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London East End design round up

Ryantown is Rob Ryan‘s new(ish) retail shop in Colombia rd in London’s East End. There are times when internet coverage is simply not enough… I have to visit! – Lucy :)

More international news today from globe-trotting Australian ex-pat James Conway… here James goes in search of affordable design innovation in London’s East End. I am so jealous! What a fantastic round-up… London never looked so appealing!

Enjoy! – Lucy x

Going to London and moaning about the prices is a bit like jumping in a river and then complaining that you’re wet. Still, even when you know what awaits you, the speed with which pounds seem to evaporate here is breathtaking. The next Olympic city remains a podium fixture in the cost of living competition (gold or bronze, depending who you believe), but what’s especially dismaying is that so many of the shopping options seem to be either the same as you could get anywhere in the world, or else beyond the reach of anyone without an oil well to their name.

There are pockets of affordable innovation, but they’re under attack. You can find one of the frontlines at the edge of the City of London, the all-consuming financial powerhouse straining at the boundaries that inspire its nickname of The Square Mile, now continuing its assault on the East End.

The once vibrant Spitalfields Market, which stands a little too close to enemy territory, is a sad spectacle these days. You can still find a range of small-run design wares, but as well as losing some of its floor space to cookie cutter shops and offices to house the City’s overspill, the market seems to have lost its bohemian allure. And so there is even less room for young creative types and their potential customers to find each other.

But the further you get away from the City the more interesting things get. Managing – just – to retain their glorious Georgian architecture, the few blocks east of the market still bear the traces of successive waves of migration, from French Huguenots in the 17th century to Irish weavers, East European Jews and more recently Bangladeshis. The 18th century building which hosts the Brick Lane Mosque has previously served as a French Protestant church, a Methodist chapel and a synagogue. The fascinating cultural layers here still attract writers and artists, though they tend to be less of the young and struggling variety, and more like Gilbert & George, Tracey Emin and Jeanette Winterson.

Brick Lane is the destination of choice for a moderately priced post-pub curry, and the street continues to host an endearingly shabby market of new and used stock of a Sunday morning. The bizarre mix of merchandise is impossible to summarise; suffice it to say that if your shopping list reads “second-hand bicycle/5-pack of cotton-rich socks/‘60s picture frames/catering-sized can of creamed corn/rusty pliers”, you’re really in luck. A few blocks away they might be nutting out byzantine billion-dollar deals, but the vigorous, earthy capitalism practised here is a lot more appealing.

The old Truman Brewery site which straddles the street is home to a constantly changing roster of creative enterprises and events (including an upcoming Eco Design Christmas Fair), as well as the regular Sunday UpMarket, which is taking over where Spitalfields left off, and the ever-popular DJ bar Café 1001.

Cheshire st – an eclectic mix of colourful shopfronts amongst the grey building facades and London puddles.

Just off Brick Lane you’ll find Cheshire Street, a small holdout of wilful individuality among the homogeneity of London’s retail scene. First stop is MAR MAR Co, whose range includes simple devices which allow you to turn old plastic bags and bottles into, respectively, garbage bins and bird feeders. Innovative, simple, cheap. A couple of doors down, the storefront of interior designers Richard Laurence oozes morbid glamour, and they’re happy to sell selected original and vintage pieces to the public.

MAR MAR Co exterior (top), Richard Laurence details (below)

More vintage gems await you at Russell Roberts, which specialises in 20th century furniture, while at Shelf they’ve captured the trend for retro printing techniques with Portuguese notebooks. You could always whip out your Faber-Castells and design your own costume for the unpainted Russian dolls also on offer. The globe-trotting continues at Labour and Wait where they scour the world for, well, scourers among other things, as well as enamel-coated pots and other utilitarian household items. Now you might be turned off by this fetishising of tools from an age when hard toil was a burdensome necessity rather than a lifestyle option, or you might just appreciate quality products built to last. In any case their store and mail order service are booming.

