aim was to be continually inspired; I love the ability to work on a diverse range of projects within the industry. Mim Design has organically grown from one to fourteen staff, and sometimes my kids and the dog come into work too!

Felicity Watts (FW): My entire family are very creative, however I think I developed a passion for beautiful things from my father. Dad, an antique restorer, taught me to have an eye for detail. While our tastes are vastly different, we both appreciate beautiful craftsmanship and interesting spatial forms. As a child I would regularly take all the ornaments from around the house and rearrange them on their shelves. I’ve always loved to draw, and after exploring other avenues throughout school, I finally came to the realisation that I could actually have a career in something I had previously just done for fun. I have always considered myself very lucky to have found a career in something that I am passionate about.

I started with Mim Design in 2004, when it was a small practice of two, and have never looked back! I have been able to watch Mim Design expand to a team of fourteen. I came on as a Partner and Director in 2010.

You guys work on such an incredible variety of projects – from residential to retail, hospitality, events and workspaces – what have been one or two favourite projects in recent years?

MF: One of my favourite projects was our Hawthorn PLE Residence. Our clients were amazing to work with and allowed us to completely transform their home. Their trust and respect was truly appreciated throughout the process, and knowing that the home was completely transformed in personality gave great delight to our clients and ourselves.

PLE Residence, Hawthorn – designed by Mim Design, photo - Shannon McGrath

PLE Residence, bedroom – designed by Mim Design, photo - Shannon McGrath

PLE Residence, entrance – designed by Mim Design, photo - Shannon McGrath

FW: Hospitality design gives you an opportunity to really express every creative bone in your body, while still working to a science about brand and practicality. We have been fortunate enough to have some fantastic projects in the last few years.

Working with The Big Group on Capital Kitchen and Mural Hall was a fantastic experience, as well as working with Bruce & Chyka Keebaugh. Both sites threw all sorts of challenges at us, which we ultimately smoothed out ensuring the finished product was true to the design intent. With Capital Kitchen in particular we were always questioning the brand and the environment we were creating, and every attention to detail was thought entirely through from the visual merchandising display zones to the hand ‘thrashed’ furniture. We will never forget bashing furniture with hammers over a late night meeting, all we needed was a glass of wine to go with it!

We are also currently working on some fantastic projects with Crown Ltd, where we have addressed interior, brand/graphics, VM and collateral as a whole; meaning that the entire space is designed in unison and holistically by Mim Design.

Capital Kitchen designed by Mim Design, photo - Shannon McGrath

Capital Kitchen designed by Mim Design, photo - Shannon McGrath

Capital Kitchen designed by Mim Design, photo - Shannon McGrath

You spend your days making Melbourne homes beautiful, but what about your own home? How would you describe your own interior decorating/styling aesthetic at home? Is it the perfect showcase of your skills or is it the forever neglected project?!

MF: Our family home is simple, a blend of Victorian with a contemporary architectural addition to the rear of the property. Our interest in art led us to a property with high ceilings and large expansive walls. Proportion and space were paramount when renovating our home, as we have two active boys it was important that all spaces worked comfortably. The ability to have versatile space was also high on the agenda i.e. our grand, gallery style hallway often becomes the ‘local bowling alley’ or ‘sock sliding straight’!

I wish I could say we have finished renovating our family home, but sadly it’s some of those little things that I never get around to or keep changing my mind about on a regular basis. Luckily these things are only furniture related. Since we lived in the property throughout all of our renovations I’m glad we have now completed all building works, though the experience collectively was fun for our kids.

FW: My husband and I have actually just sold and bought a new home and are ‘not so patiently’ waiting for the settlement date. Unfortunately, at this stage in my life, the interior of our home has been somewhat neglected. We still have the remnants of hand-me-down furniture that parents and grandparents gave us when we first moved out. We are due to have our first baby at the start of August, so the only room getting any attention at the moment is the nursery. I am in my element and spending every spare minute sifting through Danish designed nursery furniture, cute little wall decals and fun fabrics.

Can you give us a little insight into the inner workings of Mim Design? Where are you based, how is your office structured, what significant tasks do you outsource, and are you each still very involved in the design process day to day?

MF: The Mim Design studio is based in Bond Street, South Yarra above a hairdresser and a recently opened Italian café (yes, how handy!). We have a terrific studio with two fabulous balconies and loads of natural daylight and an ever-expanding messy library.

Our office has three directors in place; two design-based and one financial, administrative and accounts-based. Since we cover many different types of projects it’s essential that we have many systems in place to enable us to work efficiently through each type of project. In terms of office staff we have four interior designers, including a graduate designer/architect, one marketing and styling designer, one administrative P.A., two documentation architects, one librarian/administrator and one intern.

We are proud of the fact that there is not an emphasis on hierarchy in our office. We design in the form of team workshops – so everyone’s thoughts are put forward –  it’s this way that we achieve the most unique and most considered design for each and every project. Within our office we find it essential that all of our talented staff have opportunities to work on varied phases throughout their projects. As Design Directors, both Felicity and myself are involved in establishing design direction and philosophy with staff members for every project. We are conscious of making sure we, as well as our staff, are available to our clients so we can establish and enjoy communicative relationships.

