The Design Files Daily

Furniture

Interview – Greg Hatton

Willow chair – photo by Lizette Bell

Best. Cubbyhouse. Ever. (designed and built by Greg Hatton)

Cubbyhouse interiors

Outdoor table setting and overhead light by Greg Hatton

Lights and things

Deco chair and other lovely stuff in Hatton’s previous workshop/showroom in St Kilda

I cannot believe it has taken me this long to interview Melbourne furniture designer/landscaper/stonemason/general fossicker/ Greg Hatton. Even if you don’t know him by name, I’m sure most Australian-based readers would have seen his beautiful willow furniture in print magazines or Melbourne shop windows in the last few years… yet somehow I have neglected to share Greg’s incredible body of work here until now! Shame! I can only say a huge thankyou to Greg’s fabulous loyal assistant Leila Sanderson, who contacted me a little while ago and kindly chased down the interview from Greg – no mean feat from a man who, I dare say, spends a lot less time at his computer screen than the rest of us!

You might know Greg by his studio moniker ‘Twiggie’ – an apt name which describes the stunning rustic furniture, lighting, and props he makes for private clients, local businesses and stylists. What you mightn’t know is that Greg’s diverse background originally included stints as a bike courier, fisheries officer and vegetable farmer(!!)… until he fell into stonemasonry after a 2 year sabbatical overseas. Greg found himself instantly drawn to the raw beauty of this natural material… and before too long was taking on his own landscaping and design commissions.

I am so inspired by Greg’s brilliant attitude – his answers below reveal so many likeable qualities… and it seems that aside from being insanely talented, Greg is just such a super nice guy! He strikes me as someone for whom no job seems too hard or too complicated, someone who is driven, yet doesn’t take himself too seriously – and who relishes the opportunity to get his hands dirty and earn a crust with ‘honest toil’. In some strange way, it seems that each chair, stool or stonewall created by Greg tells something of his own unique personality… each wobbly imperfection points to his free-spirited creative process, and highlights the beauty of the raw natural material.

Until very recently Greg was working out of a fabulous warehouse/showroom in Melbourne’s Balaclava… but being an ever-restless creative soul, he’s recently taken on an immense new project, purchasing an old Butter factory in rural Newstead earlier this year (pics below). It’s a brilliant (but dilapidated) old heritage building, in much need of love and restoration. Wowsers, big job! Currently part of the site is being used as Greg’s new workshop, and the pair also intend to exhibit furniture and other design work here… oooh exciting! Stay tuned!!

Please check out Greg’s website for more, or his Flickr, and he also has a brilliant blog which is updated by his trusty assistant Leila (aka Skinny) – she seems super AMAZING in her own right actually… I really need a Leila of my own! Where do I find one?

Huge thanks to both Greg and Leila for this wonderful interview!

Clearly having some trouble culling the photos. But can you blame me? LOVE the Christmas trees… a LOT.

Tell me a little about your background – what path led you to what you’re doing now?

Whilst sorting out the screws and nails in boxes in his shed for the 100th time my aging Grandfather once told me that you can live one life for 80 odd years or 8 lives for ten years, I chose the latter, he painted trams. His house was yellow and green! I have always made things, cubby houses, billy carts, bikes with big front wheels, bikes with big back wheels, pulled things apart and put things back together. A tree fell over in the backyard when I was about 12 and I decided to make a chair from it for my mum.

Year’s later after pursuing opportunistic and diverse vocations such as a bike courier, fisheries officer and vegetable farmer, I found myself without a job following a 2 years sabbatical overseas. So I started making things from willow – a weed growing prolifically in our rivers and streams and degrading waterways. After 12 months and little success I started working for a childhood friend Marty who put me in charge of the mixer for his stonemason gang. 3 months of mixing and the novelty had worn off and the only way out was to learn how to lay stone myself. It was love at first sight. Working with another raw material in its most basic form, and hard physical toil to create amazing structures that retained the beauty of the natural material they consisted of. It was great!

I scored a big job building a front entry wall of my own design, went out on my own and haven’t looked back…although we all have those days where working for someone else looks a little more attractive.


You’ve created so many incredible pieces – from private commissions to props for stylists and for retail display… what have been one or two of your favourite projects?

