The Design Files Daily

Monthly Archives: March 2008

Nendo



‘Alice’s Tea Party’ was held at Ozone Living Design Center in Shinjuku, Tokyo, to celebrate the 100th anniversary of English tea brand Lipton’s presence in Japan. This incredible event design featured custom made shrunken and oversized furniture – inspired by Lewis Carroll’s Alice in Wonderland. I think this is my favourite of Nendo’s projects, and won them a Gold Award at the JCD design awards.

Chocolate-pencils – a collaboration with Japanese patissier Tsujiguchi Hironobu. diners can shave the chocolate shavings onto their dessert using the sharpener. ‘Pencil filings are usually the unwanted remains of sharpening a pencil, but in this case, they’re the star!’

‘Meguro Office’ interior fit-out in Tokyo

Some examples of Nendo’s product design. On the left – ‘Ribbon’ stool produced by Cappellini (winner of a red dot award 2007), on the right – Bowls from Nendo’s 2006 ‘1% series‘.

Unique climbing wall design for the exclusive Illoiha fitness club in Omotesando, Tokyo. Winner again of a gold award at the JCD design awards 2006.

I first read about Japanese design outfit Nendo in *Wallpaper magazine a year or two ago, and they struck a chord with me immediately. I was so inspired by their multidisciplinary approach – their impressive portfolio of work includes architecture, interior design, event design, furniture design, product design and graphic design. I LOVE this varied approach to design! It’s worth a visit to their website to trawl through through their portfolio… such an impressive and varied collection. It must be an incredible place to work!

Nendo is made up of 6 designers from varied backgrounds – but Oki Sato, who set up the company in 2002, is an architect. He created Nendo only 2 years after completing his architecture degree in Tokyo, and I just read on his website that he was born in 1977 – which means he’s only 30!! Aggh.

One of Nendo’s ongoing projects is their 1% series – a series of products made in limited editions of only 100, so that consumers can experience ‘the joy of owning 1%’! (pieces from this collection available at the 1% website)

ps) There’s an interview with Oki Sato here (Mocoloco).

Husk Window Display


Husk window display – I love how all those colours are working together – the dresses in the foreground and the bags on the floor. Gorgeous. (Sorry for the reflection)

I was at Husk in Hawksburn on the weekend… I just love that shop – a peaceful atmosphere, a beautiful interior, and a unique collection of fashion and homewares from all around the globe. Somehow my wardrobe has been getting more and more black and white in the last few years, but Husk’s collection makes me want to dress up in oranges and mustards and acid yellow (that dress in the window is beckoning me!) If only my wallet could keep up.

Anyway, as usual they had a stunning window display – a gigantic set of knitting needles stands crossed behind the mannequins, with a swatch of knitting in bright orange nylon rope hanging from them. It’s such a cute concept… I like the reference to handmade crafts – as many of Husk’s labels have handmade elements. It’s also a nice reminder that winter’s around the corner… despite today’s temperature!

(I also couldn’t help but notice also how well this ties in with Friday’s post about Tin&Ed’s fantastic oversized ‘wool’ props for the Tourism Victoria campaign!)

Previous windows – stunning stuff.

ps) Also the cafe at Husk is so lovely – I recommend the incredible date and apricot fruit toast for breakfast (from Baker D. Chirico – of course) or the Chicken sandwiches for lunch (sounds boring but they’re so tasty).

Husk (Hawksburn Store)
557 Malvern rd , Toorak

Mon-Thurs 9.00am – 5.30pm
Fri 9.00am – 6.30pm
Sat 9.00am – 5.30pm
Sun 10.00am – 5.00pm

Crumpler – USA trade show stand



Photos – Ben Richards

Photo – dvice


Most Melburnians would also have read the story about how
Crumpler was founded in 1995 by Dave Roper and Will Miller (ex bike couriers), and sculptor/furniture maker/bike courier Stuart Crumpler. Apparently they couldn’t find any cool-looking, durable messenger bags to wear on their bikes… so Crumpler was born. Initially the bags were worn by couriers at their company, and gradually as these prototypes were spotted all over town, interest grew and their bags went into production. Over 10 years later Crumpler is a recognised brand all over the world, and continues to grow.