Shelf exterior on Cheshire st

Shelf products


If that seems a bit precious, maturity and sophistication are unlikely to trouble you at F-Art. The range here includes space-age toys, old girlie mags and original art prints whose scatological humour lives up to the store’s name. At the other end of the street, past a stall selling £5 plimsolls, you’ll find Beyond Retro, second-hand outfitters to the stars. Well, to the Mighty Boosh anyway.

The people wear $5.00 Plimsolls on Cheshire st!

Leaving Cheshire Street (and passing Les Trois Garcons restaurant and adjacent bar Lounge Lover, both style mag regulars) you come upon Unto This Last, a workshop selling its clever, clean-lined plywood furniture direct to the public, at (for London) surprisingly sane prices. Nearby Squint deals in second-hand furniture reconditioned with loud fabric scraps. The results, while impressive, don’t come cheap, but you can always have a look around for makeover inspiration.

Unto This Last furniture workshop

Colourful creations at Squint

Our last stop on this tour is Columbia Road Flower Market, a Sunday morning institution with shouty stallholders and a lively assortment of cafes and shops, including Ryantown, with its range of delicate paper cut motifs and Nelly Duff, which specialises in high-impact limited edition prints by Banksy and other contemporary artists. Even midwinter doesn’t deter the crowds from sprawling over the cobbles and nursing their hangovers with some of the best coffee in town, and if you time your visit for the early afternoon you can get a drastically discounted pot plant or bouquet.

Colombia st Flower market details

Ryantown interior (exterior shot at the top of this post)


Its nice to be nice print by Hazel Nicholls, Rob Ryan‘s faithful assistant! (available online here.)

…and I had to throw in this extra shot of Rob Ryan’s own work which I found here – Lucy

Or you can just soak up the atmosphere, which will cost you exactly zero British pounds.

Thanks so much James!

Gothenburg Highlights

Gothenburg, Sweden

Just to shake up this week’s Sydney-centric focus, here is another article from international contributor James Conway, who recently visited Gothenburg in Sweden (aka “the Melbourne of Sweden”). Must say, his lyrical and very entertaining writing style puts me to shame! Please enjoy, and I’m sure James would appreciate any feedback if you enjoy his article! – Lucy :)

Sweden’s second city is number one for design – James Conway points out some Gothenburg highlights.

Look, I generally know my geography. My nerdy childhood habit of poring over maps and atlases means I’m usually good for a blue wedge in Trivial Pursuits. But it was only after my friend Sheryl suggested a trip to Gothenburg that I discovered a) it’s on the west coast of Sweden, not somewhere in Germany as I’d always thought, and b) that it’s the same place as Göteborg (as the locals call it, pronouncing it something like “yerteborry”).

Not that they tend to make a big deal about themselves; Gothenburg’s half a million inhabitants go about their business with minimal fuss, pausing from their cheerful industriousness every now and then to give us Volvos, Hasselblad cameras and Björn from Abba. And behind many of the Swedish design classics we admire today there’s a good chance you’ll find a graduate of the city’s world-renowned HDK School of Design & Craft.

Among Swedes themselves the city has a reputation for being friendlier and more progressive than Stockholm. Consider this alongside the significant migrant population, enviably high quality of living and a few trams, and you’re basically looking at the Melbourne of Sweden.

Our visit coincided with what Swedes traditionally refer as “the rotting month”, the tail end of summer when – back in the day – food tended to go bad in the heat. Modern refrigeration aside, the autumnal temperatures and persistent rain which marked most of our week there made the idea of climate-related spoilage seem a little fanciful.

We started our explorations on Avenyn, the main shopping street, but it was dominated by the kind of shops you could find anywhere in Western Europe. More promising is the local branch of Swedish chain Lagerhaus, with its chic, affordable tableware, and decorative bits which allow you to outfit the rest of the home in various degrees of tastefulness, from bland beige to Bangalore brothel. Some of the trashy novelty items on display make you suspect that their typical customer is buying a leaving gift for a colleague they don’t particularly care for. But tear yourself away, if you can, from the Hello Kitty soap dispenser; the real treat in this store is when you look up to discover you’re actually in a converted Art Deco theatre.

