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Hello Sandwich (Ebony Bizys blog!)

Little Messages by Jessica Williams, via Hello Sandwich

Ebony Bizys knows things. And she has impeccable taste.

Lucky for us she finally has a blog, so we can all keep up with her brainy ways.

Look at all the amazing things Ebony has shared on her blog recently :

Hand-painted easter eggs -


Japanese bento boxes –


Super-cool Dutch design house / webshop Tas-ka -


Delicious artworks and collages by Jessica Williams -



See how smart she is? Bookmark bookmark bookmark. x

Amazing Megan Morton

Photos for Australian Travel and Leisure Magazine Christmas Gift Guide 2008, styled by Megan Morton, paper-sculpture by Benja Harney, shot by Sydney photographer Dieu Tan.



I’ve had more than a few star-struck moments in the last year thanks to this little blog! I can’t quite believe how many lovely, super-talented people The Design Files has put me in touch with… it’s a beautiful thing :)

A couple of weeks ago, I magically found myself in the most incredibly stylish home in Toorak, popping open a bottle of champagne with none other that my all-time favourite Australian props/interiors stylist Megan Morton!

I am still recovering from the excitement! Deep breaths.

Megan was (is) even more fabulous and wonderful than I could have imagined. Truly. She was so friendly and open and generous in conversation… sharing with me so many fascinating details about her job, her creative colleagues and her incredible body of work. I feel very lucky to have spent an evening in Megan’s company. She is just so lovely! We hit it off immediately (I can’t imagine anyone not hitting it off with Megan, by the way). Our conversation was kind of like a breathless, excitable school-girl gossip session… ie “oh my gosh, the colours are amazing… you will DIE!” etc etc.

It would have been rude and ridiculous to tape-record our conversation or take notes… (and I was doing my best to be polite!)… but I wish I could remember word for word, the frenetic stream of conversation…. Because it was all absolute gold. I left with my brain full of names and details to Google (wish I could still remember them all!). But the main thing which struck me about Megan – aside from her incredible body of work and endless list of exciting projects and clients and collaborators – was that she is just so infectiously passionate about her craft. She talked about styling in terms of ‘taking a house, and putting it’s best foot forward… making it as delicious as it can possibly be‘… perfect.

The whole experience was entirely surreal… not just because Megan was so amazingly fabulous… but also because we met at the most incredible Toorak mansion, which Megan was house-sitting whilst in Melbourne for a week. (Apparently, if a home is this fabulous, house-sitting is known as ‘chaperoning’ the home, and is an insurance requirement!?). This massive, ridiculously beautiful home was designed by Melbourne architect Rob Mills, and Megan had recently styled the place for a photoshoot, kitting it out in the most stunning furniture from Hub and De De Ce. *Sigh.

Anyway, I appear to be gushing (as usual!)…. But I thought I would share some beautiful shots Megan sent me last week, which she styled for the Travel and Leisure gift guide last year. This is a collaboration between Megan and her paper-forming friend Benja Harney, and was shot by Sydney photographer Dieu Tan.




ps) don’t worry… an interview is in the works…!

Rebecca Wolkenstein

Photo by Gen Kay – represented by Rebecca Wolkenstein

Photo by Gen Kay


Photo by Gen Kay

You might notice a new addition in the right-hand-side column over there…. I would love to take a moment to introduce you to my newest sponsor, Rebecca Wolkenstein!

Rebecca Wolkenstein‘s greatest talent is introducing creative talent to the people who can best help them earn a living. From her base in Sydney, Rebecca represents a select group of fantastically varied photographers, artists and designers, among them her photographer husband Julian Wolkenstein, and previous interviewee, illustrator Beci Orpin!

Rebecca began her career working with the unstoppable Guy Venables of Look Production. Unfortunately she fell in love with one of his photographers (Julian) and moved to Sydney three years later. Julian and Rebecca lasted only a year in Sydney before relocating to take on London. Rebecca worked for one of the world’s most respected creative agencies, Webber, and secured global campaigns for clients like Mercedes, Nokia, and Volvo and worked with agencies such as Devarrieux Villaret, BBH London, Mother, and Simon Fuller’s 19 Management.

Photo by Murray Fredericks – represented by Rebecca Wolkenstein


Design by Andrew van der Westhuyzen at Collider – represented by Rebecca W again!

Two babies and three long winters later, Julian and Rebecca returned to Australia. Rebecca was jobless and Julian became agent-less. Rebecca started her own agency representing Julian and contrasting photographers, and diversified by representing designers to complement the agency’s aesthetic. Against all odds, it seems to be doing very well.

