The Design Files Daily

Flowers

Urban Crop

Urban Crop plants – photos by Earl Carter

Photo – Earl Carter

Have you been spotting tulips in unexpected places recently? Last week I was dashing around sourcing all manner of gorgeous things for a shoot… and it seemed that every single shop I visited (Safari Living, Loom Rugs and Mark Tuckey… to name a few) seemed to have these luscious blooms in their windows, each wrapped in a signature brown paper bag…!

Very curious indeed. ‘What is going on around here!?’ you might ask – ‘Who is filling all these shop windows with stunning fresh flowers, and where can I get my hands on some?’

The man behind this brilliantly hair-brained scheme is of course Melbourne’s best loved horticultural dynamo, Joost Bakker. Just launched this month, Joost’s Urban Crop project involves selling tulips, hyacinths, irises and herbs from the back of a van in various locations across Melbourne’s CBD.

I guarantee you’ve never seen such vibrant blooms… but in truth, it isn’t really the tulips that Joost is peddling. What he’s most excited to share is the unique nutrient-rich ‘Urban Crop Soil’ that each plant is grown in. This special soil mix, developed by Joost himself, is made from a blend of composted organic waste, worm castings, and a somewhat magical ingredient called Bio Char. It is a miraculous concoction which ensures the healthiest and most prolific flowering plants – in the most sustainable possible way.

Joost packages Urban Crop tulips - photo by Earl Carter

Joost and business partner Renee Nutbean hope Urban Crop will demonstrate the value of organic compost rather than fertilized soil – which takes vast amounts of fossil fuel to produce and doesn’t make for healthy, happy plants. Urban Crop plants are full of energy and nutrients – not pumped full of fertilizer and water only to slump into a sad heap once you get them home. Urban Crop herbs will happily sit in your kitchen for a week or two, ready for you to harvest as you need them. Urban Crop flowers will produce the most stunning blooms that last longer than any cut flower.

The idea is to take your bundle of gorgeous Urban Crop blooms or herbs home, keep the soil and root system intact, enjoy them for a week or more, then either compost the plant when it dies, or keep the bulbs for next year. All in all, it’s a much more sustainable way to give and enjoy flowers and plants at home.

Not surprisingly, Urban Crop stockists are growing quicker than Joost can update his website! He loves the idea that bars, cafes and all sorts of shops across Melbourne are selling flowers and plants in the middle of winter…. ‘Maybe this City will become famous for being able to buy living flowers on every street corner! Anyway I’ll just keep on dreaming..‘ he says!

Urban Crop plants are now stocked at over 40 Melbourne locations – from a bike shop in Greville st Prahran, to a book shop in Elwood… of course I spotted them at Safari Living, Loom Rugs and Mark Tuckey, and also you can try Leo’s Supermarkets in Hartwell, Kew and Heidelberg. OR for the real guerilla-gardening experience, hunt Joost and Renee down in their Urban Crop van… at various locations listed here.

Please leave a comment if you have another Urban Crop location tip-off!

Renee Nutbean in the Urban Crop van!

NYC Green

top – protected garden nestled between two tall buildings in the East Village (I think?), bottom – cascading planter outside a shop in Nolita.

Fort Greene, Brooklyn at dusk. LOVE the beautiful Brownstone buildings and leafy trees lining every street in this beautiful pocket of Brooklyn.

Did you know in New York City in the Springtime, there is lush, green foliage absolutely everywhere? Who would’ve thought a big dusty city like this would be so full of beautiful plant life… creeping for metres up building facades and spilling from so many windowsills?

Everyone seems to make a real effort to maintain their mini-gardens on window-ledges, and entrance ‘stoops’(?) – and it seems volunteers even pitch in at various community gardens on vacant blocks all over town.

Immaculate window boxes in the Upper East Side. Love those white / green hydrangeas especially.

Upper East Side – ivy-covered building and Japanese maple.

Interview – Joost Bakker

Love these stools created by Joost from garden stakes! So simple and so great.

Birdcage installation at the GPO in Melbourne

More work at the GPO

One of Joost’s most recognisable designs – these freestanding plinths are used to display vases/bottles of single stem flowers en masse You might have seen these at Journal cafe in the CBD… or the windows of Aesop stores?