Mim Design HQ in South Yarra (We’re looking at the back of Felicity’s head and that’s Kimberley across the table!)

Details from Mim Design’s South Yarra studio… ahhh just look at all those designer furniture spec books!

Which Australian designers, artists or creative people are you loving right now?

Emma Davies – Loving her woven vessels.

Paul Davies – We want one of his houses!

Derek Swalwell – His Dubai shots are outstanding, plus he is amazing and fun to work with.

Katon Redgen Mathieson – Fantastic architecture with beautiful balance of shape form and environment.

Lara Merrett – We were lucky enough to use a Lara Merrett piece in one of our residential projects recently and it just transformed the space.

Ross Gardham – A clever, special man that produces crafted pieces.

Lizie and Nicci Clifton – Creative, clever, inspirational ladies from Pure Products, and also fabulous clients.

Can you list for us 5 resources across any media that you turn to when in need of a bolt of creative inspiration for a new brief or new project?

MF: I regularly visit the Avenue Bookstore for design inspired books, they have an amazing selection. Travelling and engaging in new experiences often delivers a shot of inspiration. Also seeing things through my children’s eyes is always fun! I also thoroughly enjoy movies with amazing cinematography and brilliant sets or concepts that portray a sense of surrealism and joy.

FW: There’s so many available to us all! Obviously The Design Files is at the top of our blog list. Other favorites as are Broadsheet Melbourne, Design Milk, Contemporist, Interior Design, and We Heart. For magazines we can’t go past Frame, Elle Décor, Belle and Vogue.

What does a typical day at work involve for you?

MF: A typical day for me at the moment seems to be attending meetings, running design workshops within the office and working with our clients to achieve the given required result. A typical day also involves dropping the kids off at school and juggling homework with my husband, while also deciding who should walk the dog.

FW: My day can consist of anything from design workshops, sketch design and design development and documentation to project management or selecting finishes, fabrics and furniture. Within the office we have chosen to maintain the skill of hand-illustration at the concept phase. We have adopted computer generated work for all other facets, but have found that our clients really respond to hand drawn perspectives at the earlier stage of a project. I complete the majority of hand drawing in the office, which I love and will hang on to as long as I can, along with all the other requirements of a Director; client meetings, team management etc.

Yellowglen / Treasury Wine Estate Birdcage Marquee designed by Mim Design – Photos Shannon McGrath

Yellowglen / Treasury Wine Estate Birdcage Marquee designed by Mim Design – Photos Shannon McGrath

What would be your dream creative project?

MF: My dream creative project would be to design an amazing, contemporary painting and sculpture gallery, with an accompanying restaurant, hotel and suites of creative studios, including warehouse style living all-in-one. Of course an amazing homewares store and rooftop venue would top it off. Ideally it’d be situated close to work – Prahran, perhaps?

FW: Miriam and I have been talking about how we would love to design a luxury hotel in the near future that includes a fine dining restaurant, day spa and pool, cocktail bar…the list goes on. I would love for such a hotel to be positioned somewhere scenic so that each room could include the vista of an amazing mountain scape or cliff edge – something similar to Saffire Freycinet in Tasmania or Southern Ocean Lodge on Kangaroo Island.

Mural Hall designed by Mim Design – Photos Shannon McGrath

What are you looking forward to ?

MF: I am looking forward to a fantastic year with great projects, and as always, to be continually inspired.

FW: The birth of our baby in August of course! Also expanding Mim Design, and the next stage of projects coming our way.

Melbourne Questions

Your favourite Melbourne neighbourhood and why?

MF: My favourite neighbourhood is Albert and Middle Park. I love the local village feel adjacent to the bay with some great parks, stores and cafes.

FW: I love everywhere along the bay from Brighton through to Mordialloc because that is home to me.

Your favourite fossicking spots in Melbourne for furniture, finishes and home accessories?

MF: I have so many! Safari Living in Prahran is dangerously good, as Felicity always has something I want to take home. Luke Furniture in Prahran for their large range of local and international brands, and Temperature Design in Collingwood with their ever-changing collection of contemporary furniture and accessories. Grazia is a joy to work with. I also love Fenton & Fenton, truly textural and extremely vibrant. Market Import, as I’ve always been a huge Marimekko fan, and finally Leonard Joel auction house.

FW: My husband and I spend most of our weekends in Regional Victoria. We love to get away from the hustle and bustle, and so many of the little furniture places that I find are actually outside of Melbourne. There’s a great little homewares store in Red Hill called Red Hill House. You can also find some fantastic restored retro pieces at Bob’s Shed in Yarragon.

Being only slightly obsessed with baby stuff at the moment, I have found frequenting country markets great for handmade wooden toys and mobiles that are beautiful and unique accessories to any nursery. Warning: steer clear of the tie-dye stalls. However, like many people now, I tend to hunt for goodies online. I particularly love Gretel Home and searching through Etsy or various blogs for interesting new finishes and accessories.