Making coffee bean silos for a mate who runs an amazing café/ coffee roasting company called St Ali in south Melbourne was pretty satisfying. They look good, functioned perfectly first time and are used everyday and haven’t needed any maintenance. Touch wood.

Coffee silos at St. Ali


Last year I finished a 12 month project building a billabong (Fancy dam) for some loyal clients down the Mornington peninsula at Red Hill. I actually used my university education! I studied geomorphology and soil science and with this realised the Ordovician clay at the site chosen would be impervious, deep and would resist turbidity (not suspend particles in the water column or be cloudy) ..unlike the nearby volcanic clay on the east side of the creek. That alone was satisfying enough, I even thought I was smart for a moment! I saved the client about $80000 on dam lining and had a great time making it. Unfortunately they want to plant willows along the edge to which I have protested vehemently. They even named their newly born daughter willow so I can no longer argue.

Fancy Dam

We did a great garden job in Acland street St Kilda, great clients are generally the key, if they let you go and believe in your vision it helps a lot with the end product.

Garden in st. Kilda

A garden behind a block of 60’s flats in South Yarra on a very steep site was also pretty satisfying, dragging all the rocks up 5 sets of stairs reminded me of it for at least 6 months, I can tie my shoes again now.

Beautiful landscaping by Greg at steep site in South Yarra

Some of the pieces I am most proud of I have made for myself and aren’t prepared to give them up, a sculptured dragster out of sticks, a four poster bed, some cool shelves. Its normally the pieces I make when I have some downtime, the ones that flow out rather than being forced a bit, does that make sense?

OMG awesome. :)

Four poster bed in Greg’s previous Balaclava showroom/workshop

Shelves

Can you give us an insight into the inner workings of your business? Do you employ other people, and do you outsource any significant tasks…? How do you keep up with the boring ‘business’ side of things, in addition to the fun creative side?

I have a girl Friday everyday, Skinny (Leila), who’s great. She puts up with me and her duties vary from p.a, paving queen, blog manager, bookkeeper, chair maker, soft furnishing expert, delivery girl, publicist, marketing manager, tree lopper, teepee designer and manufacturer….etc etc.

Beautiful Teepees by Leila Sanderson who works with Greg


We each have our strengths and varying tolerance levels of the boring stuff so it balances out well. I have a few boys I call on for the heavier stuff, Nick – a barista who worked at a café around the corner from one of my bigger jobs, Paulie – another stonemason/ barista, Gumby – who’s recently run away overseas, brother of another café staffer, and Stu who’s run away too, to open his café, Tim’s starting this week, a mate of a mate. I rescue people from badly paid hospitality jobs and when they are sick of waking up sore and tired they run away. They mostly come back though.

Where do you turn for inspiration for your designs? (ie books, magazines, your environment, travel, nature, family or friends… etc?)

Many of my clients provide enough of the inspiration, they are mainly pretty creative types who know what they want, we just sit down together and nut out the bones of a job, I like them to evolve rather than be a set design on paper. Often it’s the materials I find that tell me what they are to become, or in a garden build the whole outlook changes when you remove a tree or change ground levels, and so do your ideas on what to do next.

My favourite mag is called DAMn from Belgium.

I love the freaky beauty of organised European villages. (I lived in Austria for a while) and the history around them. Utilitarian design in old Austrian farmhouses many made before steel was readily available, so no nails no screws no wire…

Greg and Austrian Farmhouses… how about that fence!?

My mate Big Al had a very cool great uncle Keith, rip – who lived on a remote property in the Wimmera alone all his life. This resulted in various eccentricities and much inventiveness. He became a bit of a cult hero with a few mates after a couple of visits. I always think of him when I need to make something and have limited materials… what would uncle Keith do?

What does a typical day at work involve for you?

Getting up scratching my head and wondering what I’m supposed to be doing today, followed by a strong coffee at home or The Wall, my current favourite café. All shadowed by my trusty old hound Kev. I don’t really have typical days as I am stupid enough to take on different things all the time, thus leaving me in a constant state of confusion, research and fear.. I mean excitement.

Greg’s trusty pal, Kev

What are you most proud of professionally?

Working pretty green, I know that term has been flogged to death but I can sleep at night.

Taking on new and challenging jobs

Winging a pool renovation and pulling it off.