Rebecca represents Beci Orpin, Jonathan Zawada, Gen Kay, Chris Searl, co-editor of Monster Children, Andrew van der Westhuyzen of Collider, Julian Wolkenstein, Gerrard Needham, Murray Fredericks, and UK artists Jason Pietra, Neil Massey, and Jon Compson.

Photo (detail) by Julian Wolkenstein

Rebecca’s website (particularly the latest news section) is so worth a browse for some seriously stunning examples of Australian design and commercial photography. Unfortunately, my 530px wide column just doesn’t do them justice! They look 100 x better on Rebecca’s site at full-screen size!

A big thanks to Jethro at Viviens and Sophie at Scene for allowing Rebecca to run their image on her little ad over there! – Jethro Cave/ Viviens Models and Sophie Wilkinson/Scene Models.

photo by Neil Massey

photo by Neil Massey

Interview – Elke Kramer

Trompe L’Oeil Mexican pendants and bracelets by Elke Kramer

More from Elke Kramer’s stunning Trompe L’Oeil range

Models wear oversized Trompe L’Oeil pendants

Elke Kramer is a total superstar. You probably know her best for her unique jewellery designs – often inspired by bold, geometric shapes. But what you mightn’t know is that these exquisite pieces are just the tip of the Elke-iceberg! Elke’s creative endeavors meander between illustration, graphic design, textile design, multimedia and even independent publishing! All this in addition to taking on much of the day-to-day runnings of her successful jewellery business – including co-ordination of production in Indonesia, and regular collaborations with fellow designers and creatives. This is one serious multitasker!

What I love most about Elke’s work – especially her jewellry – is that her aesthetic is so entirely unique. Her extremely popular Trompe L’oeil range (2008) combined an unlikely family of chunky resin shapes, geometric art-deco inspired pattern, traditional tribal aesthetics, and even hand stitched elements. The result was truly striking – and unlike any other jewellery range I’ve seen… and originality it hard to come by these days!

I am also so inspired by Elke’s seemingly innate ability to balance a constant stream of varied creative side-projects, whilst also maintaining a clear and uncompromising vision for her business. She strikes the perfect balance – continually pushing the boundaries with her own creative output, whilst maintaining an intuitive understanding of the the demands of the market and wider fashion industry. In other words, she’s totally got it sussed. Agggghh.

Read on and take note!

Tell me a little about your background – what did you study and what path led you to what you’re doing now?

My mother was a graphic designer and an artist. She reared me on a pile of Letraset catalogues, indian inks and gouaches, quilt pieces, cross stitch patterns and a general love of all things creative and artistic. I inherited her creative confidence and passion. I never considered jewellery design till I selected it as an elective and university and realized I could combine my love of craft and fashion in one outlet. After graduating from COFA, with a BA design, I had stints working in-house for Oyster Magazine, Sass & Bide, and freelancing for three years before Michelle Robinson approached me to design jewellery for one of her shows. I’d never intended to pursue jewellery design as a career but soon after the show, orders started coming in for my first “Skylark” pieces and my label grew quite organically from there. It was so liberating to finally produce my own designs and have free-reign over their conceptual development after years of freelance design for others.

Elke’s fantastic chunky resin bracelets for Australian designer Jessie Hill’s Spring / Summer 09 clothing range.

You’ve had great success with your unique jewellery designs, however over the years your creative output has been enormously varied – including illustration, art direction, graphic and web design and publishing popular art/fashion zine Lilac Menace. How do you balance this great variety of creative output? Is jewellery your main focus these days, or do you still have numerous creative pots on the boil?

There’s an innate restlessness to my creativity. I can’t confine my ideas to just one medium like jewellery so I’m constantly exploring new materials and creative outlets to manifest my ideas. At the moment I’m producing digitally printed silk scarves for my new collection, as well as a range of leather goods. I also have a multitude of collaborative side-projects in the works, so I’m probably not the best person to ask about ‘balance’ right now! Basically, I try my best not to take on more than I can handle at any given time, and I always make sure my own label is under control before I lend myself to outside projects (although it is a constant neverending battle to do so!)

Page spreads from Lilac Menace

A lot of creative professionals say that they love the creative side of their job, but hate the paperwork and the ‘business’ side of things. Do you struggle with things like marketing and promoting yourself or your products, keeping your accounts in order, and managing staff etc? What advice would you offer emerging designers about establishing a creative business?

