The Design Files Daily

Fine Art

‘Foldout’ by Esther Stewart

The North Melbourne studio of artist Esther Stewart. Photo – Lucy Feagins.

The North Melbourne studio of artist Esther Stewart – featuring scale model of ‘Foldout’ installation for QV!   Photo – Lucy Feagins.

Details from Esther’s studio. Photo – Lucy Feagins.

Previous work by Esther Stewart from the ‘Portable Compactable’ series

Esther Stewart in her North Melbourne studio. Photo – Lucy Feagins.

I have an inkling that Melbourne based artist Esther Stewart is going to be big. You heard it here first, people. She is only young but she has such an intense seriousness and drive about her – within an instant of meeting her it’s clear this lass is going places.  She’s super smart and very hardworking and just kind of basically no-nonsense.

Esther completed a Bachelor of Fine Arts at VCA in 2010, majoring in Sculpture and Spatial Practice.  That same year she was included in Fresh 2010 at Craft Victoria – an award exhibition that explored the best in new contemporary craft and design.  She’s now making art full time and exhibiting in various group shows at artist run venues, all whilst completing her Master of Arts and Cultural Management at The University of Melbourne.

Esther is also part of new art collective  GroupWork which recently had an amazing show at Mr Kitly!   It was quite rad – some pics here.

Esther’s latest project is a site specific large-scale installation at QV in the CBD – just completed yesterday!  Entitled ‘Foldout‘, the piece consists of a large scale geometric wall mural painted directly onto concrete walls within the QV complex, and custom painted foldout seats, bolted directly into the walls… so you can sit in the artwork. Brilliant!

We asked Esther a couple of questions about this latest project -

As part of Next Wave 2012 you are installing an interactive mural in QV called Foldout. How did the concept behindFoldout transpire and what exactly will it involve?

Foldout stemmed from a previous body of work termed Portable Compactable where I explored the space between the functional and the aesthetic. My concept with this new work was to activate an unused space in the QV building. The challenge has been to transform, on a limited budget, an aesthetically hostile area into an visually exciting and hopefully engaging space.

Creating even the smallest work of art takes time and patience. Is it safe to say you need both of these things times infinity when producing large scale art in the public domain? What kind of processes and challenges have you faced with the QV installation?

It has been an incredibly extensive process. I have been working on Foldout for well over a year now. This project is part of a larger public group exhibition called New Babylon for Next Wave 2012, where the group’s curators Jess O’Brien and Pip Wallis invited six artists to complete a major work in Melbourne’s CBD.

Fortunately being part of New Babylon has meant that I have had the unwavering support of group curators Jess  and Pip, who originally approached me with the idea of making a public work. In the interim we have discovered, albeit at times a little painfully, exactly what this process entails.

We have spent hours and hours writing and rewriting applications and submissions, looking over safety plans, and liaising with the site spokesperson and engineers. Aspects such as engaging contractors, adhering to the safety requisites in the making of and installation of public works, and the challenges of large scale painting techniques have been just a few of the issues that have required managing. Then of course I have learned a lot more than I ever wanted to know about the structural integrity of unused concrete walls and the cavities behind them! In hindsight I would undertake this project very differently, but that in itself has ultimately made it so worthwhile.

Looks amazing – pics below!

The piece is sponsored by Haymes, who generously supplied paints and other materials to Esther’s specifications.

Foldoutsite specific installation by Esther Stewart
QV Building
Corner of Swanston Street and Londsdale Street
Officially opening this Friday May 19th.

Foldout is part of New Babylon for Next Wave 2012.

Foldout - site specific installation by Esther Stewart. Photo – Sean Fennessy

Foldout - site specific installation by Esther Stewart. Photo - Sean Fennessy

Pia Blair – Collage Art Giveaway!

Artwork by collage artist Pia Blair
Artwork by Pia Blair. Photo by Armelle Habib, Styling Julia Green and Lucy Fenton, shot on location at the very beautiful Fenton & Fenton!