Older still is Haga, a handsome neighbourhood of pedestrianised streets lined with grand 19th century timbered houses. Here you’ll find cafes, bookshops, antique stores and independent galleries like Sintra, which has a rotating programme of contemporary crafts and design, with an emphasis on ceramics.



To put all of this into context, head for the Röhsska Museum, the country’s only museum dedicated to design. The collection traces the evolution of the Swedish aesthetic over the centuries but really comes alive for two key eras: late 18th century Gustavian style, which took French interiors, dropped a lot of the frills and lightened up the colour scheme to make the most of the wan Nordic light, and post-war pieces of the kind which dominate international auction sales these days. Across town, the light-filled blond-wood expanse of the Museum of World Culture, designed by London firm Brisac Gonzalez, was opened in 2004, and its goal of intercultural dialogue is a legacy of the city’s outward-looking maritime history.

Top – Museum of World Culture, bottom – sculpture by Korean artist Suh Do-Ho at the MWC

Installation outside the Museum of World Culture


But for me the real gem of Gothenburg’s institutions is also its smallest – the Kortedala Museum, a completely preserved example of ’50s and ’60s interiors in a modestly proportioned apartment in the most non-descript building imaginable. It’s like being on a movie set; everything, from the bric-a-brac on the occasional tables to the toiletries in the bathroom, is authentic to the era.

The Kortedala

Kortedala was home to a forward-thinking housing project which reasoned that a social democracy had an obligation to provide quality accommodation to all. The teak table in the apartment, for instance, came from Denmark, as it was then acknowledged as a world leader in design. The lovely couple who welcome visitors to the apartment had themselves moved into the development in 1957, and proudly displayed the television with peek-a-boo wooden screen which was introduced in the early 60s, and the then-radical inbuilt refrigerator.

The Kortedala

A little hunting in the city’s fleamarkets can turn up your own time-travel souvenir; our expedition yielded a hand-held cake mixer with in-built egg separator. OK so I’m not much good in a kitchen but according to Sheryl, who knows more about baking than I ever will, this is apparently a stroke of design genius.

ingenious cake mixer

Heading north out of the city, pausing briefly to goggle at the Bräckbod factory, which sells imperfect biscuits at drastically reduced prices to coachloads of tourists (I am not making this up), we were soon in a shampoo ad wonderland. Around every bend there were breathtaking vistas of rolling pine-covered hills, wild rocky outcrops, serene bays and lush green fields grazed by happy cows.

shampoo ad wonderland

You could spend weeks exploring the little fishing villages up and down the coast, with the islands and inlets along the way offering endless visual variety. Water is key to everything here – the frequent downpours, the fish-heavy diet, even the art; the Nordic Watercolour Museum, designed by Danish architects Niels Bruun and Henrik Corfitsen, has a dramatic setting in the town of Skärhamn. Its oxblood façade echoes the traditional farmhouses which dot the landscape in this region. The museum has thoughtfully erected live-in studios for visiting artists, in the form of wooden cubes weathered to match the rocks they perch upon.

Nordic Watercolour Museum

Gazing out over the bay through the soaring windows in the gallery’s restaurant, we agreed that we would wholeheartedly recommend Gothenburg and the surrounding area for anyone who wants a crash course in Scandinavian design, some spectacular scenery, or just to pick up some less-than-perfect biscuits at knockdown prices.

Nordic Watercolour Museum restaurant

Nina’s New York Photo Gallery

The lovely Duane Street (near Hudson Street)

My good friend Nina just returned from a trip to The Big Apple… ahhh lucky thing. I’m still hoping to get there next year but until then, living vicariously will have to suffice :)

I’m paraphrasing… but here is what Nina had to say on return from her trip, still high on the buzz of the big city:

Ah Lucy, NEW YORK. When I was flying into the States I was thinking, ‘everyone has talked up this place. it better be as bloody good as they all say’.

