The Design Files Daily

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State of Design!

State of Design brand identity illustration by Qube Konstrukt and R-Co.

OK so I’m sure you all know that State of Design – Victoria’s design festival is nearly upon us, running from July 15th – 25th. How exciting! But do you know what is even more exciting?

1) The Design Files is officially a ‘media partner’ of the festival – I am the official festival blogger!

2) I have 6 double-passes to give away to the Festival Opening Night Preview at the Royal Exhibition Building in Carlton on Wednesday July 15th, from 7.00pm! (Thankyou State of Design marketing team!)

If you want a double pass (tickets are worth $27.50 each and are strictly limited), leave me a comment at the end of this post. If more than 6 people comment, I will put all names in a hat and let you know tomorrow who gets ‘em. Very high-tech competition procedures over here at The Design Files.

Personally I have a ridiculous itinery planned for the festival which includes 21 events (plus 6 more ‘maybes’) in 10 days and daily updates of course! Call me crazy. I will also be posting mini-interviews with many exciting Australian and international designers who are taking part in festival events!

But in the interests of everyone’s sanity, I have shortlisted my top-5 festival highlights below. These are the things I am most excited about!

Lucy’s top 5 State of Design shortlist!

Design Made Trade
Incorporating Designboom Mart – all the way from Italy!!!

Design Made Trade 2008 – beautiful hand-crafted homewares from Studio Sam

Remember I blogged this one last year? An accessible, low-tech trade fair aimed at showcasing Australia’s smaller manufacturers, product designers, and designer makers… free to trade visitors, $10 to the public. BUT if you get one of the double passes mentioned above, this includes a special preview of Design Made Trade on the Wednesday night, before it’s open to the public!

The highlight of Design Made Trade will be Designboom Mart, showcasing design from the hottest young international designers! Background info on Designboom Mart is here.

Designboom Mart in Tokyo last year

Design Made Trade – Royal Exhibition Building, Carlton Gardens.
Open 10am – 5pm daily from 16 – 19 July.
16 – 17 July – Trade only days – register here.
18 – 19 July – Public days – $10 entry, no registration required.

This is Not a Design Market

Melbourne loves a design market, and this one is sure to draw the crowds. Staged by Melbourne’s own Bigger than Ten Bears (of Joost’s Greenhouse fame), and the fabulous Moth Design (of Penthouse Mouse fame), there’s no doubt this’ll be a winner. Not to be missed!

This is not a Design Market – The Factory, 500 Latrobe St, Melbourne
Open 10.00am – 5.00pm Sunday July 19th (one day only!)

Design Capital Conference

UK designer Nipa Doshi and Partner Jonathan Levien in their London studio

An amazing line-up of Australian and International Speakers… I’ll be there on day 2 (design day, Friday July 17th). I am so excited to hear UK superstar Nipa Doshi talk! If you don’t know her work you must check out the Doshi Levien website. SO excited.

Doshi Levien’s My Beautiful Backside couch and Principessa daybed (inspired by the Princess and the Pea, of course!). Both for Moroso.

Unfortunately Design Capital is a little pricey, but well worth it if you look at the international line-up! The upside is you can just buy a single-session ticket, which makes it a little more affordable and accessable than, say, AGIdeas! (No disrespect, but you know, who manages to get 3 days off work for these things?)

Design Capital Conference – BMW Edge, Federation Square,
Melbourne
16th – 17th July

Convergence at Yarra Lane

Convergence at Yarra Lane is a mysterious group installation in South Yarra… not sure exactly what it will entail, but the lineup of collaborating designers is extremely impressive and includes Julia deVille, Emma van Leest, Moth Design and Nick Rennie.

Oh, and Liane Rossler (of Dinosaur Designs) just tweeted(?) about it yesterday. So it must be good.

Convergence @ Yarra Lane – Yarra Lane, 9-19 Claremont st, South Yarra
18th July – 17th August, 24 hours

Design Dinner at Comme with Tim Yu from Cool Hunting

The Grand Room at Comme, Melbourne

This one is very posh. In Comme’s stunning Grand Room, Cool Hunting’s cultural curator, Tim Yu will lead a discussion on the current patterns and future trends in art, design, culture and technology around the world.