Various artworks by Pia Blair

Melbourne stylist / creative agent Julia Green is always feeding me excellent new finds, and these fabulous artworks by Pia Blair are another of her discoveries! (Thanks for the tip off Julia!).

Pia Blair is a Melbourne girl, but has been living in Ho Chi Minh City, Vietnam for three years.  She creates these original screenprinted and collaged works on paper with unexpected imagery and kooky little sayings to make you chuckle!  She loves nothing more than riding around her colourful city on her motorbike, fossicking for vintage papery goodness from days gone by.  If Pia comes across anything kitsch, especially images of miniature dogs, men wrestling in 1970′s footy shorts, ladies strutting in 1950′s get up, catalogues of modernist domestic furniture and appliances, or an image of Queen Lizzie, she simply must have it!

Originally from country Victoria, Pia spent a great deal of time trawling through her Grandmothers pile of sewing patterns, admiring 50’s style wall paper, and eating ‘snags’ in bread at the local footy club.  These childhood experiences, combined with her recent years in Vietnam, have defined the quirky, nostalgic aesthetic of her work.  By combining treasured vintage ephemera with hand screen printing, spray painted stencils, stickers and Japanese washi tape, Pia gives each work it’s own unique narrative.

Pia creates these works under the name Little Land of Pia.  She’s currently working on creating a range of soft furnishings under the same label – watch this space! And do check out Pia’s blog and facebook page for more images of her work and updates on her homewares range!

Pia’s artworks are currently stocked at Fenton & Fenton, Husk and Hut 13 in Melbourne, Mood and Green Tangerine in Queensland, and a number of other boutiques listed here (nothing in Sydney yet it seems?).

Potential stockists and buyers can also get in touch with Julia Green of Greenhouse Interiors, who is handling Pia’s Australian sales and distribution.

TODAY you guys have the rather amazing opportunity to win an original Pia Blair work on paper! The lucky winner will have the opportunity to collaborate with Pia via email, and select their own theme / colour palette for a unique new collage, created especially for them.  AMAZING!

*UPDATE: Congratulations to our lucky winner Rosa (comment #16), you will be collaborating with Pia on your very own custom made collage! We look forward to seeing the final piece! Thank you to everyone who left a comment and also to Pia for this very generous giveaway!

To be in the running, simply leave your comment on today’s post, before 10.00pm today, Monday May 14th Melbourne time.  One winner will be selected at random and contacted by email tomorrow.

Massive thanks to both Pia and Julia for this lovely giveaway!

Artwork above bed by Pia Blair. Photo by Armelle Habib, Styling Julia Green and Lucy Fenton, shot on location at Fenton & Fenton

Artwork by Pia Blair. Photo by Armelle Habib, Styling Julia Green and Lucy Fenton.

Miranda Skoczek – Unicorns & Alchemy

Works on paper from Miranda Skoczek’s current exhibition, Unicorns & Alchemy at Iain Dawson Gallery, Sydney

Melbourne artist Miranda Skoczek has an exhibition at Iain Dawson Gallery in Sydney which opened just last week.  The show, entitled ‘Unicorns & Alchemy‘, is inspired by children’s fantasies, and combines Miranda’s signature intense colour palette with both real and imagined creatures, alongside sharp geometric forms.

I’m sorry to say with Easter inbetween I’m a bit late off the mark, and a good number of these works have already sold!  Great news for Miranda, not so great for collectors!  Still it is such a beautiful collection of work I thought it was well worth a mention – I especially LOVE the mixed media works on paper (above), perfectly mounted in those fabulous neon acrylic frames.

If you’re in Sydney the official opening is tonight from 6.00pm!