Yes, it is.

There is a lot to like about New York. I kinda get why people have written so many powerful songs about it. It is sassy and vibrant. I flew in to JFK airport in the early afternoon, in the summertime, and from the air it just looks prosperous. The city is orderly, but the sense of spontaneity is genuine.

The thing I like the most is MORE. There is more of everything here. It truly is a global city, with lots of diverse people, so many global retail brands and lots of forward thinking (pardon the cliche). All squished into what we forget is a little island. For an Aussie, it is a reminder of just how remote we are and what we miss out on by living in this beautiful country.

Wow. Great words and great photos by Ms Nina Rozenbes. Enjoy! -

Incredible pom pom window installation at The Modern restaurant at MOMA (9 West 53rd Street).

Nina’s favourite shot! – close up of the pom poms at The Modern.

Louis Vuitton’s stunning fluorescent tube window display lights up Fifth Avenue after dark. Nice little article about LV’s homage to artist Dan Flavin here.

views from the Empire State Building, around 9.30am.

cards from some of Nina’s favourite NY discoveries… she’s a business-card hoarder from way back.

Thanks so much Nina!

DMY Youngsters/ DMY International Design Festival, Berlin

DMY Youngsters at Arena warehouse space

In his second viewing of Berlin’s DMY design festival, contributer James Conway takes in a warehouse full of up-and-coming talent at the DMY Youngsters exhibition….

Where once the Berlin Wall met the River Spree and East German soldiers watched over a barren death strip, children now play and trees thrive in the spring sunshine. A stone’s throw away in Arena’s cavernous warehouse space, the recent DMY Youngsters exhibition of contemporary design proved that the next generation of creative spirit is just as flourishing. The centrepiece of the new DMY festival, this was less a trade fair than an explosion of ingenuity.

Electric Tiger Land shoe by Dutch agency Freedom of Creation for Onitsuka Tiger (top),
and stools by Oskar Zieta (bottom)

Berlin isn’t Milan, and thankfully it doesn’t try to be. There’s a radical, questioning spirit here which has much more interesting things to do than furnish ski lodges for oligarchs. However with a minimal 60,000 euro contribution from the government, a reliance on commercial sponsors has seen many designers smuggling their vision into the marketplace rather than sneering from the margins. Bombay Sapphire got together with top international names like Tom Dixon and Karim Rashid, while mineral water producer Vöslauer sponsored the Viennese Walking-Chair Design Studio to make a magical, glacial bower out of its empty bottles.

PET Light Show by Walking-Chair Design Studio (left) and Mesdames Plissés light by Petra Wüstling (right)

Other designers turned banal materials into new products in similarly ingenious ways. Sponges became lights, tyres became wallets, coat hangers became wall sconces, plastic buckets were transformed into modular storage systems and that humble kindergarten staple the Paddle Pop stick was worked into a dizzying helix. “Less aesthetics more ethics” urged a neon sign above one of the festival venues, but the range of stylish recycling on offer showed you needn’t sacrifice one for the other.

Plastic buckets form a storage system for 10 Liter Design by Burgshop (left), straws and other
recycled matter form various sculptural screens, lights and room dividers (right)

One of the hits of the festival was Aylin Kayser and Christian Metzner’s IKARUS Wax Lamp, a light fixture which melts under the heat of its bulb and drips down to the floor. As the pieces slowly and elegantly self-destruct, they assume the shape of deadly deep-sea creatures or poisonous mushrooms. While it’s a hypnotic sight, it makes an expensive lighting solution, especially if you forget to move the rug out of the way first…

There were all sorts of ways to interact: one stall offered to iron your money (the logical consequence of money laundering?), the Megapixel Project allowed the public to create their own designs which were instantly displayed on the walls of a plastic pavilion in vivid LED and .ini was lending out its adult-sized tricycles for hooning around the hall. Students from a Potsdam design school invited visitors to write down problems posed by the urban environment, which they then brain-stormed (the unwelcome deposits from Berlin’s many dogs was a recurring complaint).

top left – the Megapixel Project, top right – Aylin Kayser and Christian Metzner’s IKARUS Wax Lamp (this image only from the DMY website), and bottom image – Oh! Logo Money Ironing.