This’ll accompany a three-course dinner, served with matching wines, to complement the discussion. $85 a head. Oooh la la.

ps) stay tuned with a mini-interview with Tim Yu here next week!

Design Dinner with Tim Yu – Comme, 7 Alfred Place, Melbourne
Thursday July 16th, 6.30 for a 7.00pm start
Bookings through Comme – +61 3 9631 4000

For more State of Design info, check out the website, download a catalogue, or pick one up from any number of affiliated venues around town. Also check out the State of Design lift-out in today’s Herald Sun!

Arnhem Mode Biennale 2009

Details of a mural along a property boundary off Klarendalseweg, the main trajectory of the newly identified Fashion Quarter of Arnhem. The mural is rather extensive, extending through the entire block [from one street to the next] and features several vignettes, all relate directly to the immediate context featuring shadows of the surrounding tree canopies and other defining characteristics.

Top image : The architectural detailing of the dutch half-levels and front entries can be quite beautiful at times and the opportunistic gardening that takes place is always such a cheerful addition. Bottom image : A silhouette mural on Spijkerstraat.

Atelier Route – How it’s made – No. 14. Hommelstraat 57, Arnhem Keramiek Atelier. Esther was lovely enough to give us a demonstration of how she created her beautiful ceramics, and explain the processes behind the developments of the individual pieces. I particularly loved the ‘Mix and Match’ schaaltjes [little bowls] which were created from the amalgamation of several glass bowl casts and require a full set of four to recreate a single entity.

Melbournian Michaela Prescott is currently living in Rotterdam whilst doing a landscape architecture and urban design internship until November. I am so jealous! Imagine being surrounded by Dutch design everywhere you go – not to mention daily trips to Marije Vogelzang‘s new Picknick restaurant!

Lucky for us Michaela has offered to share some of her fantastic photos of the recent Arnhem Mode event! Arnhem is home to Holland’s leading fashion academy, and recently celebrated Shape: The Arnhem Mode Biennale 2009 – a month long celebration of fashion and design. Michaela braved the rain(!) to go on the Atelier Route: How It’s Made studio expose – a sneak peek into the studios of the designers, photographers, and artisans of the city. What a brilliant opportunity to see inside the studio spaces of such a diverse group of creative people!

Top image : This structure is the main information pavilion of the Biennale. These flat packed timber ‘fashion houses’ became iconic for the festival and are the key structure for the SHAPE exhibition which features 3 key design methodologies of fashion design — ‘Moulage’: design through pattern and direct contact between textile and the body, including Lanvin, Jil Sander and Calvin Klein; the ‘Intangibles’: truly innovative and virtuosic design, such as the Japanese couture house Comme des Garcons; and finally, design through clear intent and concept, such as Dutch design designers Viktor & Rolf. [Unfortunately I haven't managed to see the exhibition yet]. Bottom images : Signage for the biennale.

Top image : Klarendalseweg Station Signage – a beautiful monochrome piece. Bottom image : Located at the Arnhem City Hall, the beginning of the main exhibition, unfortunately my dutch was not good enough to translate this, but it appears to be a dedication. The contrast in matte and shiny steel in the inset echoes the striped black and white paving featured throughout the inner courtyard of the hall.

According to Michaela, the really special thing about Arnhem and it’s design industry is that they have great support in their municipality. To encourage the blossoming designers emerging from the ‘Academie’ to stay in the city, they have created a modekwartier [fashion quarter] – A designated area of the city that is design focused. The municipality have purchased numerous buildings within this area, which they then rent to designers for accommodation, studios, and stores at a reduced rate, with the opportunity to purchase in five years once they are established.

For more information on the festival or the Arnhem Fashion Quarter project visit:
http://www.arnhemmodebiennale2009.com/
http://www.100mode.nl/ – This site is not in English unfortunately :(

Michaela Prescott is enrolled in a masters of landscape architecture at RMIT but is currently based in Rotterdam, NL, indulging in her love of design and taking advantage of the European summer. Thanks so much Michaela for her photos and also fantastic detailed captions! For more of Michaela’s photos be sure to check out her Flickr account here!