Unicorns & Alchemy – new works by Miranda Skoczek
Exhibition runs until April 23rd, official opening Thursday April 12th 6.00pm (tonight)

Iain Dawson Gallery
443 Oxford Street
Paddington
NSW 2021

Ph. (02) 9358 4337

Gallery Hours – Tuesday to Saturday 10.00am – 6.00pm

The Purple Nest, 2012 by Miranda Skoczek - Oil and Acrylic on Canvas, 152.5 x 137cm

Wolf Dreams and the Spirit World, 2012 by Miranda Skoczek - enamel on canvas, 152.5 x 137cm

Interview – Lara Merrett

Sucker - Lara Merrett, 2010, synthetic polymer paint, ink & vinyl on linen, 240 cm x 183 cm

Every part of me’s floatingLara Merrett, 2010, synthetic polymer paint & ink on linen, 240 cm x 183 cm

My wayward by Lara Merrett for her current show, Invaders, at Block Projects, 2012, synthetic polymer paint &ink on linen, 186 cm x 170 cm

Make my day - Lara Merrett, 2009, synthetic polymer paint & ink on linen, 183 x 167.5 cm

Oh my.  I have fallen head over heels in LOVE with these vast, vivid canvases by  Sydney-based artist Lara Merrett.  Isn’t her work just incredible!?

Lara was born in Melbourne but grew up in Sydney.  As she explains below, a trip to New York at the tender age of 16 ignited in Lara a passion for fine art, where time spent ogling the incredible artwork on display at MOMA, The Guggenheim the Whitney and The Met conveyed to her the immense ‘power of paint’. Later, tertiary study trips to both Spain and New York cemented this passion.

Lara studied painting at Sydney’s prestigious College of Fine Art – where she received a Bachelor and Masters of Fine Art in 1997.  After completing her studies she won a scholarship to undertake a residency in India in 2001 – where four months of exposure to vibrant colour in everyday life left a lasting imprint on Lara’s own art practice.  More than 10 years on, you can still see this influence in her works, which are created intuitively in inks, acrylics, vinyl and metallics, using intense layers of colour.

After some time spent living in Melbourne over the past few years, Lara is now based again in Sydney with her young family, where she works from a studio in Alexandria.

Melbournites will be pleased to know you can catch Lara’s work in person in a solo show entitled Invaders at Blockprojects in Richmond, opening next week! Lara is represented by Karen Woodbury.

Invaders – new paintings by Lara Merrett
4th – 28th April 2012

Blockprojects
79 Stephenson Street
Richmond

Ph. 03 9429 0660

Gallery Hours
Wed – Fri 11.00am – 5.00pm
Sat 11.00 – 4.00 and Sun 12.00 – 4.00

Lara Merrett in her Sydney studio

Tell us a little about your background – What path led you to becoming a fine artist, and to creating the style of work you are currently making?

I spent my early years in Singapore and Malaysia and then we (my family) moved back to Sydney when I was seven. I grew up in Bondi and went to school in Darlinghurst. I used to walk past the National Art School and COFA on my way home and dream about the possibility of one day being able to just paint all day.

When I was 16 I saved up enough money to fly to New York with a girlfriend. I still can’t believe my parents let me go. I visited all the big collections at the MOMA, Whitney, Guggenheim and The Met. Standing in front of the works from Rothko to Riley made me realise the power of paint. I think from that moment I never had any doubts about what I wanted to do. Later travels have also influenced the way I work. After completing a BFA and a MA at COFA I was awarded a scholarship to study in India. Being in India for four months was incredible, especially since I was being exposed to so much colour in everyday life (markets, festivals, clothes and textiles). My work definitely soaked it all up.

How would you describe your work?

Intuitive, large, unlikely and not shy.

What can we expect to see in your new show at Block Projects? What has inspired this body of work?

Invaders is very much a clash of worlds. You can see the geometric breaking up the more fluid passages…this work is so new to me, I almost don’t want to define it yet.