Compromising minimally

Aforementioned pool renovation. Looks pretty profesh to me!

What would be your dream project?

A large sculpture work over acres of rolling hills.

Building a stone house into a rocky outcrop.

Running a skip sculpture competition, each artist gets a random skip full of rubbish and has to produce a work in a set time frame.

What are you looking forward to?

Genuine leadership in government.

Feeling relaxed and confident in what I do.

Getting my shit together, I guess they are the same thing.

Planting out my vegie patch in Butterland (The Butter Factory in Newstead).


Melbourne Questions –

Where do you shop in Melbourne for the tools of your trade? (ie recycled materials, hardware, fabrics etc?)

Side of the road for materials apparently its illegal but what isn’t these days.

Timber from Bowerbird timbers out towards Warburton, recycled and windfall timbers, lovely people to deal with …worth the drive.

Recycled Timber and things from Hughes demolition in Oakleigh

I actually scrounge most of my materials, it’s part of my business plan , reuse recycle repair. It’s amazing what people throw away.


Where /what was the last great meal you ate in Melbourne?

Had some great hot cross buns from a bakery in Elwood the other day, sourdough, buttered…thickly. Yum and a great lamb and couscous salad at Mart in Albert Park, haven’t been out much lately, my mate Pat whipped up a tasty dahl with some tommy’s I kidnapped from a clients garden….they were over ripe and the clients were away!

Where would we find you on a typical Saturday morning?

Again hard to be typical as I have no routine, at the moment scraping paint or wax off some surface of my latest project, renovating an old butter factory in central Victoria. I’d like to be riding my bike somewhere in the bush.

Melbourne’s best kept secret?

I am about as far from having my finger on the pulse of Melbourne as anyone, however I’ll give it a shot. That you can make a coffee at home that’s as good as one at your local café.

Heatherly Design

Custom upholstered bedheads by Heatherly Design

I discovered Heatherly Design recently at Magnolia Square – prompting another ‘why didn’t I know about this already!?’ moment! Wow, what a brilliant little local design company! Based in rural Victoria, Heatherly started out in 2000 with an initial focus on interior design and colour consultation. Heatherly’s owner/director Georgie Leckey soon recognised a gap in the market for stylish custom upholstered bedheads, and seized the opportunity to adapt and fill this niche.

The Heatherly Design website allows customers to design a custom bedhead according to Heatherly’s range of designs, sizes and fabrics – or you can source and supply your own fabric if you prefer. The prices are extremely reasonable, particularly for a customised locally-made product!

My fave has got to be the raw Belgian linen with cross-stitch detail (below)… beautiful! (There is a stunning shot of it, styled by Glen Proebstel, which featured in Country Style magazine – check it out on the Heatherly press page).


Interview – Jon Goulder

Furniture designer Jon Goulder, next to fellow Midland Atelier maker Malcolm Harris (background).

Glissando Credenza (detail) – Jon Goulder 2009

Oh La La Dining Chairs 2009

Calypso Lounge 2008 (available through Living Edge in Australia)

Calypso Lounge 2008 and Fill Bookshelf 2009

Get ready to be hearing a lot more about Jon Goulder.

Jon’s had an interesting career path – from pro snowboarder(!!), to an apprenticeship with the family furniture and upholstery business in the Southern Highlands of NSW, to art school in Canberra… and then to setting up his own design practice. Jon has slowly and steadily gained great respect and accolades from the local design industry, and really has grown to become a stand-out Australian designer. Tinkering away quietly and without fanfare, Jon makes the kind of furniture you’d expect to see from those big-name superstar international designers – you know, the ones who get all the press!?

But rather than tout his talents and attend all the big international design shows, Jon has spent the last 2 years working tirelessly to create an ambitious solo exhibition of his work, 11:12 – Furniture by Jon Goulder, which opens in Perth today! (Don’t worry – other states will follow later in the year!)

Jon seized the opportunity to work on this exciting project – made possible only through a unique collaboration with FORM, a fantastic, forward-thinking Western Australian cultural organisation, and the Midland Atelier project, their BRILLIANT new creative initiative aimed at nurturing the local design industry in WA. It is SO inspiring to see such incredible creative things happening in Perth, and I’ve no doubt the Midland Atelier project will certainly get tongues wagging in other states!