Oh god! You have really put your finger on it! I actually don’t mind the ‘business’ side of things, it’s almost a refreshing break from the pressure of that pure creative output, when you generate new designs and which answer subjective and personal questions. As my business grows it is eating up more of my time and I find myself constantly complaining about the ratio of time spent designing versus facilitating and administrating. I am lucky to have amazing and supportive press agents to handle that sector of my business, and a wonderful book-keeper who is a bit of an agony aunt, as well. I have just taken on a sales agent, which frees up even more of my time and since September I have international press and sales agents too, as well as 3 fantastic interns and a part-time production manager. This allows me more time, but I also feel the pressure to keep up the pace because I have money pouring out of every direction keeping the engine pumping.

Good advice would be to not grow too quickly and bite off more than you can chew. Also don’t be afraid to speak to other creative professionals people about their business management systems. There are so many administrative tasks that you need to have set up properly to lay the foundation for smooth growth.

Pattern design by Elke

How would you describe your own style of jewellery design?

Bold and zany.

Some of Elke’s fantastically zany designs for her 2007 range Onwards and Upwards

Which designers, artists or creative people are you inspired by?

Am I allowed to go on and on? Because I can! I really like fashion designers Sandra Buckland & Alina Akhmadullina, jewelers Nel Lissen, Svenja Jon, designer Marcel Wanders, hmmmm… also love the approach of artists like from Mike Parr & the Kingpins, as well as the aesthetics of Inka Essenhigh, Matt Lienes, Henry Darger, the Snuggle Pot & Cuddle Pie illustrator. I love Jenny Kee, Marian Bantjes shes a ridiculously intricate illustrator.

Then there is Family, in Los Angeles, my little brothers curated book store, The Selby – a website… oh and Melodie Wolf, (fashion), Diane, A Shaded View (blog), Catherine Baba (stylist), Martha Stewart (celebrity chef), Hyde S K (handbags), Tina Kalivas (fahion), surface to air, M/M Paris, (art directors) Self Service, Kokoro & Moi, LF Markey, Alexandre Herchovitch, Rei Kawakubo, Show studio, Nest magazine, Duke magazine, the Lladro Re-cyclos project, Dale Frank… oh god I could go on and on and on..

Illustration for Mad Cortes

Where else do you find inspiration – i.e books, magazines, your environment, travel, your family and friends?

I am addicted to travel; I think producing in Bali is partially just an excuse to immerse myself with foreignness and the thrill of the exotic. Past trips to Zanzibar, Morocco, Israel have been immense sources of inspiration. Friends and family are the greatest source of inspiration. My little brother David has opened up a wonderful ‘curated’ bookstore, called Family, in Los Angeles. He just opened ‘Hope’ gallery, in Echo Park as well. Along with a silent cinema and newspaper, he has built a small hub that unites a new scene of emerging underground artists and musicians. I am so proud and inspired by him.


What does a typical day at work involve for you?

It varies a lot depending on season and location. Currently my workday begins with me and my boyfriend crossing the road for a double shot of coffee and then we wander down to the domain for swim at Boy Charlton pool – I love it! It cleanses my soul for the day. I then race into my studio and juggle the myriad of daily pending tasks; from working on product development, researching, checking production in on schedule, to dealing with production issues, durability and fits etc. At the moment I am designing summer, so I am sitting in a sea of scribbles on envelopes and scrap paper, swatches of laminates and polycarbonate, colours cards, tears from magazines and reference books. Liasing with my press and sales agents, manufacturers and stockists means I am constantly bouncing emails back and forth – its like in pinball when you get multiball and you have to keep 25 zooming balls bouncing ball and forth all at once!

More cute pattern design

What’s the best thing about your job?

Being able to be my own boss is great. On those mornings when I just need to take it slow and breathe and wander around book-shops or linger at the pool to think, I have no-one to tell me to get back to work.

More from Trompe L’Oeil – Russian Bracelets

And the worst?

Work tends to take over life. Try as I might, I’m constantly thinking about what needs to be done, I am find myself working in my dreams, often developing intricate designs for twisted briefs that make no sense when I wake.

What would be your dream creative project?

Designing and building my own home where everything is custom-made, from the stain glass windows, to the hand made tiles in the bathroom. I would want to have a hand in every detail, have a kiln in the back where I throw the pots to use in the kitchen and grow many variety fruit trees in the back yard that I would pick the fruit to made the jam we use for breakfast on the hand painted plates. It would be a blend between eco self-sufficiency and the crafty lifestyle of Martha Stewart, but on acid.

Dazed and Confused illustrated pagespreads

What are you looking forward to?