In the vaders by Lara Merrett for her current show Invaders at Block Projects, 2012, synthetic polymer paint &ink on linen, 186 cm x 170 cm

Falling outLara Merrett for her current show Invaders at Block Projects, 2012, synthetic polymer paint &ink on linen, 186 cm x 170 cm

Can you give us a little insight into your process? What materials do you use? Is each work pre-planned or created very intuitively? Do you work on multiple canvases at one time? And how long does each work take to complete?

I only work with water-based materials, which include inks, acrylics, vinyl and metallics. No work is ever pre-planned, however each work does inform the next. They become a family or chapters in an idea.

I mostly start a painting flat on the floor and move around the work pouring lots of colours over the canvas. I always have at least six works in progress, but this eventually narrows down to the work I become most obsessed with. I have to feel a strong pull toward the work or I won’t work on it at all.

It’s like magic when the unexpected starts to happen. I love it… it’s completely intoxicating. From start to completion a work can take anywhere from three days up to six months. Each work has its own personality and therefore takes its own time.

What does a typical day at work involve for you?

If it’s not raining I’ll always cycle to my studio in Alexandria and grab a coffee on the way. I’ll arrive at 9.00ish and start work by 10.00am. I’ll always have the radio on in the morning and then play lots of music later on. Lunch is always shared and made at the studio with artist mates using fresh bread from the two bakeries next door. Some days are later than others, this usually depends on whether I need to do the 3.00pm school pickup!  Before a show I’ll be at the studio every day so I’m walking, talking and dreaming the work (to myself).

Lara Merrett‘s Sydney studio

Can you list for us 5 resources across any media (i.e. 5 specific websites, magazines, books or other media) that you turn to regularly for creative inspiration?

I love a story, and so find inspiration in a good narrative. I am a big fiction reader, but you’ll also find me reading The Monthly and The New Yorker, and listening to Radio National and podcasts.

Which other local artists, designers or creative people are you most inspired by at the moment?

Sydney artist Nell just sent me images of her recent installation at MONA. I love the freedom Nell has in her art making working across different mediums. There is a joy in her work that I find incredibly inspiring.

I’m also inspired regularly by artist friends (who work at the studio or close by) including Laura Jones, Dan Hollier, Nathan Hawkes, Alan Jones, Guy Maestri and Giles Alexander.

What is your proudest career achievement to date?

The first time I sold a work to someone I didn’t know.

What would be your dream project?

My dream project would be to go bush and paint slow time! The days rush past when you have kids.

What are you looking forward to?

My trip to Hong Kong in June with my family. We’ll be there for my exhibition Be my Inside looking out at Cat St Gallery. I’m always very excited about jumping on a plane and being transported to a very different place.

In the beginning is the end - Lara Merrett, 2009, synthetic polymer paint & ink on linen, 183 x 167.5 cm

Sydney Questions

Your favourite Sydney neighbourhood and why?

I’ve fallen in love with my new home Redfern. I love the bike lanes, neighbours and crazy local park that the kids leave all their toys in to share.

Where do you shop in Sydney for the tools of your trade?

I’m not very loyal to any particular art store and generally will pick up supplies as I need them. I have my frames stretched and made next to my studio and regularly shop at the Bunnings down the road.

Where/what was the last great meal you ate in Sydney?

Yesterday I had lunch at Kitchen by Mike at Koskela. Fantastic fresh food and only a short walk from the studio.

Sydney’s best kept secret?

Kitchen by Mike, but not for long! Another favourite is Strickland House on a sunny Sydney day. Here you can have a picnic, go for a swim and then a snooze in the shade of the garden. I also love the ice-cream boat that comes ashore in the late afternoon.

Don’t look back - Lara Merrett, 2009, synthetic polymer paint & ink on linen, 153 cm x 122 cm.

Forking in the River of Time – Dane Lovett

Dane Lovett - Calder and Cover, 2012, acrylic on canvas, 214 x 153 cm.