Part employee, part artist-in-residence, Jon’s work with the Midland Atelier project is varied and ever-changing. With the exhibition now open, Jon will turn his focus back to developing the Midland Atelier concept and mentoring other designers at the facility. Lucky them!

If you are in PERTH you should totally go and check out Jon’s exhibition soon!
If you are somewhere else in Australia – stay tuned! (…and perhaps go visit Living Edge to see Jon’s Leda seat or Calypso Lounge on the showroom floor!)

In the meantime… read on to learn a little more about Jon and the brilliant things happening at Midland Atelier!

The Exhibition! 11:12 – Furniture by Jon Goulder - exhibition design by Glasfurd & Walker, photo courtesy of Ross Swanborough.

Tell me a little about your background – what originally drew you to furniture design, and what path has led you to what you’re doing now?

I’m a fourth generation craftsman and completed an apprenticeship in furniture making and upholstery through the family business, E.W. Goulder and Sons. What has led me to what I am doing now (designing a solo exhibition) comes from my education at Canberra School of Art, which I finished in 1999. Being educated at an art school is very different to being educated at a design university. At art school it is very normal to strive to develop a body of work that equates to a solo show. It is important to note that this show would not be possible if it was not for the support of FORM. Lynda Dorrington offered me the opportunity and naturally I jumped at it. FORM has supported me on a retainer whilst I developed the work.

Tell us about the Midland Atelier project! What role do you play at Midland Atelier, and what initially appealed to you about working with FORM on this unique project?

The Midland Atelier project has to be one of the most exciting projects happening in Australia at the moment. It is the largest purpose built design studio / workshop in Australia. The Atelier is West Australia’s first creative industries centre, managed by FORM and based in the historic Pattern Shop and Foundry building at the Midland Railway Workshops.

My role is predominantly within the Pattern Shop (the furniture studio). The Pattern Shop has only been online officially since 2009 but for the past 18 months I have been FORM’s man on the ground at the Atelier, helping to select and entice resident designers and set-up the facilities. I am an artist in residence. Whilst I recently designed and made a body of work for exhibition I also take on a mentoring role with a few of the designers who work at the Atelier. I help build networks through my established connections with industry, media and markets.

The Pattern Shop at Midland Atelier

What does a typical day at work involve for you at the moment? How do you divide you time between your own design work, and your role at FORM?

A typical day at work involves starting early – 6-6.30am and working hard for a solid ten to twelve hours. Because I make my own prototypes and/or limited batch production runs my day is generally quite physical. I get very dirty and dusty and love every minute of it. I develop my designs in 3D models and full scale mock up so even in the design process I still seem to get grubby. It’s not as glamorous as some might imagine. For the past 12 months I have been left alone to exclusively make the exhibition which is an amazing opportunity. I still work very closely with a number of the designers at the Atelier which seems to happen naturally when working in a group workshop. After my exhibition opens my role will change again and I will be much more involved with strategy and the building of the Atelier’s capacity.

Fill Bookshelf 2009

After winning numerous accolades for your work over the years, and being involved in many group shows, you’re now embarking on your first solo show! How long have you been working on the 11.12 exhibition, and what can visitors expect from the show?

I have been working on the show for two years and visitors can expect 11 new pieces of work that are all original pieces. I hope the body of work has a unique style that is very much my own. The pieces have been handmade and are collectables, the kind of pieces that you hand down through generations.

11:12 – Furniture by Jon Goulder - exhibition design by Glasfurd & Walker, photo courtesy of Ross Swanborough.

Where do you draw inspiration for your work – nature, travel, film, architecture… and do you pay attention to international design trends?

It’s hard to say. Before design engulfed my life I spent all of my time travelling, skating, surfing and snowboarding. I was a sponsored snowboarder for 5 years – maybe that has something to do with it. I do have a close eye on the international design scene but do not follow the trends. It is clear to see that following trends does not build your career. Being yourself does.

LD Desk

Amore Mio Coffee Table 2009

Which other designers / creative people do you admire?

I admire anyone who is committed to a creative life.

What would be your dream creative project?

Designing my second solo exhibition. Any large scale installation work where I have complete artistic freedom.

What are you looking forward to?

I am looking forward to the opening in Perth and then the show touring, I look forward to slowing down and taking stock of where I am at in my career and helping FORM build the Midland Atelier. I look forward spending time with my family and having some time off.

