The Design Files Daily

Monthly Archives: August 2009

Where They Create



All photos by Paul Barbera

Where They Create is a great website which documents creative working environments, captured by Australian photographer Paul Barbera over the last 6 or so years. Truly stunning…

Once again I am reminded that I really, really need to take some photography lessons.

More incredible work by Paul Barbera here, and also some more lovely stuff here (this one not for the prudish!)

Tourism Victoria Daylesford TVC

Speaking of rural creativity and general gorgeousness… how incredible is the new ad campaign for Daylesford in Victoria? I am so impressed!

Great work by the agency and production company (stunning art direction!), and wow, what a brave move for the client! Pats on the back all round. Love it.

TVC for Tourism Victoria / Daylesford. Music by Melbourne singer / songwriter Paris Wells.

More of this, please, advertisers! If only the retail sector would catch on.

SoHi Magazine

SoHi Magazine – inaugural issue!

The Pfahl House on the outskirts of Bowral – photographed by Julian Wolkenstein

Southern Highlander Tamara Maynes‘ beautiful work for her Six Week Boutique is featured in the first issue

Rebecca Wolkenstein is one particularly efficient multi-tasker. You might remember I profiled Rebecca’s creative agency here a while ago… and then of course there’s her ingenious creative house-swapping website Caravan, which has grown in leaps and bounds since it launched only a few short month ago! (Caravan also generously sponsors The Design Files – please share the love and pop over to check out all the incredible homes that have been listed in the last couple of months!)

ANYWAY Ms Wolkenstein’s latest stellar side-project, in collaboration with likeminded Southern Highlands-based creatives Sarah King and Sara Silm, is SoHi magazine. It’s a beautiful, visually rich, yet supremely understated quarterly publication which documents the creative people, places and seasonal happenings in NSW’s Southern Highlands, where Wolkenstein lives with her husband and 2 kids. Fashion, architecture, food, craft and the seasonal garden will be beautifully captured and covered in each issue.

All SoHi’s editorial decisions come back to three core values – inclusive, SLOW and community. Of course, there is also always a link to the Highlands region. The project is funded by advertisers, however the editors are very selective, mainly relying on relevant tourism and retail advertisers – such as Plane Tree Farm and Bemboka Blankets. Rebecca and co. made a decision early on that they would not take advertisers in real estate, motoring or anything environmentally unfriendly – and they give 10% discounts to anyone with mindful business practices! …. in other words – no loud, ugly classified or endless real estate pages! This uncompromising commitment makes for a truly inspiring, beautifully edited read.

There’s been such a buzz about the SoHi launch issue… I keep reading lovely ‘tweets’(?) about it on Twitter… and after receiving my copy last week I can absolutely see why!

The magazine is printed in a limited edition of 2000, however all content from the mag can also be read online at sohimagazine.com.au. Don’t miss it!

Sue Blakebrough’s house in Mittagong – photographed by Julian Wolkenstein

Interview – Sally Campbell

Sally Campbell with some of her talented collaborators in India – such incredible colours!

Fabrics drying in the sun

The finished product – Sally Campbell quilts


You might recall my photos of Sally Campbell‘s beautiful textiles at Design:Made:Trade in Melbourne a month or so ago…. It was so, so lovely to meet Sally in person… I’ve admired her from afar ever since reading a lovely article about her in Vogue Living a couple of years ago… (you can download that article from Sally’s website here – it also has some gorgeous shots of Sally’s Sydney home!)

Sally is such an inspiration! After 25 years working as a set and costume designer in the Australian film industry, Sally’s passion for beautiful textiles eventually inspired her to produce her own collection. Sally’s unique textiles are truly exquisite, and as they’re hand-crafted, no two pieces are ever quite the same. Personally I feel so inspired by Sally’s career move from film into textile design…! It’s good to know what creative opportunities can come from years spent working in the film industry!

Sally set up her business in 2005, and now travels to many remote communities in India each year with her husband Greg in tow. She has discovered the incredible talents of women in many different regions – from exquisite applique work in the desert near Pakistan, to natural dye block printers in Rajasthan, village weavers in Bengal, and intricate hand embroiderers in Lucknow. Sally hopes her business can play a role in keeping these ancient crafts alive amidst what she calls the ‘manic rush to modernisation’.

Thanks so much to Sally for her time and all these beautiful images! For more info on Sally’s work, or to buy her products online, please visit her website!


Tell me a little about your background – what path led you to what you’re doing now?

I worked for 25 years as a set and costume designer in the Australian film industry. The nomadic life gave me an endless passion for travelling the world and collecting textiles. Filming in India I met wonderful people who introduced me to an interpreter with textile contacts …this led to many adventures into the desert of Rajasthan and visiting all the villages famous for block printing in natural dyes and applique (cut work).


You spent many years working in the Australian film industry as a set and costume designer, before taking the plunge and starting your own textile business. What prompted this brave move!?

Recovering from throat cancer gave me heaps of new courage and confidence to try a new career. Textiles and travel were the obvious magnets beckoning me.

Your textiles are handcrafted in India… how did you go about initially setting up relationships with Indian artisans, and what challenges have you faced in dealing with craftspeople based so far away?