OK so 2 weeks ago I popped over to Kirra Jamison‘s house to return her clothes, after I stole them for our recent ‘My Melbourne Wardrobe‘ series.  As you might recall, Kirra Jamison’s house is also Dane Lovett‘s house, and they each have a studio at home too.

ANYWAY, to cut a long story short, my timing was extremely fortuitous because Dane had JUST FINISHED the most incredible series of new paintings, which were just about to leave to go to Sydney for his brand new show, Forking in the River of Time at Sullivan + Strumpf, opening this week.

I am SO glad I got a sneaky peek at these works before they left Melbourne, because I am telling you people, they are SEVERELY AMAZING.

It is so so sad to squish them to 520 pixels wide here, because in the real world they tower over Dane himself (and he is a tall man) – each canvas is over two metres tall.  Yes indeed.  They are MASSIVE and PASTEL COLOURED and PHOTO REALISTIC and BRILLIANT.

And if there are any left and you have a cool $10k lying around you should totally buy one. For me.

(For the record, there are smaller works there too but typically I have fallen hardest for the biggest and most expensive ones.)

Forking in the River of Time - New paintings by Dane Lovett
Sullivan + Strumpf , March 27th – April 21st 2012
799 Elizabeth st
Zetland
NSW 2017

Ph. (02) 9698 4696

Gallery open Tues-Fri 10.00 – 6.00pm, Sat 10.00 – 5.00pm.

Dane Lovett - Cosmos Vessel II, 2012, acrylic on canvas, 214 x 153 cm.

Dane Lovett - Dead Ghosts Rot LFO Work, 2012, acrylic on canvas, 214 x 153 cm.

Dane Lovett - Cosmos Vessel III, 2012, acrylic on canvas, 214 x 153 cm.

Lucas Grogan x Rittenhouse

Lucas Grogan X Rittenhouse – in stores now! (my wishlist pictured above… so beautiful!)

Lucas Grogan X Rittenhouse

In a cruel twist of fate, a week after indulging in the excesses of the Melbourne Food and Wine Festival, Melbournians then have to squeeze themselves into the latest on-trend ensemble for the annual L’Oreal Melbourne Fashion Festival!  YES that’s right, whilst Melbourne Food and Wine kicks on until March 21st, LMFF ramps up simultaneously this week… offering Melbourne style-seekers a plethora of runways shows, fashion forums and cultural events.

SO whilst we don’t really cover fashion ‘properly’ around here, we figured it might be nice to jump on the bandwagon this week, shining a spotlight on just a handful of local fashion happenings that have caught our eye of late.

The most EXCITING fashion collab we’ve seen in a while is the Lucas Grogan X Rittenhouse range – finally in stores now!  As you know, we love Lucas’ work an awful lot around here, after interviewing him last year and stocking his beautiful artwork at The Design Files Open House.  This talented local lad is seriously going places… and he has a LOT on his plate at present…

You can check out the full Grogan / Rittenhouse range here and buy online. The Rittenhouse project is also celebrated in the excellent Fashion Loves Art exhibition at Sophie Gannon Gallery, running now until March 17th as part of the LMFF cultural calendar.  Much arty fashiony goodness to be seen – do check it out!

Lucas Grogan’s work at the Fashion Loves Art exhibition at Sophie Gannon Gallery, until March 17th

Lucas Grogan – ‘Time Will Tell Babe’, 2012 – at the Fashion Loves Art exhibition at Sophie Gannon Gallery, until March 17th

AND in case you aren’t Grogan’d out yet…. keep your eyes peeled for new Lucas Grogan PLATES by Douglas and Hope, PRINTS at Third Drawer Down… AND his hand-painted shop windows currently on display at Harrolds (Melbourne) and Poepke (Sydney)… SO COOL!

Mr Grogan, I think it’s time for a holiday.

Lucas Grogan painting the Poepke window in Sydney for Rittenhouseview on Youtube here.
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