Local outfit genauso.und.anders° (“exactly the same and different”) showed storage systems with removable acrylic panels in seasonal colours; just the thing to prevent a pre-dawn raid by the design police when that directional orange is suddenly OUT OUT OUT. Some thoughtful interpretations of furniture staples didn’t shout as loudly as others, but in the case of teams like Springpatt, the quality was impossible to ignore.

While DMY has yet to establish itself on the world circuit and doesn’t pretend to offer a global overview, there was a compelling range of international talent. A strong showing from South Korea included Kwon Jae-Min’s graceful table with embedded lamp, whose polished wooden curves alluded to classic mid-century design without quite solving the problem of the unsightly power cord. Nearby a mildly terrifying chair constructed out of bandages and pitchforks seemed to be a narrative of some dire farming mishap. Sitting comfortably?

right – Container system by genauso.und.anders°, left – table with lamp by Korean designer Kwon Jae-Min

slightly scary bandaged, spiky chairs – sorry no photo credit for this one…

Berlin’s strategic position attracted a number of Eastern European teams. Poland’s poor solve design problems you never knew you had with wit and flair, with offerings like their easy-assembly chair (or “asstool” as they prefer to call it). Meanwhile Slovakia’s creater_2008 group turned potato peeling into something you might actually want to do.

As the festival wound down it was already being hailed as a hit with critics, international buyers and the general public, so everything points to a re-run in ’09, when we’ll hopefully see some Australians in amongst the global talent.

But for now, there’s only so much of this weapons grade creativity you can take in, to say nothing of the talks, the walking tours, the open studios, the parties and everything else. Time to cool off? As luck would have it, the answer is just outside, as the serene, beautifully designed Badeschiff pool floats on the river, glinting seductively in the afternoon sun. And there you have the essence of Berlin: cool, clever and open to everyone.

left – v-lenzer chair by Ingo Wuntke, right – slick, angular pieces by Hausen Winkel Schaub

left – unidentified objects by Prime, right – table by Joachim Frost

Another huge thankyou to James for this fantastic round-up and all the amazing photos.

Some more excellent shots of Berlin DMY O8 can be found at Core 77 here.

DMY International Design Festival, Berlin

I am so excited to post The Design Files’ very first contribution from an international correspondent! James Conway is a Sydney-born writer currently based in Berlin. James attended Berlin’s new DMY international design festival just over a week ago, and here he shares his finds with us.

James’ very thorough coverage of the festival is split into 2 parts – today we’ve got a detailed round-up of 7 varied events at different venues across Berlin, and tomorrow James focuses on the DMY Youngsters exhibition, showcasing emerging design talent from all corners of the globe.

Coverage of international design events always reminds me how far I am from all the action! I love browsing through the image galleries at Core 77, Designboom and Inhabitat etc… but I never thought I’d have first-hand coverage of an international design festival on my very own blog (without getting on an plane myself!). Anyway, suffice to say it’s very exciting to be able to share first-hand original coverage of a major international event on this site. A very big thankyou goes to James for all his hard work!

Read on for the first of this two-part round-up of DMY Berlin 2008!

As innumerable blogs, newspapers and glossy magazines tell us, Berlin is the place to be, with its reputation as a creative centre higher than at any time since the 1920’s. But although we hear a lot about the artists who take advantage of the city’s low rents and free spirit, what about the designers? How are they getting on in a city described by its own mayor as “poor but sexy”? A cynic might say there are a lot of people with the time and talent to create 300 euro fruit bowls, but very few who can afford them. Indeed this mismatch of funds and enthusiasm has already claimed a victim in Designmai, 2007’s design festival.