Crumpler doesn’t just design a great range of bags, camera and laptop cases… They are also fantastic at fostering local creative talent – they often collaborate with local young creatives for their super-kooky marketing campaigns (like the Crumpler ABC website by Tin&Ed that I linked to last week). They also sponsor various events including film festivals such as the Melbourne University ‘U Film Fest’ and Enhance TV ATOM Awards, where they have offered student filmmakers the chance to create a Crumpler advertisement for TV/cinema.

Crumpler’s in-house designer Joel Adams has just completed a fantastic new tradeshow stand that’s just had it’s first outing touring the USA at a number of tradeshows. Joel developed the concept, inspired by an historic volume of architectural etchings and toy dinosaur construction kits. He worked in collaboration with graphic artists Tin&Ed (again!) to compile a dreamy landscape of grand buildings, fanciful creatures, and unidentified flying objects. It won an award for best stand at Outdoor Retailer Winter Market 2008 in Salt Lake City.

The stand looks incredible in the shots (above)… a great combination of intricately detailed illustration, and large scale construction. You can see more here, and a great widescreen time-lapse series of the construction process here. US tech blog Dvice also did a nice little write up here.

Interview – Seesaw Design

Poster and website design for Kate Alexa (Liberation Records). I really love that yellow diagonal stripe with the black and white…

Globe promotional material

Gallaz print campaign

Corporate identity and signage

Mode promotional material
Wrangler print campaign

Seesaw Design is a boutique graphic design company based in North Melbourne. It was set up in 2003 by Anita McArthur and Matthew McKenzie, who met whilst studying at RMIT. I’m always interested to hear the story behind creative start-up businesses, and the point at which they took the plunge and went out on their own. In Anita’s case, I was interested to hear that only 2 years after graduating, Anita and Matthew were already gaining so much freelance work that they didn’t have time to continue working 9-5 for somebody else! This is a testament to Seesaw’s talents and professionalism in looking after their clients.

Seesaw handle a real variety of projects and clients – everything from fashion and T-shirt graphics, to web design, advertising and print media, and film graphics. I first came across Seesaw whilst working on Channel 10′s Thank God You’re Here… they used to do a lot of our graphics… which was an absolutely endless task – often with quite unrealistic deadlines! Each week there’d be at least 2 if not more scenarios that would require a lot of graphic signage… Anita would often get our brief with only a couple of days to complete the job… then they’d do a range of logos etc, and we’d print these on adhesive vinyl or canvas to dress in to the sets. Seesaw were so patient and professional in dealing with all of our endless demands and last minute changes… and no matter how crazy our requests, Anita always came through!

Read on to learn more about Anita’s creative inspirations, the challenges she faced in setting up her company, and the perks of running your own business – like having pets in the office!

Tell me a little about your background – what did you study and what path led you to what you’re doing now?

I originally completed a Bachelor of Biomedical Science straight after High School. A few of my friends at the time were studying graphic design and I knew that was what I really wanted to do. So I went on to study a Bachelor of Communication Design at RMIT. At RMIT I met my business partner Matthew McKenzie and we always dreamed of one day opening a studio together. About two years later after collaborating on many freelance jobs and working together at another studio, we started Seesaw.

What were the main challenges you faced in starting up your own company? How did you take the leap from working for someone else to going out on your own?

I think the decision to go out of our own happened pretty organically, we both started receiving so much freelance work that working nine to five for someone else just became too difficult. Initially the hardest thing was trying to be creative while attempting to run a business. We figured out pretty quickly book keeping wasn’t our forte.

What are some of your projects/clients that we might be familiar with?

We are really lucky to have a diverse range of clients, from fashion and music though to finance, not for profit, architecture and engineering clients. Some of our more recognisable clients include Wood Marsh Architecture, Wrangler, Body Bronze, Gallaz, Globe, Mooks, Bettina Liano, Marshall Baker Homes, Liberation Music and Variety the children’s charity. We have also worked on a number of TV shows including Channel Ten’s Thank God You’re Here.