Top – Oh La La Dining Chairs 2009, Bottom – Leda Seat 2004


Perth Questions

How did you find the move to Perth? What are the greatest challenges you have faced in re-locating your business and making a new start?

The move to Perth has been amazing for me and for my family. The challenge is the isolation but the isolation can be a good thing also.

What/where was the last great meal you ate?

A Paella at home. My wife is a chef; it’s hard to find a restaurant that competes.

Where would we find you on a typical Saturday morning?

For the past year you would find me at work developing new designs. Typically I would choose to be at the beach.

Perth’s best kept secret?

Perth’s best kept secret is the unaffected people. The people in West Australia don’t seem to have a false front or an ‘attitude’ like in other places. Also the social life and live music, pubs, events and so on. WA does not have gambling (card machines) so live music and conversation is still very much alive. WA is the lifestyle state Shhhhhhh.

Form Wall Shelf 2009

Presents!

Amazing hand-made chest of drawers by my sweet fella Gordon Johnson. (He does not have a website. He is allergic to self-promotion).

Gratuitous detail shot. See-through drawers! Fancy schmancy.

OH my goodness you guys are so lovely with all the sweet birthday comments, emails and tweets! Thankyou thankyou thankyou! :) I am the luckiest blogger ever. Also, so sorry I was totally out of wack with the timezones so my first D*S post is taking way longer to pop up than I realised! Sorry about that.

In the meantime, I had a few requests to see my beautiful new chest of drawers, courtesy of my very clever boyfriend Gordon, who can make these things with his own two hands. Amazing!

I love the pearly, coffee coloured timber finish…. It’s Queensland Walnut. Also perhaps my favourite thing is the smokey-coloured see-through acrylic drawers! Fancy fancy.

For some crazy reason (I think because he wasn’t sure if the chest of drawers would be finished in time), Gord also bought me these beautiful vintage posters by Rene Gruau from the wonderful Galerie Montmartre! Oh my. It’s a bit ridiculous, no?

Le Rouge Baiser posters from Galerie Montmartre! (Sorry for the reflection)

Coast collection at Hermon & Hermon

Top left – Coast sideboard with stainless steel trim, top right – Coast cabinet with stainless steel trim, bottom – Coast TV console. All from Hermon & Hermon.

Hermon & Hermon‘s new ‘Coast’ furniture collection in natural teak is rather lovely and quite unique. It seems somehow contemporary but rustic at the same time. Perfect for the beachhouse, daaaaaahhling!

Hermon & Hermon
556 Swan st
Richmond

9427 0599

Raw-Edges Design Studio

Stack shelving system – Raw-Edges Design Studio / Established & Sons

Tailored Stools reverse the usual upholstery process… rather than skinning a foam shape as with conventional furniture-making, the resulting 3-dimensional shape here is informed by the initial 2-dimensional fabric pattern.

I am quite in love with the kooky work of UK-based, Israel-born design duo Yael Mer and Shay Alkalay, otherwise known as Raw-Edges Design Studio.

Their best known design is probably the ‘Stack’ drawer/shelving system, picked up by the UK’s prestigious Established & Sons after spotting Shay’s prototype at the Royal College of Art graduate exhibition in 2006. It’s now one of Established & Sons most popular and recognisable designs, and has won numerous design awards. It’s place as a contemporary classic has also been confirmed by it’s inclusion in MOMA‘S permanent design collection.

Since graduating in 2006, this dynamic pair have received several respected design awards including The British Council Talented Award, an iF Gold Award, a Dutch Design award, Wallpaper* Design Award 2009 and the Elle Decoration International Design Award for best furniture of 08/09. They were also recently awarded the Designer of the Future award for 2009 at Design Miami/Basel. Phew!

Not bad for the 33 yr-old pair who launched their design studio only 2 years ago in July 2007! Jeepers. It’s enough to make you feel positivity unproductive.

LOVE this packaging design for milk cartons, in which the amount of fat in the milk is distinguished by form rather than colour! The folds in the back of the package function as a handle for pouring, whilst the 2 folds in front function as the spout. Beautiful, efficient, clever, simple design.

Look how much fun it is working at Raw-Edges Design Studio!

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