Very exciting interview today! If you’ve been reading for a while you’ll know I’ve been chasing an interview with Melbourne florist/event/installation superstar Joost Bakker since his incredible sustainably-built pop-up bar/cafe The Greenhouse was installed at Federation Square over Summer. If you didn’t get a chance to visit, you might remember my coverage and photos here. It was SUPER amazing. Like, Milan-Design-Week-style amazing, or Marije-Vogelzang-style-amazing…! Temporary design projects on this scale rarely happen in Melbourne, which is why The Greenhouse won my heart (and so many more!).

Anyway as you can imagine, at that time Joost was super busy, but luckily things have calmed down slightly and he has kindly taken the time to do an interview! Yay! It’s great to learn a little more baout Joost – he’s been featured a lot in the media (remember that Vogue Living feature earlier this year showcasing his beautiful home?), but I feel in this interview Joost has really given us a more personal insight into his motivations and the passion behind his work. :) Aren’t we lucky!?

For more background info about Joost check out his website – lots more photos of his stunning floral pieces and larger scale installations.

Tell me a little about your background – what did you study and what path led you to what you’re doing now?

Migrating to Aus at age 9 had huge influence on me. Learning the language and culture, but the most profound impact was from learning, watching and being involved in our family business- growing flowers. My father tried planting all sorts of different varieties of flowers, this was important to watch, this way of trying to make different things work, testing assumptions. They became successful and the business quickly evolved, I observed sheds, greenhouses, glasshouses being constructed around me. The most complex construction happened in ’97 it was a glasshouse from Holland. That set my thoughts in motion about different housing, more efficient ways of doing things.

You have gained an incredible reputation and received many accolades for your unique approach to floral design and installation. What were you initial plans when you first embarked this career? Did you ever expect to be working on the great variety of projects you are now so well known for?

No I definitely didn’t expect to be working across the different variety of projects that I am now, and I definitely didn’t plan to be working as a florist. For as long as I can remember I’ve always questioned how florists worked and always thought about different ways of doing things and being true to the product/materials. Having an understanding of the effort that goes into growing flowers makes you aware of their total beauty. I began wholesaling flowers and the whole journey evolved from there.

What have been some of your favourite or most memorable projects in recent years?

Without question my family (Jen and I have three beautiful girls) and building our family home- the prototype for the Greenhouse project. I was away for 7 days on business over Christmas and all I wanted to do was be back with the girls in the space we’ve created. We bought our block in 2001 just before Jen and I were married. We then spent 3 months traveling, dreaming about what sort of home/structure to build. In 2002 I spent a lot of time on the bock understanding the winds, light, soil, rhythms, clearing dead trees, composting, planting grasses and 15,000 trees (I hate to think how many different species) and thinking again about what sort of home we would build. We began building in Dec 2006 and the house was finished in Aug 2007.

The Greenhouse by Joost at Fed Square

Which designers, artists or creative people are you inspired by?

For me my main inspiration comes from nature. Things that inspire me are plants growing out of crevices of buildings (I love how ferns are growing out of Queensberry bridge above peoples heads at Riverland). How quickly disused spaces in cities are transformed into bird and plant filled oasis’.


Where else do you find inspiration – ie books, magazines, your environment, travel, your family and friends?

National Geographic - I have almost every copy from the last 50 years. Passionate growers, builders, architects, photographers- people like Earl Carter, he makes me view my own work in a different way.

What does a typical day at work involve for you?

Early starts (which I love).. I have a little more time these days (post Greenhouse Melbourne). Last Wednesday is was up at 4am picking Sedum flowers, I had noticed that by the early morning these flowers are covered in bees making them impossible to pick, so I had to pick them lit by the headlights of my truck. I then did my Wednesday route… Wall, Batch, Riverland, Rockpool, Vue de Monde and some private clients. At 10am I had a meeting to discuss Greenhouse Perth, at 12pm I passed by Waste Converters to look at some timber for flooring that I can possibly use for the next Greenhouse. By 2pm I was on the property again weeding, maintaining and cultivating our trees. At 5pm I’m a family man (showing the girls how to weed!).

What are you most proud of professionally?

The relationships I’ve developed with my collaborators.

What’s the best thing about your job?

The best and the worst: that my job is forever changing and evolving, I have to remain adaptable to all possibilities.

And the worst?

I never seem to be satisfied with my work!


What would be your dream project or creative collaboration?

In all honesty I’m living it. I love the people I collaborate with, my clients, the diversity of things that I do and the freedom to express/ create what I believe in.

What are you looking forward to?

Holidays with my family! Hopefully after Greenhouse Milan is installed (fingers crossed!) we can tour around Italy together.

Melbourne Questions –

What/where was the last great meal you ate in Melbourne?