What and where was the last great meal you ate in Melbourne?

MF: The last great meal I had was at Golden Fields in St Kilda, the food was delicious. I just sat at the bar and watched the delivery of amazing plates and meals by meticulous staff.

FW: I love the concept of sharing plates. All the girls in the office joke that I am known for having ‘food envy’ – so a meal where I get to sample a bit of everything is ideal. True South brewery in Black Rock offer an Argentinean menu; the empanadas are particularly good.

Where would we find you on a typical Saturday morning?

MF: Typical Saturday morning for me is at the local tennis club watching my children attempt serves, smashes and lobs.

FW: At the in-laws holiday house. They have a quaint little cottage positioned on ten acres on Springsure Hill in Buln Buln East. We would be sitting having breakfast on the verandah looking out across Gippsland to Mount Baw Baw.

Melbourne’s best kept secret?

MF: Melbourne’s best kept secret for me is the local restaurant that you would never have thought to venture into, everyone has one and for me it Manakish in Elsternwick.

FW: Melbourne’s best kept secrets are scattered throughout our industry, found in the many talented craftspeople and suppliers, that as designers we get to deal with day-to-day. Melbourne is a design hub full of creative artists, craftsmen and builders making even our roughest sketch ideas a reality.

Mim Design studio meeting room

Field Trip – Tickets Giveaway!

Field Trip!  A new creative conference from The Jacky Winter Group and Australian INfront.  Amazing website illustration / design by Beci Orpin.

So I am a little behind with this news but I thought I’d save it ’til after Kids Week, in some vague attempt at editorial discipline…

Now we all know about The Jacky Winter Group, Melbourne-based illustration agency extraordinaire, founded and managed by expert Melbourne creative entrepreneur Jeremy Wortsman.  Mr Wortsman is endlessly dreaming up genius new creative business ideas – here’s another to add to the list!

Field Trip is a creative conference like no other.  Featuring ten revered Australian creatives from various disciplines including Beci OrpinJeremy Ley and Tin&Ed, Field Trip is a unique event in which the talented peeps listed here will perform a live ‘act’ which explores the creative process from start to finish.  This means no powerpoint presentations, no yawn worthy slide shows… instead, creatives briefs will be dissected and new work created in real time in front of a live audience!  Amaze.

We thought this was such a genius idea, we decided to ask Jeremy a few questions about the concept -

JW, you are already a very busy man – what inspired you to start Field Trip?

Like everything else with Jacky Winter, it was a natural progression. We run one of the most artist-friendly agencies in the world, and as part of that we pay for all promo out of our pocket. Over the holidays I was thinking how we could raise more funds to print our annual field guide, and a conference had always been in the back of my mind, but I never could figure out what to do in terms of a genuinely new event that would fit into the current landscape of talks/conferences/events, and then it all sort of came together.

Logistically, we had to raise capital to fund the event, and through our growing relationship with Australian INfront, it all just clicked. We had the content and the talent, and they had the audience and platform and sponsor relationships. A match made in heaven really. At the end of the day, getting our Artist’s work in front of eyeballs is our primary goal as an agency, so Field Trip is really just another way to do that in a truly engaging and innovative way (we hope!)

How does Field Trip differ from other creative conferences?

While it is a day-long event, we are considering our speakers performers rather than presenters. The main point of difference here is that instead of seeing the inspirations (before) and the finished products (after), the audience will get to see more of what goes in the sausage, so to speak, in terms of the process. We are trying to bring the studio onto the stage, and through a clever use of A/V and live video feeds, capture the creative process as it happens to give attendees a more hands-on, or raw, glimpse at the workflow of some of Australia’s finest commercial artists.

Will it be annual ?

Right now, the plan is to first see how we go doing an event in Melbourne and then following up in Sydney later on in the year. If we haven’t all had nervous breakdowns by then, you can definitely expect us to come back for more. We’re really suckers for punishment.

A couple of the talented creatives participating in Field Trip.  Top – Beci Orpin, bottom – Jeremy Ley.

The inaugural Field Trip will take place Friday, April 20 at ACMI in Melbourne, with another scheduled in Sydney in November.  If you’re into snooping at other people’s creative process, you should totally go. I am ;)

With under two weeks until the Melbourne event, tickets are selling like hotcakes – they’re $99.00 for regular admission, and can be purchased here.

ALTERNATIVELY if you would like the opportunity to WIN 2 x tickets to the Melbourne event, you can take your chances by leaving a comment on today’s post!

*UPDATE – this giveaway is now closed and the winner has been drawn at random, congratulations to Jackie (comment #82)! Thanks everyone for your great comments and to Jeremy and Field Trip for the giveaway!!

Please leave your comment before 10.00pm Melbourne time – one winner will be selected at random and contacted by email tomorrow!

Thankyou Jeremy W and Field Trip for this sweet giveaway!

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