Top image : This atelier wasn’t part of the biennale but their signage, constructed from individually posted A4 sheets, was eyecatching. Bottom image : Atelier Route – How it’s made – No. 23. Klarendalseweg 393, Studio Gijnig. A graphic/children’s fashion design studio featured in the atelier route.

Top image : Atelier Route – How it’s made, No. 17. Klarendalseweg 527a, Elisabeth de Meulmeester. A millinary studio that had an amazing storage area out the back that was stacked with hat bases. They also had a gorgeous silver antique tea service in the front window that had a little candle underneath to keep the tea warm while you chatted. Bottom image : Studio Gijnig interior – it was so cheerful with its red and white wallpaper and colourful flags – you couldn’t help but smile on entering.

Atelier Route – How it’s made – No. 13. Kv Gelderstraat 2a [Private Studio], Iris van Herpen. Iris is an inspiring young fashion designer who opened her private studio to the public for the day on the request of the organisers. Her work has been a highlight of many shows since graduation and she was also nominated for ‘createurope’, a European competition for young fashion designers in 2008.

Interview – Phillip Graham of Tarlo and Graham

Taxidermy + industrial furniture + vintage French posters + antique medical paraphernalia + art deco lighting = Tarlo and Graham!

Love T&G’s antique iron gates…



Wowsers. Lots of eye-candy to share this morning!

Today I feel so lucky to be able to share with you an interview with Phillip Graham, co-owner of Melbourne’s wonderful Tarlo and Graham in Chapel st Windsor.

I would venture to say that there is no other store quite like Tarlo and Graham. Whilst vintage and industrial furniture is becoming more and more popular and collectable – no one quite does it like Phillip Graham and his business partner William Tarlo! A visit to T&G always uncovers something unexpected. Don’t be surprised to find yourself coveting a tangled collection of traffic lights or a pair of antique skis after a visit to their store! Phillip and William have an incredible knack for buying and styling their store in a way that makes you see the most unusul of objects in an entirely new light. Truly! There’s no one else who brings together such an eclectic and varied collection in the most spectacularly beautiful way.

Below Phillip shares some of his styling secrets (volume and repetition – simple, genius!)… AND we get a little peek into his own home, which showcases his passion for Australian contemporary art.

Ooh la la. It’s all a bit much. Too beautiful…. Agghh!

ps) If you’re hungry for even more images there is a great set of Tarlo and Graham photos on Flickr. (They belong to Daniel Neville of the Nevolution blog).

Tell me a little about your background – what path led you to what you’re doing now?

Tarlo & Graham opened 5 years ago, and for 8 years prior to that I ran The White Elephant in St Kilda. Previous to this I worked mainly in retail, originally at Country Road in the late 80’s and Giorgio Armani in London in the early 90’s. As well as sales I was involved with visual merchandising for both companies, which helped me develop my own skills in the importance of store presentation and understanding the power of placement.

I have always been interested in design, interiors, collecting, brands, trends etc. I am most interested in searching out ‘the different’. I appreciate it when people make an effort to present their stores in a way not seen before. There is too much bland out there and not enough newness. I like it when people push their imagination to create truly unique stores, interiors etc.


There are more and more shops selling vintage and industrial furniture these days…. but Tarlo & Graham truly stands out from the crowd. What do you think sets you apart from other stores with similar stock?

Come on Lucy, that’s an easy one, that’s the whole point of the interview isn’t it?! That’s what I want to come out most strongly from this whole thing. We are determined to be different, we work hard to present our business in such a way that the market can come in and really embrace and enjoy.

It’s all about -

1. product selection
2. presentation

3. placement

4. point of difference

And of course our windows. That is an area of self-expression which we push sometimes as far as we can depending on what we are interested in at the time.

For me, with interiors retailing for a business such as ours, the main area of focus is in the grouping of objects. It’s almost like picking a group of five completely different things (trying to select items that have no clear relationship with each other) and then throwing them up in the air and seeing how they land. Well, not exactly, but if you imagine the concept you will know what I mean. The message is putting items together that will really contrast with the next. If the piece in question is beautiful enough, or has some intrinsic quality or rarity, it should always stand up and easily find its place. Then there’s our obsession with volume and repetition. What I mean by that is the impact created by multiples is much stronger than a single item. Take for example a bag of marbles, compared with a table full of 2000 marbles. Or a collection of 50 matchboxes compared with 10 large glass vessels containing 1000 matchboxes – which looks better?