Now you’ve got me going.. I’m very fortunate that one of my good mates is also a fantastic chef. He’s always experimenting with new tastes and textures and on occasion, when I’m doing the flowers for his restaurant (Vue De Monde) Shannon will call me out the back and ask ‘what do you think about this?’ as he hands me a morsel of something incredible. This is how lucky I am: this week alone Jason Chan at ‘Batch’ made one of his childhood favourite dishes, Johnny at ‘Journal’ gave me some amazing prosciutto with olive oil great bread and some fontina, down the road Aleks at ‘Mille’ (named after his beautiful father who helped me with my bookkeeping for years!) gave me some Mozzarella di bufala de Campana sliced with fresh tomato and olive oil (un-fucking believable), then to top it all off Shannon made a tart with fresh cream and the biggest blackberries you’ve ever seen! Every second Thursday I head off to ‘Innocent Bystander’ early to do their installation- I came home with Pip’s fresh casalinga and strawberry and aniseed jam from the ‘Jam Lady’… life doesn’t get any better than this!


Which Melbourne people/companies do you like to collaborate with?

As mentioned I’ve been extremely lucky to have such an amazing circle of people that I’ve worked with for a long time. People like Nonda Katsalidis who I regard as having one of the most beautiful minds (when I asked him why all his buildings were on La Trobe St he replied:”I’ll only do buildings within walking distance” so progressive – as a city I wish we would realize what a creative talent he is, truly original). I would also have to say though that Georgina O’Connor is one of my favourite collaborators we work together seamlessly.


Where would we find you on a typical Saturday morning?

In amongst the trees on the block.

Melbourne’s best kept secret?

The people.. and their willingness to back an idea. I’ve spent a lot of time recently talking to people from other cities about the Greenhouse project and they all consistently say: “Wow.. how amazing that Melbourne supported your idea and that you were able to get the project up.”


A huge thankyou to Joost for his time, and to his colleague Viviana for facilitating this interview!

Flora Grubb on Design*Sponge


Just a quick post in-between posts…

I just had to share this GORGEOUS succulent-wreath over on the Design*Sponge guest blog. It’s the work of San Francisco garden designer extraordinaire Flora Grubb.

That can’t be her real name. Can it?

Interview – Lisa Cooper

Posture - artwork by Lisa Cooper

The Butcher’s Daughter jewellery – photos from Vogue Living May/June 2008

Lisa Cooper – portrait from Inside Out’s Christmas Issue 2008, photographed by Sharyn Cairns

I first became aware of the work of Lisa Cooper after reading a Vogue Living feature about her beautiful jewellery in the May/June issue last year… but then when Inside Out featured Lisa’s Christmas tea party, set in her gorgeous Sydney studio filled with lush green plants, sweet treats and sparkling trinkets, that’s when I really decided I needed to hunt Ms Cooper down for an interview!

Much like last week’s interviewee Ebony Bizys, Lisa Cooper has many strings to her bow! She’s an exhibiting artist who creates paintings as well as video projection pieces, and she will soon receive her PhD from COFA in Sydney. Lisa also creates exquisite jewellery under the label The Butcher’s Daughter, and was recently commissioned by the Sydney Theatre Company to create custom-designed crowns for their much publicised War of the Roses, starring Cate Blanchett. Inbetween all these various pursuits, she also works at Sydney’s favourite florist – you guessed it – Grandiflora, creating floral masterpieces. I’m not kidding! (Sydney seems to be getting smaller and smaller with every Sydneysider I interview!)

Lisa has answered all my interview questions in such a graceful, poetic way… read on for an insight into her incredible blossoming creative career.

Tell me a little about your background – what did you study and what path led you to what you’re doing now?

I have an Honours Degree from the College of Fine Arts. My near complete PhD research represents the summit of my formal education. It is an enquiry into the motivations and impetus of my practice. It answers in many words ‘the path’— the dedicated approach to making concrete (imaging), what is abstract in the universal/individual experience (a life), is the short answer.

St. i and St.ii paintings by Lisa Cooper

You work is so varied and you seem so prolific! You are completing a PhD in video art at the College of Fine Arts in Sydney, your handmade jewellery label The Butcher’s Daughter is stocked at select boutiques in Sydney, and you’ve recently created custom ranges for Collette Dinnigan and for the Sydney Theatre Company’s upcoming production War of the Roses. OH and you manage to squeeze in floral arranging for Sydney’s famous florist Grandiflora! How do you manage your time in order to focus on such a variety of projects? Do you struggle to balance them all?