This year I’m moving to a new studio with some other amazing creative minds from Sydney. It’s a brand new shared creative studio space in Surry Hills, where the whole level of a building has been turned into a network of irregular sized creative spaces. Its feels like an art-deco boat, with wooden floors, black & white details, round windows and light fittings. There are artists, designers, musicians, film directors, photographers and a pop-up-book-maker – all in one collective space. We are called BretherenJustBelow.

Sydney Questions –

What/where was the last great meal you ate in Sydney?

There’s a Pakistani place on Enmore road, just past the theatre, called Faheem’s Fast Food. It’s always full of authentic bearded Pakistani taxi drivers, clustered around plastic tables devouring plates of goat and lentils and curries. The Tandoori Fish and the imported Turkish soft drinks are my favourite and you can truly feast for very, very little. I highly recommend it.

Best boutique in Sydney for unique Australian-designed jewellery?

Incu. They are incredibly supportive of Australian designers, always have a great selection of jewellery, from such a broad spectrum of our design talent and are also a pleasure to do business with.

Where would we find you on a typical Saturday morning?

On the weekends when my boyfriend is in town, we love to stumble (often nursing hangovers) through the Chinatown, down to the fish markets and have a breakfast feast of sashimi, seaweed, scallops, oysters and chips. I love sitting on the prickly fake grass next to the water, surrounded by squawking seagulls, Japanese tourists and rubbish… it’s the best. We would then head straight to Clovelly, with the papers, some mangos and our snorkels, and camp out for the day.

Sydney’s best kept secret?

Parsley Bay. It’s a secluded little beach that I shouldn’t be advertising online but I am assuming your readers are people I would happily share this spot with. There is a brilliant secret bit, beyond the shark net, you just slip under a chain fence, clamber over barnacled rocks and find this perfect little wooden ramp where you can leap off oyster-crusted rocks and plunge into crystal blue waters amongst the bobbing boats. You can almost believe you are in Sardinia or Croatia or somewhere far, far away.

Holly Throsby Illustration


Thanks so much ELKE!

Trompe L’oeil is in stores now. Elke’s range for Sportsgirl (YES that’s right!) should also be in-store currently (from Feb). Elke’s next range Miracles and Wonder, for winter 2009, will be in store May 2009.

Clemens Habicht

Illustrations for Mirrorball Intro film, Edinburgh International Film Festival

Flock, Suspending Disbelief, Michelle Jank Spring Summer Collection 2008

Elling, Sydney Theatre Company

Thin ice, Business Week Magazine

Oooh sorry this blog currently seems to be all about commercial illustration. I can’t help it! I am so often inspired by the work of local illustrators… and more often than not, my favourite finds hail from Jacky Winter’s very talented clan.

Clemens Habicht is one such name – he’s an illustrator, graphic designer and film director based in Paris, but originally from Sydney. Apparently his name means Hawk in German. Maybe that explains the feathered flocks who recurr so frequently in his work.

Anyway, I love his tempered colour palette, and the perfectly balanced combination of cut paper, ink and gouache. It’s a little bit Kat Macleod, only for boys. ;)

Habicht’s Illustrations have appeared in Creative Review Magazine, The Bulletin, Antenna Music Video Showcase, the fashion creations of Michelle Jank, and the Edinburgh Film festival. He also makes music videos based on his illustrations… visit his website or his Jacky Winter folio for more.

Jean-Louis Aubert, Parle-Moi

RES Magazine

Jean-Louis Aubert, Parle-Moi

The Society Inc – Tradewinds

Invitation to opening of ‘Tradewinds’ – The Society Inc‘s latest theme.
All photos by Nicola – Concrete and Honey

Remember my interview with Sydney stylist Sibella Court last year…? Sibella spent 9 years living and working in New York, before returning to Sydney last year to open The Society Inc – a unique store filled with all kinds of eclectic finds inspired by Sibella’s many years overseas.

The Society Inc’s stock and carefully styled interior revolves around different themes, which change four times a year. The shop recently changed themes again – this time it’s ‘Tradewinds’.

Sydney-based blogger Nicola, of Concrete and Honey, tipped me off about the most recent theme last week, and was kind enough to share these gorgeous photos she took of the store’s current stock. I love the concept of an ever-changing theme – so you never know what’s around the corner… but man, it seems like an awful lot of work for Sibella to maintain!

Wish I could visit Sydney more often! Thanks so much Nicola :)

Assorted ribbons and ceramics in stunning shades of nautical blue and creamy yellow.

Top left are Nicola’s purchases from her visit… a tiny sea urchin, a porcelain feather, and a tiny blue fan…

Porcelain feathers, and purchases all wrapped up.
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