What does a typical day at work involve for you?

There is no typical day. We generally buy furniture and objects everyday, if we don’t we will definitely look at something. This could come from appointments we have organised with people, or working with other dealers and collectors to obtain stock. Going to auctions, markets, shops, homes – anywhere we can come across the next big thing.

Then there is time spent in the store. William (Tarlo, my business partner) and I divide the week and work 4 days each. We may also spend time preparing stock for sale, dealing with restorers, framers, upholsterers etc.


How are the tasks at the shop divided between you and William? Do you share the fun stuff (ie window display etc) with the boring stuff equally? How are your different strengths balanced within the business?

William and I share the job of styling/presenting the shop and creating windows. This is important for us both to be involved in, as this is what we both enjoy, are good at, and it is our form of self-expression. We share the boring stuff too.

How would you describe your own style of interior decorating at home – as compared to the eclecticism of your shop?

My interior has a strong focus on Australian art. I have been collecting contemporary art for over 10 years now and spend a lot of my spare time researching, going to exhibitions and acquiring some truly beautiful paintings, works on paper and sculpture. Subsequently my apartment walls are filled ‘salon style’ head to toe with as many as I can fit in. There is barely a square centimetre left now. My collection gives me immense pleasure and in a way gives me a break from what we concentrate on at Tarlo & Graham.

In saying that there is still a strong connection with what you would see in our store. There are a lot of objects, ideas at home that are represented in the shop. I sometimes need to live with something before I let it go.

Phillip’s apartment is filled with contemporary Australian art… Wow. Beautiful.


Which designers, artists or creative people are you inspired by?

I could probably write a book on the answer to this question. Where do you start? Is it artists, designers, architects, musicians, actors….I could probably write a page on each, but as I have to summarise and give a definitive answer, the top of my list would be David Bromley. I started selling furniture to David some 10 years ago whilst he was still living in Adelaide. He, like William and I, is an obsessive collector with a wonderful eye. These days we just swap things, we always have something the other covets. My apartment is full of objects, furniture and art from David, and vice versa. David’s workload, drive and output are immense; he is a true artist whose mantra is ‘there is much to be done’. I have had the pleasure of sitting through the night watching David paint. These are truly memorable experiences – to see a canvas come to life is a real joy. He once said to me he has about 20 years of sleep to catch up on! And he has taught me ‘anything is possible’. There is virtually nothing in the creative field he will not explore. Aside from paintings, sculpture and ceramics, David has and continues to create furniture, films, lighting, music videos, interior projects, wallpaper, fabrics – the long list goes on. He is currently working on a luggage and accessories range all covered in his typical painted style, as well as a series of childrens books. It is this list, and the person, that I find truly inspiring.

Where else do you find inspiration – ie books, fine art, your environment, travel, your family and friends?

Inspiration is everywhere, isn’t it?

What’s the best thing about your job?

Having a job that allows me to constantly create interesting installations, and seeing literally hundreds, if not thousands, of different things each week and being able to buy a select few. It’s like constantly shopping!


And the worst?

There’s not much about my job I don’t enjoy.

What are you looking forward to?

The future.

Melbourne Questions

What/where was the last great meal you ate in Melbourne?

Dinner at the Windsor Castle.

Best shops in Melbourne for furniture and interiors pieces (except your own shop!)?

Art: Karen Woodbury Gallery, Helen Gory Gallerie, Galerie Montmartre.

Furniture: A Day On Earth, Angelucci, Geoffrey Hatty (Malvern rd, Prahran), Industria (Gertrude st Fitzroy), Le Contraste, Workshop Industrial (Abbotsford).

Incredible clothing: Eastern Market.

Where would we find you on a typical Saturday morning?

I always work Saturdays.

Melbourne’s best kept secret?

If I told you it wouldn’t be a secret!
The beautiful taxidermy giraffe at the Carlton Hotel in the city.