Undeterred, DMY Berlin has stepped in with a new five-day event hosted by venues all over the city. And the good news is that as with the annual Berlinale film festival, the public is not just tolerated but actively encouraged to see as much as possible, with no velvet ropes and few industry-only events.

DMY encapsulates the low budget, high concept creativity which in this city is as ubiquitous as oxygen. Everywhere you have the sense of ideas given time and space to grow without being rushed to market, and indeed at times it’s not easy to tell where concept becomes commerce. Typical for Berlin is a ground-floor shop front which may be a studio, a gallery, a boutique, a bar, someone’s lounge room or all of the above. Sure they look like they were decorated out of petty cash, but always with a resourcefulness which makes the most of minimal means, and without the off-putting arrogance on offer in other cities.

Stumbling across these ambiguous enterprises is one of the joys of living in a city which becomes stranger and more fascinating the longer you get to know it. DMY’s decentralised approach combines this same thrill of discovery with the dawning realisation that you just can’t get to everything.

But it’s worth a try. Starting in Mitte, down the road from the Australian Embassy (itself a design classic), Bell Magazine was flying the flag for thought-provoking publishing. The self-described “exhibition in a box” took the more conventional route of an exhibition in a gallery, with displays including lengths of wallpaper in vivid orange. Next door in Galerie Tristesse, feather-light polyester vellum lampshades and room dividers by Israel’s FAF Design fluttered becomingly.

Lampshade and room divider by FAF design

Among the other invited talent, a group of contemporary Turkish designers presented remixes of their own traditions amongst the antiquities of the Museum of Islamic Art under the banner of Turkish Delight. Their interpretations of iconic designs, such as the sensual curve of a rug seemingly held in the air by a spell to become a bench, were often witty and always elegant. A traditional prayer cap was turned on its head to serve as a filigreed bread basket, the fez reappeared with a Bronx twist and the classic tea glass was given a respectful makeover.

Bench (left) and Fescap (right) both by Erdem Akan

More from Turkish Delight - a traditional prayer cap is turned on its head to serve as a filigreed bread basket (left),and vessels by Alev Ebüzziya Siesbye (right)

In the Appel Design Gallery, acclaimed London-based Spaniards El Ultimo Grito showed one-off pieces in shrill fluorescents, the standout being a gorgeous dining table made of nothing more than cardboard and masking tape in deafening orange, which was fast becoming the signature colour of the festival. In a Friedrichshain showroom, local designer Susanne Philippson offered restrained pieces which all featured a slight kink in the surface, but in case you were misled by the Nordic aesthetic, the show was defiantly labelled Not Swedish.

(left) – oversized alphabet letters made from recycled packaging by El Ultimo Grito (follow the link for a great video of these soft sculptures in action), and lamps by Susanne Phillippson (right)

In Kreuzberg, traditionally the city’s counter-cultural centre, the wonderful Museum der Dinge (Museum of Things) put design in historical context, literally shining a spotlight on humble domestic items and mapping their evolution since the dawn of mass production. At Radialsystem V, talks on everything from “developing authorship and the search for new typologies” to “how to be a real Korean designer” carried this spirit of inquiry to the present day and on into the future. This is Berlin after all; you can’t get away with just showing a handsome sideboard, you need to able to talk up a whole theory around it.

Classic domestic furniture and household items on display
at Museum der Dinge (‘Museum of Things’)

But questioning form and function all day is thirsty work, so festival-goers drank away their ennui in a series of club nights which shook the double glazing in locations from a converted Kreuzberg factory to 15 storeys above Alexanderplatz. And then? Up again the next morning to do it all over again of course. Five days starts to seem like a very long time…

Stay tuned for tomorrow’s post from Berlin – James Conway covers the DMY Youngsters design exhibition, and shares lots more photos…!

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