How do you approach a brief initially – Do you turn to books, magazines or websites for initial inspiration? Do you brainstorm your ideas with your colleagues or prefer to work independently?

After meeting with the client and learning about their business and direction, we start with brain storming and researching by looking at relevant books, magazines or websites. We then come up with a plan of attack and one of us takes the job through to completion while still bouncing ideas around the rest of the studio. The team is quite small so there is no real hierarchy, rather we all work together to make sure the job is completed with the best result, on time and budget.

Which designers, artists or creative people are you inspired by?

So many people inspire us, the design culture in Melbourne is amazing. We are really lucky to have incredibly talented contacts and friends who work in architecture, interior design, photography, illustration and fashion.

What does a typical day at work involve for you?

Every morning starts at about 9am with a coffee. Then pretty much everyday is different.

What are you most proud of professionally?

There are many jobs we are truly proud of but most of all I am really proud of our client relationships. I also love the fact we work with great charities. There is nothing nicer than knowing that the work you create directly helps someone.

Where do you find inspiration?

Gosh, we find inspiration everywhere. From friends, magazines, architecture, interior design….a beautiful chair, old signage, a colour palette, found type. Pretty much anything.

What’s the best thing about your job?

The freedom to pick and choose who we work with.

Oh and having pets at work.

And the worst?

Tight deadlines and unreasonable clients. Thankfully that doesn’t happen too often.

What would be your dream project?

It would be a complete re-branding job with a completely open brief. Oh and one with an endless budget!

What are you looking forward to – professionally or personally?

Professionally – growing our team, working on exciting new projects and moving into our new dream studio. Personally – getting married in December.

Melbourne Questions –

What/where was the last great meal you ate in Melbourne?

The Aviary – Victoria Street, Abbotsford

Where would we find you on a typical Saturday morning?

Normally wake up late, walk up to Errol Street in North Melbourne, stock up on magazines and grab a coffee from the lovely Fandango.

Melbourne’s best kept secret?

If I told you it wouldn’t be a secret!

Tin & Ed


Tin & Ed are Tin Nguyen and Edward Cutting. They’re a young graphic design duo based in Melbourne. Their name oftens seems to pop up on lot of kooky and cool design projects in Melbourne… Things like the Crumpler ABC website (weird but wonderful), the Next Wave Festival program, and also I keep seeing their photos on threethousand.

They are also in part responsible for this lovely print campaign for Tourism Victoria…. (photo above).

They made those giant ‘wool’ sculptures! Now that’s quite versatile for a graphic design company! Nice styling huh? I really like that giant woolball. I like the illustrative shapes – the arrows and the hand. I like that they physically made the props and didn’t just photoshop them! (for proof of this you can see the giant shapes in 3D here)

Also have a look at the lovely TV commercial that goes with that print campaign – really cute art direction… makes Melbourne look so pretty!

I was all set to email Tin&Ed and see if they wanted to be interviewed but alas I have just found a fantastic interview with them here at Chaos Generation, and they pretty much answered all the questions I was dreaming up. Blah.

Paper Alphabet


I love unique typography and I really love paper.

unique typography + intricate paper crafting = Sonya Dyakova’s Paper Alphabet

Sonya Dyakova is associate art director at Phaidon Press. Her beautiful Paper Alphabet featured on the cover of their publication ‘Sculpture Today‘, and immediately caught the attention of the design world. Wallpaper* Magazine awarded it ‘Best Typeface’ earlier this year in their annual Wallpaper* Awards.

It’s the perfect balance – uniquely hand-made, yet precise and uniform. I love the sense that three dimensions are springing out of the flat page. I love how the shadows cast by each raised shape play as much a role in outlining each letter as the paper itself. I love that it looks like an architectural model. I love it’s right angles. I love white on white. aaahhh.

Wallpaper* (Feb ’08) called it ‘a blast of analogue… in a world of digital slickness’. Couldn’ta put it better myself.

ps) found some some more paper alphabets while scanning the web… the blue folded version is by Lala Ladcani…. the other is an image I think I spotted on fffound?? oooh I’m loving all these shots…

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