Woot ‘n Wright



Amy and Jess of Woot ‘n Wright are a Melbourne based creative partnership who make one-of-a-kind handmade and printed textiles, cushions, bags and leather satchels out of their studio in Albert Park. Woot’n Wright is one part textile designer and painter (one girl – Amy) and a shoemaker/industrial designer (one boy – Jess).

Yes that’s right – one girl, one boy. Easy to confuse so I’m glad Amy and Jess made it super clear they are not 2 girls, as I almost definitely would have assumed. (How awful to realise I would jump to that conclusion so easily!? Sorry Jess!)

Amy Wright and Jess Cameron-Wootten were working corporate design jobs and looking for creative outlets to explore their passion for handmade quality products. With design backgrounds in textile design, botanical painting, and industrial design, and having a shared aesthetic and design ethos, it was a logical step to join forces!

Amy is responsible for the illustrative design direction, uses traditional methods to translate paper art into screen prints. Amy has a passion for hand-drawn detail and rarely uses a computer to develop her patterns. She says she loves the ‘quirky imperfections and truthfulness of hand drawn designs.’ I especially like her urban Melbourne landcapes – including depictions of the Melbourne Botanical Gardens and the City (including landmarks such as Richmond’s Nylex sign!). You can check out more of Amy’s work on her illustration blog here.


Jess applies his contemporary Industrial Design skills to traditional artisan craft, and loves being involved in every step of the manufacturing process. Woot’n Wright’s goal is to create beautiful, quality products using traditional skills.


Woot’n Wright will be at ‘Style After Dark’
South Melbourne Market, Thursday 28 (TODAY!) 5:30pm-9:30pm

Amy Wright will be having a solo exhibition at ‘HUSK’ Albert Park Store in August

Melbourne Home – Neryl Walker




Remember a little while ago I posted about illustrator Neryl Walker‘s stunning Home Beautiful kitchen makeover?

Well, the gorgeous before and after shots got me more than a little curious about the rest of Neryl’s home… so I asked if she would share some more of her beautiful 1950′s-inspired pad in East St Kilda. Lucky for us Neryl has generously shared a shot of almost every room in the house… and is it just me or is every room absolute gold!?


Not everyone could pull off such a stylised home… but it seems Neryl was perhaps born into the wrong era! The pink and green bathroom…. agghhhhh tooo gorgeous! It’s so nice to see all the original 50′s features proudly shown off, rather than ripped out and replaced with contemporary, generic cabinetry and fittings! Even the brand new, somewhat space-age(!) kitchen has maintained Neryl’s unique sense of style and retro-inspired detailing.

Aaaaghh. Cutest bathroom in the WORLD? Perhaps?

It all feels fabulously technicolour… like a set from Bewitched or I dream of Jeannie – only a little more rock ‘n roll!

Love your work Neryl! Thanks so much for sharing! xx

A cluttered hallway never looked so good…

Neryl’s workspace - those are her paintings up top.

Does not Equal

Dual Chain Reflections necklace by Does not Equal – AU$99.00

Dual Flags necklace – AU$79.00 and Triple Medallion necklace – AU$89.00

Does not Equal is a unique Melbourne jewelery & accessories label run by designer Charisse Black. Charisse graduated from RMIT in 2007 with a Bachelor of Communication Design, and started her jewellery design business soon after graduating, with the goal of producing distinctive jewellery for the male market. There’s still so little jewellery designed exclusively for men, it’s great to see a savvy young designer pouncing on this gap in the market!

Charisse’s work is characterised by strong, clean lines and geometric design elements. “Black Truth/ White Lies” is her latest range – a 20 piece unisex collection which draws inspiration from the balance between light and dark, good and bad, truth and lies.


Charisse’s creative influences stem from many different disciplines… she’s drawn to the Scandinavian lifestyle and their design aesthetic, from fashion to interiors. She admires labels like Acne, Resterods, Surface to Air, and Rickard Lindqvist.

Does not Equal is available online, and in the coming months will be available in selected boutiques across Australia. In Melbourne they can currently be found at Rude Health (17 Irwell street St Kilda) and ComeBack Kid (Level 1, 8 Rankins Lane CBD – opening sometime this month!).

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