I ploughed naively into the whole business armed with passion, enthusiasm and determination. Not realising for a second the endless difficulties. Everywhere we went there were different dialects and difficult interpreters. I was confronted with class and caste problems plus enormous distances between villages. Our modes of transport are beyond… tuk tuks, camels, rusty Ambassador cars, trains and planes. And the heat is to be believed.

There is always so much to learn from all the different crafts. Trying to find the best artisans and always experimenting with new ideas. I only discover the problems through hands on experience. There are constant hiccups and hilarity. All my years working in the film industry has been invaluable, as every day there is a crisis. All problems have to be solved right now…. it’s all about spontaneity. It doesn’t get easier but is mostly challenging, fun and inspiring.



How is your business structured? Do you outsource any key tasks, or employ fulltime staff aside from the India-based production?

My business consists of me and my brilliant husband Greg. He is the chief organiser and planner. We have the help of a few amazing people in Sydney…. with graphics, sewing, prop making, web-site and people to lift and shove huge boxes full of textiles. We take it all one step at a time as it always evolving.


Where do you turn for inspiration – fine art, travel, books, magazines etc?

My inspiration can be found in a leaf, vegetable, flower or frock. Travelling keeps the juices flowing full of wonderment. Am constantly inspired by humour, art, nature, books, friends and family… also strangers. Thank goodness I am inspired by something every day.


Which designers, artists or creative people do you admire?

I admire Japanese designers. Endless textile artists from Japan, India and Africa. I love painters from all periods including my sister Cressida Campbell‘s woodblocks…. the list is endless.

What does a typical day at work involve for you?

In Sydney – as soon as my eyes open I get my look together for the day, do my exercises and then I rock into life. Every day is different. It could be taking photos for the web-site, sending off orders, creating new designs, visiting sewers and answering endless e-mails and phone calls to India.

In India – the day begins travelling to a remote village in Bengal or Rajasthan overseeing production of weaving, stitching and blockprinting. Checking orders, experimenting with dying new colours, discussing new designs. All the while throwing down endless amounts of water under a giant hat to stave off the heat….and generally marvelling at my wonderous new life.


What are you most proud of professionally?

Creating a new career for myself and doing my bit in helping to keep eco friendly traditional crafts alive, hoping to give more employment and education to the families I work with.


What would be your dream project?

I am already doing my dream project. My aim is to make people more aware of the beauty in handmade naturally dyed textiles.

What are you looking forward to??

Leaving for India next week and heading into the heat and monsoon.

Sydney Questions –

What are some of your favourite Sydney retailers who stock interesting textiles and soft furnishings?

Chee Soon and Fitzgerald, Society Inc and Planet… and my fave textile shop Edo Arts who specialise in old Japanese textiles.

What/where was the last great meal you ate in Sydney?

Last night at the Zen Japanese restaurant in Randwick celebrating the end of our sale.

Where would we find you on a typical Saturday morning?

On the verandah sipping a coffee and eating a croissant with my mothers home made marmalade while I read the papers.

Sydney’s best kept secret?

Wonderous walks and swimming at Little Bay.

Fat Loves Art

Fat Loves things…. things like Music, Literature, Fashion and Art.

Artwork by Emily Valentine

Artwork by Nicholas Jones

In conjunction with Melbourne Spring Fashion Week (which is nearly upon us… starting Sept 1!), Melbourne’s favourite local-fashion retailer Fat is launching a series of fun events called ‘Fat Loves’, sharing their love for local Music, Fashion and Literature and Art.

Fat Loves Art will showcase the work of 4 local artists, with exhibitions in each of Fat’s four Melbourne stores running from Sept 1 – 7. The artists featured include Design Files favourite book sculptor Nicholas Jones(!), jeweller / taxidermy sculptor Emily Valentine, multidisciplinary artist Tess McNamara and illustrator/animator Polly Dedman. More info on the Fat Blog.

Fat is at Chadstone, the GPO, Brunswick st Fitzroy and Chapel st Prahran.
I’m sure you already know, but anyway.

Nicholas Building Open Studios – Tonight and Tomorrow!

My shots from last year’s Nicholas Building Open Studios event

Tim Fleming’s ‘flatland‘ studio

Last year I found out about the Nicholas Building Open Studios event at the very, very last minute, and had to dash out the house immediately with camera in hand to get down there in time! Whoops. This year I am luckily a little better prepared!

Now in it’s 5th year, The Nicholas Building Open Studios event is part of Craft Victoria’s Craft Cubed festival (until Sept 12th).

You can catch the Open Studios event both tonight and tomorrow night, between 4pm – 9.00pm. It’s such a great opportunity to snoop around the Nicholas Building… if you’ve ever been curious about all the creative happenings behind closed doors in one of Melbourne’s favourite artists’ haunts, this is a must-see!

You can re-visit my coverage from last year’s event here.

For the full line-up of this year’s open studios, see here. For more info, visit the Nicholas Building blog.

Nicholas Building Open Studios
Nicholas Building
Cnr Swanston st and Flinders Lane

Melbourne

Thursday 27th August – 4pm – 9pm
Friday 28th August – 4pm – 9pm

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