It is not difficult to focus on these strands of practice as they are the ‘stuff’ of my life. I am not prolific! Though if I were it would be (as is always the case) a product precisely of focus, immovable, complete focus (an aspiration). ‘Making’ constitutes the children, grandchildren and great grandchildren of my life. It is a selfish path.

I have indeed kept some glamorous company this past year— THE BUTCHER’S DAUGHTER has wings!

TBD is stocked at David Jones, Sydney City Store.

Ohhh GRANDIFLORA ! in the punctuating moments of our lives flowers bear witness (from tables and hall stands) and then they elegantly depart. Flowers are incredibly powerful metaphors and whimsical poets at once.

Lisa’s crown for War of the Roses – incidentally, beautiful production design with all that foil confetti…

What have been some of your favourite creative projects / commissions?

-A video project at Cockatoo Island
-Two commissions for the Parisian cosmetics company SISLEY.
-I most love the private commissions for TBD, individuals who understand ‘Garden compositions in metal’.

Lisa’s Video work. Above – Silence has Teeth. Below – Self Portrait with Onions.



How do your video pieces and works on canvas compare with the dainty style of your jewellery for The Butchers Daughter? Does your interest in floral imagery carry through in all areas of your work, or do you find yourself drawn to a different aesthetic when working in different mediums?

The grand poetic metaphor of flora is an important thread that runs through all of my work. Flora does feature in my video work and across the different mediums of my practice, though for TBD and of course Grandiflora they are used in a more material and literal sense, in other work it is for their poetical and conceptual meanings… from platitude to monolithic symbol.

Lisa’s workspace – image from Vogue Living May/June 2008

Which designers, artists or creative people are you inspired by?

I am inspired by intelligence and lack of compromise but I think you want names… Simone Weil and Antonin Artaud, Susan Sontag, Samuel Beckett, Pipilotti Rist, Ezra Pound, St Therese of Lieux.

Where else do you find inspiration – ie books, magazines, your environment, travel, your family and friends?

Magazines are porn they make me feel dirty and good. Travel makes me feel like Alice in Wonderland, it makes you undulate and that is good. Inspiration is derived from experience I think, it is constant and also the past—memory, though it is a laboured concept.

Lisa’s beautiful Christmas tea-party, featured in Inside Out Christmas issue 2008. Notice her intricate silver creations on the table… photography – Sharyn Cairns

What’s the best thing about your job?

I’m not sure which you are referring to, I guess that’s the best thing about it.

And the worst?

isolation

What would be your dream project?

To answer that would be too limiting

What are you looking forward to?

Having a Doctorate
Berlin in September

Sydney Questions –

Best gallery to see the work of artists like yourself in Sydney?

Roslyn Oxley 9
Sarah Cottier Gallery
MOP


Where do you shop for the tools of your trade in Sydney? (ie jewellery supplies, art supplies etc).

That’s a secret

More from Inside Out’s feature – love her beautiful jewels strewn throughout the studio… photography – Sharyn Cairns

What/where was the last great meal you ate in Sydney?

Fratelli Fresh
Billy Kwong
It’s a tie.

Where would we find you on a typical Saturday morning?

At Grandiflora – knee deep

Sydney’s best kept secret?

Its kindness

Christmas DIY – part 2

Ohhh sorry, I can’t resist… a have to share a couple more Christmas ideas today :)

First up – my new DIY Christmas wreath!


I decorated a large rustic wreath I bought from Cote Provence in Carlton North. They’re also available in a smaller sizes. If you’re not in the North I’ve seen similar ones all over town in good florists and also a few upmarket gift-type shops.

The decorations are super-simple – some paper bark I stripped from a tree in Carlton(!), some peppercorn branches and leaves, and some succulent stems, cut and clustered in small recycled glass bottles filled with water. Everything is just tied on with string and wire. Too easy!

I used some of those tiny bottles from Industria in Fitzroy (mentioned here), as well as some little glass juice bottles from the Mediterranean Wholesaler in Brunswick. You could also use small glass jars…

The great thing about this wreath is that it is 100% sustainable! All components are either natural or recycled… the succulents are all in water, which means they’ll stay alive and grow roots for replanting later. And the wreath will be recycled every year!


Gorgeous Christmas DIY find number 2 was discovered by my lovely friend Jess… a ‘cardboard holiday village‘ complete with flickering LED lights! This sweet project is the creation of Stephanie who has a great little blog called Even Cleveland. Love it!

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